Tag Archives: distance

Manly Beacon, First Light

Manly Beacon, First Light
Manly Beacon, First Light

Manly Beacon, First Light. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

The first morning light strikes Manly Beacon at Zabriskie Point, Death Valley National Park.

Icon alert!

I had more or less promised myself that I would not photograph at Zabriskie Point on this trip – been there, done that – unless the conditions were really special. But I miscalculated my morning start on this day and discovered that I wasn’t going to make it to my intended destination in time. As I passed Zabriskie on my way to the “other place,” telling myself that I still had a half hour before I needed to be in place for the early light… I noticed that clouds above this area were already starting to pick up the pink color of dawn light. I hesitated for a moment – I really wanted to photograph that other subject – but quickly realized that it would make a lot more sense to the shoot the subject that was here in the light that was developing than to drive further and miss out entirely on the first light.

So I turned into that familiar parking lot with its familiar fleet of photographers’ cars and quickly loaded up my gear. I was a bit surprised that I saw so few people up above at the official overlook, but it was quite windy and I figured that perhaps they had just dropped down on the other side of the wall below this spot. In any case, I had a different spot in mind, one further to the right, so I headed over that way and quickly discovered that the wind was blowing almost too strongly to make photographs. I made a couple of shots from a small gap there and then headed up toward the overlook. At the top of the little trail from the parking lot I dropped onto the small use trail to the side of the wall and was again surprised to see almost no other photographers. I walked a few feet farther and discovered that the “usual crowd” was huddled in a small area in the lee of the wall, trying desperately to find protection from the wind.

These days, my main project when I stop at Zabriskie is to find and photograph small, isolated elements of the landscape with a long lens. For the most part – unless truly magical conditions are present, and they weren’t on this morning – I don’t really spend much time on the classic views of Gower Gulch, the Valley, and the Panamint Range. However, since I’m there and know the progression of the light fairly well at this point, I’m not about to pass up the opportunity to get a better image of one of these iconic subjects. So as the first light was about to hit the summit of Manly Beacon I turned my rig that direction and spent a couple of minutes photographing it as the line between shadow and morning light traveled down its face.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dusk, Death Valley Ridges

Dusk, Death Valley Ridges
Dusk, Death Valley Ridges

Dusk, Death Valley Ridges. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light on ridges above Death Valley, California.

This photograph was made in the evening from Aguereberry Point, high in the Panamint Mountain Range along the west side of Death Valley. The point is a spectacular overlook with panoramic views in all directions. The number of visitors is relatively low since it is at the end of a gravel road and is a good long drive from most of the places where people tend to stay when they visit the park. It is also windy!

(Those who read the brief technical information about the photographs might wonder at my use of ISO 400 for a landscape photograph – but when shooting at 400mm in windy conditions, a lower ISO makes it darn near impossible to deal with camera vibrations.)

The range of lighting conditions and effects as the day comes to an end at Aguereberry Point is tremendous. To the west (roughly behind me and over my left shoulder as I shot this photograph) the sky is very bright as the sun drops towards the distant Sierra Nevada. Below the Valley and the canyons along the mountains on either side gradually dim and become hazy. As the sun drops and is blocked by intervening peaks and mountain ranges, even the higher peaks and ridges take on these subtle and pastel shadings. It probably isn’t too important to identify the specific ridges in this image, but they are to the northeast of the point. The nearer ridge is along the west side of the Valley (probably part of the Tucki Mountain complex) and the further ridges are a much greater distance to the northeast across the upper Valley.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trail Canyon, Lower Slopes of Wildrose Peak, Death Valley

Trail Canyon, Lower Slopes of Wildrose Peak, Death Valley
Trail Canyon, Lower Slopes of Wildrose Peak, Death Valley

Trail Canyon, Lower Slopes of Wildrose Peak. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

Afternoon shadows fall across the lower slopes of Wildrose Peak above Trail Canyon and below Aguereberry Point, with Death Valley and the Black Mountains beyond.

The view from Aguereberry Point (and from this location close to the point) is spectacular and expansive, taking in everything from Death Valley itself, stretching almost 180 degrees from left to right, to the Green, Black, and other mountains beyond. To the south and north other ranges merge with the atmospheric haze. The peaks of the Panamint range lie behind, and in places where the view is clear you can look down on the rugged terrain of the east face of the Panamint Range with its rugged ridges and deep canyons dropping towards the Valley. This photograph looks roughly southeast towards the lower end of Death Valley in the area around Ashford Mill. The deep foreground canyon, the bottom of which is just visible at lower right, is Trail Canyon. I understand that a four-wheel-drive road used to come up to Aguereberry Point via that canyon, but that parts have washed out and it can no longer be driven. I think that you can hike it, but that would be one heck of a climb since the base of the canyon can’t be more than a few hundred feet above Death Valley (which is below sea level in this area) and the Point is well above 6000′. The lower slopes of Wildrose Peak rise beyond the canyon.

Surprisingly, this view presents several photographic challenges. Because of the haze that appears when such great distances are part of the scene, I chose to use a polarizing filter for this shot. Timing is important here, too. Arrive a bit too early and the light is harsh and flat. Arrive a bit too late and the foreground ridges are quickly enveloped in shadows as the sun drops behind the crest of the Panamint Range. (Yes, I have made both mistakes in the past.) Knowing this, I arrived a bit earlier than I might have usually arrive to shoot evening light and I managed to photograph the scene before that Panamint Range shadow obliterated the foreground light.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

From the Panamints to the Sierra, Evening

From the Panamints to the Sierra, Evening
From the Panamints to the Sierra, Evening

From the Panamints to the Sierra, Evening. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

The Sierra Nevada in evening light as seen from Aguereberry Point in Death Valley National Park’s Panamint Range.

I made this photograph from Aguereberry Point shortly before sunset. Aguereberry Point is a lonely prominence over 6000′ above Death Valley, high in the Panamint Mountain range, a place of astonishing panoramic views – and often some significant winds. As I drove the gravel road to the point late in the afternoon I saw three or four other vehicles heading the other direction, but when I arrived at the point a bit more than an hour before sunset no one else was there.

Having photographed here a few times previously, I am becoming more familiar with the challenges and the opportunities of shooting here. One of the challenges – as is the case in many spots in Death Valley – is that certain subjects seem to be “photographable” at very specific times and only for short intervals. One of the most interesting views from Aguereberry is southeast down into Trail Canyon and on to the lower slopes of Wildrose Peak beyond. This is wild, rugged, austere terrain. However, because it lies on the east side of this range the light changes quickly from a washed out blast of daytime sun to sudden deep shadows as the sun drops behind the higher ridges of the Panamints. (Trail Canyon is not seen in this photograph.)

Another challenge is that, impressive and overwhelming as the scale of this grand scene is, it can be difficult to pull interesting compositions out of it. I tend to work with longer lenses here, both to isolate smaller areas out of the huge landscape and to compress distance. In this photograph, the silhouetted crest of the highest part of the Sierra Nevada range is on the horizon, with the intervening ridges of the Panamint Range and others probably including the Inyo Mountains and the ridge just west of Panamint Valley.

And, since I tend towards those large and long lenses… wind is an issue! And on top of Aguereberry Point there is nothing to stop the often strong winds of Death Valley. On this evening the winds were howling, so I found a spot below some rocks where it was a bit less windy and then spent a lot time waiting for momentary lulls in the wind when I could make photographs.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.