Tag Archives: golden

Lunar Eclipse, Golden Gate Bridge

Lunar Eclipse, Golden Gate Bridge
Lunar Eclipse, Golden Gate Bridge

Lunar Eclipse, Golden Gate Bridge. San Francisco, California. December 10, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Moon, in full lunar eclipse, drops behind the Golden Bridge South Tower, San Francisco, California.

Very (very!) early this morning I joined the surprisingly large throng of photographers out to shoot the lunar eclipse in the San Francisco area. I was up and out the door shortly after 4:00 a.m. and heading toward San Francisco. My first thought was to see if I could get an interesting composition with the moon over the San Francisco skyline by shooting from Treasure Island, in the bay between the City and Oakland. I arrived there while it was still very dark and found that lots of other photographers (and a motorcycle club!) were already on the scene. The photographers included to semi-astronomy types with the really, really big lenses and plenty of others.

The problem was immediately apparent. Even though the moon was still fairly high in the sky, it was apparent that it was going to set far to the right of San Francisco. I might have been able to find a workable spot on the island, but I still wasn’t sure the moon would be in a good spot once it got close to setting. At this point I decided to try a “plan B,” and I felt that there was a pretty good idea that I could make something work in the Crissy Field area. So I hopped back in the car, passed through downtown San Francisco, and arrived at the Crissy Field area…

… only to find out that I was most certainly not the only photographer thinking of using this location! There were hundreds of tripod-lugging photographers lined up a long the shoreline! My main idea at this point was to find a location from which the setting moon would pass above and then behind the bridge. So I headed off quickly towards the area where I thought this juxtaposition might be available. Soon I found it, and just as the sky was beginning to lighten up a bit and shedding a bit of natural light on the bridge. It was still quite challenging to get even a workable shot. The wind was blowing stiffly, making the necessary long exposures a bit tricky. In the end I think I got one or two that are interesting.

A vertical format version of this scene is posted here – I still haven’t decided which I prefer!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sierra Nevada Photographers, Golden Hour Light

Sierra Nevada Photographers, Golden Hour Light
Sierra Nevada Photographers, Golden Hour Light

Sierra Nevada Photographers, Golden Hour Light. Yosemite National Park, California. September 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Photographers Charles Cramer and Karl Kroeber working in golden hour light along the shore of a sub-alpine lake high in the Sierra Nevada back-country of Yosemite National Park.

Look! A photograph of people! :-)

I spent a week or so on the trail in the Yosemite back-country with a group of five other photographers this past September. We spent a good stretch of time in the area of some scenic lakes in the northeastern portion of the park. I was out for a week and a day, while the rest of the group spent a few additional days on the trail. Not too long after arriving at the nearby sub-alpine lake that was to be our home for several days, various members of the group started to explore the surrounding area, and on this evening we all decided to climb up the valley from “our” lake to the next higher lake along the drainage. We travelled more or less cross-country up the shallow valley of the creek between the two lakes, passing through beautiful meadows before arriving along the shore of this lake very late in the afternoon.

Once we arrived we more or less split up and focused on different portions of the lake and its surroundings. I mostly shot in one very small area where some beautiful granite boulders were embedded in the shoreline meadow, providing an interesting foreground for photographs across the lake to a nearby peak as the golden hour light arrived. At one point I noticed that my friends Charlie Cramer and Karl Kroeber were shooting nearby, so I paused from my landscape photography to pivot my camera in their direction and make a photograph of them as they worked the golden hour light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Detail, Red Cathedral

Detail, Red Cathedral
“Detail, Red Cathedral” — The eroded and fluted face of the Red Cathedral, Zabriski Point, Death Valley National Park.

I have recently posted other photographs made in the area of Zabriskie Point in Death Valley, including one other of this feature sometimes known as the Red Cathedral. It stands to the right of the more famous and recognizable parts of the Zabriskie Point Landscape where, for example, Manley Beacon is one of the most well-known visual icons in the park.

This detail photograph was made using a long lens very shortly after the first morning light had arrived on this feature. In my experience, getting good light on Red Cathedral can be a tricky thing. Parts of it face away from the sun and towards Death Valley and because its face is deeply fluted it can be tricky avoiding blocked shadows. But increasing exposure too much creates problems with saturated colors on the brightest strata that cut through its face. If you shoot it in the morning, light somewhat softened by some high clouds can be helpful, and that is what I had on this morning – the sun light is direct, but it is also filtered a bit by passing through broken clouds to the east.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Dense Aspen Grove, Bishop Creek

Dense Aspen Grove, Bishop Creek
“Dense Aspen Grove, Bishop Creek” — Soft light filters through a dense aspen forest canopy, Eastern Sierra.

I think that these dense aspen forest scenes ended up being something of a theme for me this fall. In this one I tried to find as dense an example of aspen forest as I could locate and then to make a photograph that may perhaps evoke the combination of diffused light coming down through the depleted canopy of yellow leaves and the very tightly packed trees. The trees in this grove are relatively small and closely packed – so close, in fact, that in places it is very hard to move among them. I used an ultra-wide lens to try to both bring as much of this detail into the frame and to let me work very close to the nearest trees. The closest tree is probably no more than about a foot from the camera.

Working in such close quarters, very small changes in camera position end up having large effects on the composition. In the end I found myself repositioning the camera and tripod by fractions of an inch from side to side. Although it isn’t easy to see in this small jpg version, the complex detail of branches and leaves eventually recedes into the distance near the far edge of the grove and the grove becomes a bit lighter along that farthest fringe.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email