Tag Archives: evening

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne Meadows Trees, Sunset

August 23, 2011 G Dan Mitchell 2 Comments

Trees standing at the edge of Tuolumne Meadows in sunset light, Yosemite National Park.

After first shooting in another location a few miles away late in the day – and being chased back to my car by the worst clouds of mosquitoes I have encountered in recent memory – I found myself with a bit of extra time at the start of the “golden hour,” so I headed up to Tuolumne to see what I could find involving trees and the meadows and perhaps some of the surrounding mountains as the day came to an end. It was not long before the light left the meadow when I arrived, so I kept my eyes open for any subject that might look good in this warm light. I spotted these trees right alongside the roadway, pulled over, set up my tripod, and made a few exposures just before the light started disappearing from the west end of the meadow.

To me, this image has virtually all of the elements that say “Tuolumne Meadows” – the scattered trees in the meadow, the golden evening light on the July grasses, rock outcroppings here and there, and the surrounding forest with higher peaks beyond.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)

Photographs: New York City, Photographs: Urban/Street

High Line Park, Evening

August 21, 2011 G Dan Mitchell Leave a comment

Evening along the High Line Park as thunderstorm weather approaches, New York City.

This was a fun photograph to make and a bit of a challenge. I decided to shoot with just a 50mm prime as we walked the Highline Park in New York City, trying to keep things simple and shooting quickly and handheld. Our plan was to be there a bit more than an hour before sunset so that we could see and photograph the evening light. That didn’t quite work out…

About the time we started walking at the south end of the Highline we noticed a big electrical storm developing over the water in New Jersey. While the giant storm to our west spoiled our chances of sunset light, it created other interesting opportunities as the sky darkened. In fact, it becomes so dark an hour or so before sunset that hand held shooting was becoming difficulty, even at ISO 800, f/2 or f2.8 and as low as 1/15 second! But because there was still some light, as streetlights and other lighting came on there was still enough illumination to register the unlighted or less lighted areas – it was almost like doing night photography without the need for the tripod or the super long exposures!

This shot was handheld, probably at the lower end of the range of my ability to shoot this way, but there was enough light to still make the sky and buildings visible, yet give the appearance that the scene was largely artificially lit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Sunset and Moonrise, Kuna Crest

August 15, 2011 G Dan Mitchell Leave a comment

The nearly- full moon rises above the sunset light on Kuna Crest, Yosemite National Park.

Kuna Crest runs up Lyell Canyon between the Lyell and Dana forks of the Tuolumne River with the Sierra crest at one end and Mammoth Peak at the other. (Mammoth Peak is the large peak straight in front of you as you top Tioga Pass entering Yosemite National Park.) This ridge can catch great sunset light during the summer, and as I came down from the pass, heading back toward my camp at Porcupine Flat, and saw the almost full moon appearing over the shoulder of the ridge I decided to quickly stop and make a few exposures as the last light was about to leave the forest and soon after the peaks.

If you have tried photographing a scene that includes the moon in the early evening you know that the exposure is a tricky thing. The moon is lit by daylight, so it isn’t too surprising that the “correct” exposure for the moon is close to a normal daytime exposure. But that is not the right exposure for the rest of the scene, which turns out to be quite a bit darker than daylight at this time of day. In this scene things were even more complicates as the very saturated red colors on the ridge were quite “hot,” while the foreground meadow and forest was in shade and both darker and cooler in color. Basically, the dynamic range between the moon and the foreground was too large for a single exposure… so I made several.

At the time of exposure I thought that I might need as many as three component images in the final photograph – they would be one exposed for the bright ridge and sky, one exposed for the rather dark and shadowed foreground, and possibly a third that correctly exposed the moon. To be on the safe side I bracketed four exposures. When I began to work on the image I figured out that in this case I could construct a final “believable” image from two exposures if I was careful and could make some additional adjustments during post.

This is an example of a shot in which the use of a graduated neutral density filter could have been problematic, but where exposure blending could work very well. (“Exposure blending” is one term for the process of manually combining two component exposures using masked layers in Photoshop. No, it is not the same thing as HDR photography.) One of the things that would have been quite tricking using graduated neutral density filters is that the division between the brighter upper half and the darker lower half is not linear. Instead, the roughly follows the curved boundary between the lower meadow and dark trees and the still sunlit trees and the peak and sky.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)

Photographs: Nature, Photographs: Sierra Nevada

Burned Forest, Evening

August 14, 2011 G Dan Mitchell Leave a comment

Evening light on an eastern Sierra Nevada forest recovering from a recent wildfire.

This spot is in Mono County along highway 395 not far from June Lake, and it is a spot that I’ve had my eyes on for some time. As a person who was brought up in the “Smokey the Bear” era, when wildfires were thought to be entirely a bad thing, it took me a while to come to terms with the knowledge that such fires are a natural and necessary element. I understood this logically before I understood it aesthetically, and I struggled for some time with the idea that places where fires have occurred can be seen as sites of rebirth rather than as destruction and desolation.

I’ve been waiting for the right opportunity and the right light to photograph this burn area for a couple of years now. I pass by fairly often, but it has always been at the wrong time of day or at a time when I could not afford to stop. However, as is often the, unexpected coincidences caused me to be here just before sunset as the light turned golden in mid-August. Ironically, part of the cause was… a forest fire in Yosemite! Up in the Tuolumne area, the afternoon air had turned smokey and the light had taken on the sort of brownish color that forest fire smoke can create. This light was not inspiring me, so I thought that I’d drive over the pass and head south a short distance on highway 395 to see if I could find more interesting lighting. As I traveled south from Lee Vining I happened to notice the turn-off for West Portal Road, which heads out in the general direction of Mono Craters. I took this road and spent some time poking around, eventually making a few exposures in the area called Aeolian Buttes, and then returned to the main highway a bit south of where I had originally left the road.

As it happened, this choice dropped me onto 395 at a place where I could see this burned area just a bit further down the road. The sun was not far from dropping behind the Sierra crest, so I figured this could be my chance to give it a try. I found a spot where the late afternoon light was warming the color of the summer-dried grasses and some white flowers grew among the burned trees, and I had perhaps 15 minutes to work before the sun dropped behind the peaks.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.