Tag Archives: evening

Badwater Salt Flats, Evening

Badwater Salt Flats, Evening
Badwater Salt Flats, Evening

Badwater Salt Flats, Evening. Death Valley National Park, California. March 31, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Windows and Reflected Light, Industrial Building

Windows and Reflected Light, Industrial Building
Windows and Reflected Light, Industrial Building

Windows and Reflected Light, Industrial Building. New York, New York. August 22, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A double-reflection of late light from an adjacent building appears in the upper story of this window-covered industrial building near the High Line Park in New York City.

This is another of my photographs from New York City’s High Line Park, made during my late August visit to the city earlier this year. For those who may not know, the High Line is a relatively new (and still under construction) urban park in Chelsea that is “elevated,” being built on the bed of the old elevated railway that passed through here. The park is tremendously popular, especially on summer evenings.

Aside from being a pleasant place to walk, the High Line affords some interesting views that are usually not quite this accessible. There are not to many places where you can walk through a busy urban environment such as Manhattan for a mile or so, out in the open, a couple of stories above street level, with largely unobstructed views of subjects near and far, and above and below. Here the park passes between some taller buildings that are closely spaced, creating an interesting lighting situation. (Oddly, it is a kind of lighting that I often look for when shooting landscape or nature subjects.) The sun is behind the building in the photograph, so the building is largely lit by light from the open sky plus light reflected from the building behind my camera position. You can see that other building in the windows here, the upper floors in direct sun light and the lower in shadow.

G Dan Mitchell Photography
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Sunset, Lower McCabe Lake, Shepherds Crest, and Virginia Canyon

Sunset, Lower McCabe Lake, Shepherds Crest, and Virginia Canyon
Sunset, Lower McCabe Lake, Shepherds Crest, and Virginia Canyon

Sunset, Lower McCabe Lake, Shepherds Crest, and Virginia Canyon. Yosemite National Park, California. September 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Afternoon storm clouds clear from the sunset sky above Lower McCabe Lake, Shepherds Crest, and Virginia Canyon, Yosemite National Park.

With this photograph I get to tell another of the “serendipitous photograph” stories that seem to keep coming up in my work. In this case, we had been camped near the lake in the lower area of the photograph for several days, getting to know the place and having time to carefully photograph various areas nearby. On a previous evening we had climbed to a second lake a few hundred feet higher than the “main” lake, from which one of our group decided to traverse a nearby slope. He ended up at another alpine lake that looked interesting, and the next morning others went with him to visit it. I didn’t, because I had some other things that I wanted to photograph in morning light and because I had a hunch that the light might turn out to be more interesting in the evening, mainly because the area of the lake was open to the west and, therefore, the evening light.

So in the evening, after our typical very early dinner, I departed on a walk to the upper lake that my friends had visited that morning, wandering around “our” lake and through the surrounding forest to pick up a rocky ramp that ascended toward the lake. However, I apparently missed a turn somewhere. I finished the main part of the climb and apparently should have turned left immediately – but I continued on straight ahead and soon found myself in a little meadowy area with a rather steep bunch of rocks between me and my goal. I finally found a circuitous route up a series of ramps, but now it was getting too close to sunset and my turn-around time, so I had to retrace my steps without getting to the lake.

I returned to the small meadow and made a few photographs there, then headed back toward the route by which I had ascended. Despite not making the lake, one of my main goals had been to get up high to photograph the surrounding terrain at sunset, especially since earlier in the day large thunderclouds had been building to the east and creating the possibility of some very special evening light. As I descended the upper part of the “ramp,” the pre-sunset colors started to light up and I quickly found a spot with a good vantage point to view this in several directions. Among the last photographs I made as the light started to fade was the series including this image. (It is actually a composite of two exposures – one for the very bright and saturated clouds and another for the darker shadows down near that lake.) Beyond the lake is the left end of rocky Shepherds Crest and even further in the distance is Virginia Canyon and then the Sierra crest.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Trees and Granite Cliffs, Evening Light

Trees and Granite Cliffs, Evening Light
Trees and Granite Cliffs, Evening Light

Trees and Granite Cliffs, Evening Light. Yosemite National Park, California. September 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Evening sun backlights trees ascending granite slopes in front of cliffs, Yosemite National Park.

This is very similar to a photograph I posted very soon after returning from this trip about a week ago – the previous one was a portrait orientation variation on this landscape orientation version. The beautiful conjunction of trees, granite, and evening light occurred along the Tuolumne River in an area not far from where the river leaves is wide and relatively flat and peaceful path through sub-alpine meadows and enters a canyon that gradually becomes steeper and deeper as it leads to the unfortunate obscenity of Hetch Hetchy Reservoir. (I visited that location this summer for the first time in many year, and I found it to be the saddest place that I can ever recall visiting in the National Park System.)

But to leave that gloom and doom behind, this portion of the Tuolumne is spectacularly beautiful! Here the river begins to flow quickly and sometimes wildly across granite slabs, sometimes pausing to flow serenely in more level sections. As I was photographing other more intimate subjects above the river I happened to look up and see this beautiful late afternoon back-light shining through the trees that climbed up towards these folded granite ridges, with the haze-obscured vertical cliffs beyond.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)