Tag Archives: grass

Striped Rock, Grass, and Sand

Striped Rock, Grass, and Sand
Striped Rock, Grass, and Sand

Striped Rock, Grass, and Sand. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A striped rock atop grasses flattened against the sand in the bottom of a slot canyon, Grand Staircase-Escalent National Monument.

I made this photograph in the first canyon we investigated during my late-October 2012 visit to Utah with photographer friends. We drove up a long gravel road and pulled off at a wide spot to find the creek that came out of this canyon, which we followed a good distance upstream. Believe it or not, this was the first time that I had hiked such a canyon and it was exciting to move from imagining the experience to actually doing it! We started out by essentially walking up the creek bed though the flats below where it left the canyon, wading through shallow water and little sand bars. Soon we entered the canyon itself and the “path” involved walking alongside the creek, frequently crossing from one side of the stream to the other to avoid obstacles, and sometimes just walking right up the stream bed, as that often provided the clearest path.

In the location where I made this photograph, the light became very red as it reflected between the upper sandstone canyon walls, and although I was shooting in the shade I had unusually warm toned light to work with. The sand here comes from – no surprise! – sandstone, and was very red in places. This bit of sand had been smoothed by the passage of higher water which had also flattened the grasses and wrapped them around this small rock with its bright red stripe.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Foggy Marsh, Dawn Light

Foggy Marsh, Dawn Light
Foggy Marsh, Dawn Light

Foggy Marsh, Dawn Light. San Joaquin Valley, California. January 1, 2013. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dawn light begins to illuminate high clouds above the fog over a California Central Valley marsh

Have I mentioned how much I love fog and pre-dawn and post-sunset light? I guess I have… :-) I made this photograph on New Years Day 2013, shortly after arriving at the San Joaquin location in near darkness to meet a group of friends and fellow “wild goose chasers.” I can hardly imagine a better way to greet the new year than to join like-minded friends in such a place!

This was a day of surprises of various sorts. A painter showed up to join our photography-centric little band! We took a midday break to go see a movie. Although they were too far away to see clearly in the early morning haze, huge numbers of cranes arrived just after sunset. A solitary flock of white pelicans surprised us with an unexpected fly-over at one point. And the light and atmosphere were about impossible to predict. It was cold and seemed very clear on the way to our location, but as we arrived I could see hints of fog forming above this wet and cold area. Just before dawn it was quite hazy and gray, providing neither perfectly clear air nor the evocative and mysterious atmosphere of thick tule fog. But as sometimes happened, as the sky became lighter at sunrise, the brighter clouds and sky above the low elevation murk began to reveal itself, much as a hidden theatrical set may become visible behind a scrim. We stopped at the spot where I made this photograph because we could barely see a very large flock of (hundreds or, more likely, thousands) of sandhill cranes across the pond near the levee next to the trees. We stood around waiting for the birds to fly our direction, which they mostly did not do. But as we waited I began to see a bit of color and definition come to the higher clouds far above the low fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Pasture, Central Valley

Trees and Pasture, Central Valley
Trees and Pasture, Central Valley

Trees and Pasture, Central Valley. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy light in clearing tule fog on solitary trees in California Central Valley pasture land

This is another in a series that might perhaps be called “accidental landscapes.” We were actually at a wildlife refuge not to photograph landscape subjects but to photograph migratory birds – mostly geese, herons, ibises, cranes, egrets and the like. Part of that activity involves driving around trying to find the darn critters! And sometimes during these drives my eyes wander over to something that is much more like a landscape than a bird. I have photographed this very tree in the past, most recently a matter of weeks earlier when I shot it from a slightly different angle that made it appear more isolated, and when it was full of a flock of red-winged blackbirds.

The first thing that attracted my attention this time was something small, the bit of warm side-light on the trunk of the foreground tree. Seeing that, I wondered how I might come up with a composition that made sense and included this little feature. First, I wanted this tree to fill a good portion of the frame. However that seemed a bit too straightforward, so I just moved around a bit until the more distant near-twin tree was just to the left of the foreground tree, being careful to not let them overlap. The photograph was shot handheld, with the same lens that stayed on my camera all day long, a 100-400mm zoom. We moved on and soon found lots of Ross’s geese on the far side of this pasture.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Old Road

Aspen Grove, Old Road - An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah
An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Old Road. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

This is another of the “could have been anywhere” photographs, both because little scenes like this can be found all over the American West and because it is a scene that I simply happened to notice while passing by. So, the specific location is most certainly unimportant, though I’ll say that it was along a gravel road running through a section of the national forest in roughly the Zion/Cedar City area, a road that we had turned up more or less randomly and then explored for perhaps a couple of hours before turning back. The goal of that little drive had been to get into or as close as possible to some extensive forests of colorful aspen trees that we had seen from a distance. We succeeded.

There is something evocative on a number of levels about a simple scene like this one – with factors including the literal and subjective aspects of the changing season, the image of the small road disappearing into the grove as it wanders off to an unknown place, and the light of autumn filtered through the golden canopy of aspen leaves. If you don’t pay careful attention when you are there you might miss it, but the golden color suffuses the entire understory when the light is just right. (Photographers and painters may notice this sort of thing more than most people, since we/they are used to dealing with the otherwise blue coloration of the shadow light.) This sort of scene is extremely transitory. While we can permit ourselves to believe that both the green time of summer and the snowy time of winter are relatively permanent, no such illusion is possible during the brief span of literally a few days when the aspen color comes to these groves – they are different every day, and sometimes you can literally see the color going away as the wind blows down the leaves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.