Tag Archives: haze

First Light on Zabriskie Point Hills

First Light on Zabriskie Point Hills
First Light on Zabriskie Point Hills

First Light on Zabriskie Point Hills. Death Valley National Park, California. April 3, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

The first morning light touches hills at Zabriskie Point with ridges of the Panamint Range visible in the distance, Death Valley National Park, California.

When I visit Death Valley – typically, at least once each year – I usually try to seek out some of the less iconic scenes. However, I still do visit the icons, too. And Zabriskie Point at dawn may be the best known and perhaps the most photographed “icon” in the park. When I do go to Zabriskie it is usually for one of two reasons. First, if the light or conditions are truly special, I’ll be there with everyone else when the sun comes up! Second, I have a vague project to try to photograph aspects of Zabriskie that are different from the icon views across Gower Gulch or of Manley Beacon. This photographs sort of fits into that second category.

Those who have photographed here more than once become acquainted with the way that the morning light typically unfolds at Zabriskie. The pre-dawn light begins to softly light the entire scene, and before long the very first dawn light strikes the highest ridges of the Panamint Range on the opposite side of the Valley to the west. This light works its way down the face of that range, gradually illuminating the ridges and valleys of the range and spreading horizontally. It then begins to hit the Valley floor and works its way east and closer to Zabriskie and the rest of the ranges along the east side of the Valley. Although the closest hills are in shadow, one can almost sense the beams of light over head that are reaching into the Valley and sense that the angle of this light is gradually working down toward the closest ridges. Then the first light appears on the higher features around Zabriskie Point, at first soft but quickly increasing in intensity.

This photograph was made at this moment when that firs light arrives. The subject is a darker and rugged ridge that rises between the usual vantage points and the backdrop of the distant Panamint range, which in this photograph is somewhat obscured by the hazy atmosphere on a day when giant dust storms were just beginning to develop further north in the Valley.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

From the Panamints to the Sierra

From the Panamints to the Sierra
From the Panamints to the Sierra

From the Panamints to the Sierra. Death Valley National Park, California. April 1, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

A landscape of high desert ridges and mountain ranges extends from Death Valley’s Panamint Range to the peaks of the southern Sierra Nevada in late afternoon light.

This lookout, high in the Panamint Range at the end of a gravel road, is one of my favorite places to be at the end of the day in Death Valley National Park. Perhaps because it is a bit less well-known, because it has a name that is harder to pronounce and remember than “Dantes View,” due to its location at the end of this gravel road which at one point passes along a very exposed section of the ridge, and because it is farther from some of the popular places to stay in the park the number of visitors here remains small. I frequently have the place completely to myself or perhaps share it with one or two others.

Behind the camera position is a stupendous view down into Death Valley itself, many thousands of feet below. But in the other direction, looking back towards the west, a series of rugged high desert valleys and mountain ranges extends all the way to the highest peaks of the southern Sierra Nevada range. In the morning, the front light can show the details of snow and rock on the summit of the Sierra, but in the evening the light crossing the intermediate ridges picks up late-afternoon haze and mutes the details of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Departing Freighter

Departing Freighter
Departing Freighter

Departing Freighter. San Francisco Bay, California. June 1, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Freighter approaching the Golden Gate as it departs from San Francisco Bay.

On this hazy but fog-less August morning I had stopped above the north end of the Golden Gate Bridge on my way north towards Point Reyes, where I planned a day of photography. I cross the bridge frequently, but I almost always schedule my crossings for times when the light might be interesting, at least if I have any control over my schedule. A summer day like this can bring any of a wide range of conditions: the bridge and bay could be totally socked in my fog, a finger of fog might extend inland while everything else is for-free, the sky could be crystal clear. On this morning the morning haze obscured a lot fo the long views… but it also increased the sense of distance and hid some distracting background elements that might have been visible in clearer conditions.

Some minutes earlier, while photographing a very different landscape from this spot, I had seen this ship beginning its outbound voyage all the way back under the San Francisco-Oakland Bay Bridge. Having watched these ships before I knew that it would eventually make its way past Treasure Island, around Alcatraz, make a wide loop, and then turn back to cross in front of me as it approached the passage through the Golden Gate. With this in mind, I kept an eye on it, and once it cleared Alcatraz I kept a close eye on it, making this exposure just as it made its final turn toward the Bridge with only the surface of the bay, the faint and distant hills, and the sky creating a blue background.

G Dan Mitchell Photography
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Breakwater, San Francisco Bay

Breakwater, San Francisco Bay
Breakwater, San Francisco Bay

Breakwater, San Francisco Bay. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Anchored ship and ship yard cranes of the port of Oakland beyond a breakwater, San Francisco Bay.

I made this photograph on one of my summertime San Francisco visits on which I head up there on the train very early in the morning, and then I walk wherever my nose leads me, making photographs. On this visit I left the train station and ended up crossing a bridge to the inlet behind AT&T park, sometimes called “McCovey Cove.” From along the far side of this inlet I could see across the San Francisco Bay to the towering cranes at the port of Oakland. They were backed by a fog bank that completely obscured the city of Oakland and all but the very tops of the East Bay Hills.

This morning light coming across the Bay can be very special. As it often shines through the moisture laden air over the water and sometimes through clearing fog, it can take on a luminous glow and can even be almost too bright to look at. This was that sort of morning, so I let the sky exposure go as close to white as I could and still retain some sense of the thick air. The dark object at the left is a concrete breakwater outside the entrance to South Beach Harbor.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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