Tag Archives: glow

Hallway, The Louvre

Hallway, The Louvre
Light filtiering through windows into a hallway, the Louvre, Paris.

Hallway, The Louvre. © Copyright 2022 G Dan Mitchell.

Light filtiering through windows into a hallway, the Louvre, Paris.

One of my little secrets is that when I visit museums, the collections are not the only reason I’m there. Among other reasons, I like to photograph them. They are compelling spaces in so many ways. Although not evident in this photograph, they are great places to observe people individually and in groups, and the buildings themselves are often visually interesting. That’s no surprise since they are created from a perspective that gives great importance to visual effect and to light.

I’m betting that this is far, far from the most photographed thing at The Louvre! It is just a section of hallway near, if my memory is correct, an escalator. But the light coming through these windows was lovely, so I made a photograph. Here’s a secret: I shared a much different interpretation of of this scene previously. That version is in black and white and in it I took greater liberties with the qualities of the light and shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Mountains, Morning Haze

Desert Mountains, Morning Haze
Glowing morning haze delineates a series of ascending ridges in desert mountains, Death Valley National Park.

Desert Mountains, Morning Haze. © Copyright 2022 G Dan Mitchell.

Glowing morning haze delineates a series of ascending ridges in desert mountains, Death Valley National Park.

Desert haze has become my friend. I used to be frustrated by it — the desert light I wanted was the crisp light of perfectly clear skies. I struggled with haze, with its effects on colors, its lower contrast, and its muted details. (To be honest, sometimes it still challenges me!) But, as is often the case, when I live with something for a while I start to figure out how to see it, and I often end up attracted to it. Now I actively search for just the right kind of soft atmospheric haze.

I had plenty of it on this morning. I was out before dawn, of course, and after finishing with my initial early morning subject I traveled to a higher location with immense and panoramic views of the landscape. The bright light beyond these mountains was making the haze luminous and almost eliminating fine details, leaving the outlines of the successive ridges receding toward the morning sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Orchard, Fog

Orchard, Fog
“Orchard, Fog” — Thick winter tule fog spreads through a Central Valley orchard.

The primary goal of my visit to the Pacific Flyway on this early-January day was to photograph migratory birds in the tule fog. I regularly check the weather predictions at this time of year, since it is the time of “interesting weather,” and this can make all the difference when it comes to the photographic potential of a location. On the day before I made this photograph, my check revealed a very good chance for dense tule fog — the kind that sane drivers try to avoid but which attracts photographers. So I was up very early, ready to drive through the fog for the chance to photograph it.

Local conditions can vary a great deal on days like this. Out where I was photographing birds the sky was beginning to clear, but I still wanted fog. So I drove a ways in a direction where the sky seemed darker, and before long I was once again engulfed. I had this orchard in mind as drove, and when I got there I took a gravel side-road to a spot where I could see an uninterrupted expanse of tree silhouettes fading into the distant fog where the sun was trying to break through.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Big Sur Headlands, Autumn Light and Fog

Big Sur Headlands, Autumn Light and Fog
Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

Big Sur Headlands, Autumn Light and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

This is a spot that I visit on virtually every trip to the Big Sur Coast. The place where I pull over and find this view is not a spot where you would likely consider stopping. The view is not really all that visible from the roadway, and I think I first found it by spotting the subject from another place and speculating about where I might need to go to find the angle I was looking for… and then successively trying a series of pull-outs until I found one that worked. I know — figuring out which wide spot on the road to use for my camera position sort of diminishes the romance of the whole thing!

But this view! There is a series of tall and steep headlands that fall directly to the Pacific Ocean here. Beyond there is a shallow bay, and then the coast curves back toward the ocean in the distance. The formation of the successive headlands is mirrored in a series of successive ridges running from the ocean back toward peaks. Of course, based on the photograph I made on this visit you will have to take some of this on faith since you cannot see it. Because the coastline here gradually heads further east as it goes south, by late morning the sun’s light reflects off the water, and when there is a bit of fog, as on this day, the effect is remarkable. The atmosphere truly glows, and it is almost too bright to look at. Since I have photographed this before, I’ll point out that that there are two features of this rendition that are a bit different. First, that glowing fog is unusual. Second, I decided to go with a bit broader composition here, and I included the sweep of the darker near ridge at the bottom of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.