Tag Archives: face

Sunset Light, Lower Face of Fletcher Peak

Sunset Light, Lower Face of Fletcher Peak

Sunset Light, Lower Face of Fletcher Peak. Yosemite National Park, California. September 9, 2009. © Copyright G Dan Mitchell – all rights reserved.

Sunset light on the lower face of Fletcher Peak near the Vogelsang High Sierra Camp, Yosemite National Park, California.

Fletcher Lake, the location of the Vogelsang High Sierra Camp, is one of “my places” in the Yosemite Sierra – I visit very year, often more than once, and I make a tradition of visiting during the late season after Labor Day Weekend. This year I did a loop trip up Lyell Canyon, then up the Ireland Lake Trail past Evelyn Lake to get there. On the first day I started very late and barely made camp as night fell, cooking after dark an the junction of the John Muir Trail and the Ireland Lake Trail in Lyell Canyon. I slept in the next morning, and eventually headed up the Ireland Lake trail to camp at Evelyn Lake that night. The next morning I headed over to Fletcher Lake, where I spent the next couple night, giving myself plenty of time to photograph this familiar area.

On the evening when I arrived I headed out in the late afternoon to photograph areas around the meadow below Fletcher Lake, eventually working my way over to Fletcher Lake as the sun dropped toward the horizon. This photograph was made not long before sunset as the warm late-day sun illuminated some talus, snow, and granite near the base of Fletcher Peak.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Merced Canyon and Sierra Crest, Morning

Merced Canyon and Sierra Crest, Morning

Merced Canyon and Sierra Crest, Morning. Yosemite National Park, California. November 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

View of Merced River Canyon and the Sierra Crest from Glacier Point in early morning fall light.

I like to visit Glacier Point at dawn at least once each autumn, and the later in the season the better. This year I got up early on the second morning of my Yosemite Valley fall color shoot and drove up there, arriving as the first pre-dawn light began to arrive. Dawn at Glacier Point, especially at this less-busy time of year is special. For one thing, I’m often nearly alone there rather than being part of the typical sunset crowd.

This photograph was made after the sun had risen above the peaks of the Sierra Nevada crest and had begun to backlight the layers of ridges stretching back along the Merced River drainage towards the highest peaks beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Backlit Forest and Shaded Cliff

Backlit Forest and Shaded Cliff

Backlit Forest and Shaded Cliff. Yosemite Valley, California. November 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Backlit forest and shaded cliff face in Yosemite Valley, California.

This is another midday photograph from Yosemite Valley, something that seems to be a bit more possible in the autumn and winter seasons when the sun never gets too high in the sky, and it is possible to find shadowed sections of the surrounding cliffs as background to the interesting lighting on the trees. Here a few trees with autumn colors are framed by backlit and almost perfectly “Christmas tree shaped” trees and backed by a dark and shaded portion of the wall along the south side of the Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Detail, Last Light on El Capitan

Detail, Last Light on El Capitan


Detail, Last Light on El Capitan. Yosemite Valley, California. October 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

Detail view of last sunset light on the face of El Capitan, Yosemite National Park, California.

Recently I wrote about (and confessed to occasionally) photographing icons. You cannot succumb more openly to “icon photography” than by creating a sunset photograph of El Capitan as seen from Wawona Tunnel view – but that is exactly what this is.

I had not originally intended to photograph here, but as I often do, I drove by and stopped on my way to look for another subject. When I arrived I got out of the car and walked to the overlook without my equipment, as I often do, just to take a look at the stupendous view – worth doing whether or not you decide to photograph it. Most of the time I simply enjoy the view and then get back in the car and move on. However, on this evening I noticed some things about the conditions that forced me to consider the possibility that it might be “special” enough to stick around and haul out the camera and tripod. The air was quite clear, but even more potentially interesting, I could see a few low clouds to the west and the sky in that direction looked a bit hazy – both conditions can create intense color at sunset. (If I could have ordered up revisions to the existing scene, I might have requested a few interesting clouds floating around the face of El Cap, but no one seemed interested in taking my order!)

Rather than shooting the usual “valley view” – it takes Really Super Extra Amazing Special Conditions for me to “go there” – I put my longest lens on the camera and decided to “work” details of the scene, particularly looking for boundary areas and interesting shapes and forms. By boundary areas I refer to to beautiful and interesting spots where different things are juxtaposed – a shadow and bright illumination, a soft shape or texture and a harder one, a closer subject and one farther away. As the light evolved this pattern of brilliantly illuminated cliff faces separated by a slightly curving shadow and underlined by the rising shadow emerged.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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