Tag Archives: dormant

Sprawling Tree, Clearing Fog

Trees like this sprawling, old giant are remarkable fixtures in this flat landscape. Not only do they stand out visually against the surrounding flatlands and marshy ponds, but they support their own plant and animal communities. It is common to find raptors perched in their branches. Their decaying autumn leaves and dropped branches nourish the soil. And on hot summer days they provide cooling shade.

This one is an old friend by now, as it is along a route that I often follow when photographing winter birds. This morning began with very dense tule fog, but as I worked my way to the location of this tree it began to break up and thin. The sun was breaking through and turning the remaining fog luminous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Plants

I like to photograph in California’s Central Valley during the dark and foggy part of the year — roughly from November through the first half of March. (There are some distinctly non-dark days during this period, too.) With the exception of grasses, which start to green up in California during the winter, this is largely a season of dormant plants. As I pass through these wetland areas I’m always intrigued by the forms of these plants, especially when backed by or reflected by the water.

I was out there to photograph birds, but during quieter moments I turned my attention to these plants. Most of them don’t make for good photographs — they have busy backgrounds, they are too thick, or their shapes just aren’t quite right. But every so often I find a specimen that has managed to take on a graceful, even flowing shape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetlands, Winter Sky

Recently I was thinking about a particular sort of “moment of consciousness” that I’ve experienced a few times. It usually (though not that often!) comes when I’m in a natural place where more or less nothing is happening and my pace has slowed. It is hard to define precisely what these moments are or force them to happen, but when they do come they are palpable. There’s a sense of immense stillness and of time almost stopping. For me it has come on a few occasions in the desert or in the mountains, alone on a windless and silent day..

I think it could come in a place like this, too. At one point this week I paused and just sat quietly and considered what is happening most of the time in this wetlands location. The answer is: nothing obviously remarkable. A few birds move about slowly and almost silently (until the geese and cranes arrive!), the water is still, and the sky seems fixed and luminous. I’m not sure that a photograph can embody all of that, but perhaps it can be a reminder.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Winter Trees at Sunrise

Three Winter Trees at Sunrise
Three winter trees in soft sunrise light on a misty Central Valley morning.

Three Winter Trees at Sunrise. © Copyright 2023 G Dan Mitchell.

Three winter trees in soft sunrise light on a misty Central Valley morning.

This is another photograph from my first-week-of-March visit to the Central Valley. My objective was to photograph migratory birds one more time before their March departure for the far north. Once on the scene my goals shifted more towards landscape photography, as many of the birds had dispersed a bit more widely than usual and were in areas that were not accessible. Recent heavy California rains had produced pooling water nearly everywhere, so the birds were not all in their familiar locations. Fortunately, the trees had not moved.

In other recent posts I have mentioned the surprise appearance of tule fog on this morning. The day started out crystal clear, and lacking the expected bird subjects I decided to photograph these trees at sunrise. I was so intent on this that the slightly muted quality of the light didn’t trigger my “maybe there will be fog” instincts. But when I look at this photograph now I can see that the conditions were already starting to develop. But at the moment I made the photograph, all I saw was the soft, reddish sunrise light on the trunks of these trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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