A street scene on 10th Avenue between 19th and 20th streets in Chelsea, photographed in evening light from the High Line Park.
A rather plain street scene, but uncharacteristically empty of cars and pedestrians, as seen from the High Line Elevated Park in Chelsea. Shot on the evening of our first full day in New York in mid-August, just after sunset as a few clouds passed over Manhattan.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The last sunset light strikes trees growing on a boulders at the end of a peninsula at Upper Young Lake, Yosemite National Park, California.
After arriving at Upper Young Lake with the intention of photographing a small, lone shoreline tree… I promptly wandered off and photographed a number of other subjects instead. (I mentioned elsewhere that I ran into John Sexton and Anne Larsen also photographing here, and John pointed out correctly that the tree would end up shaded at the time of best light. Need to go back in August for that one…) First I did a bit of reconnoitering around the west side of the lake, wandering down to and beyond the outlet stream, and thinking about how to photograph this rocky prominence at the end of a small curving peninsula. Then I photographed a bit near the drop-off from the upper lake towards the middle lake. After that I walked back toward the outlet stream again, noted the predicted shadow on the tree, and decided to focus my attention on this peninsula/rocky/tree subject, which I stuck with until the light faded.
When I began photographing this subject the low angle evening sun was casting its warm light on the rocks, trees, water, and even parts of the distance rocky slopes. As the sun dropped various areas began to fall into shadow and the light became warmer and warmer. I made this photograph just before the very last direct light left these trees.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Morning light on the shoreline forest at Lower Young Lake.
After finally managing to convince myself to get out of my warm sleeping bag and bivy sack oh-so -early on this cold, late-summer morning, I grabbed my tripod, camera, and lenses and headed down to the shoreline of this lake. (That’s right – no breakfast. My routine is generally to simply get up and start shooting. I might work for as long as a few hours before the light is no longer what I want, at which point I make my way back to my camp to fix coffee and breakfast.) Although I know this lake pretty well at this point, there are always new things to discover when I look closely, and the conditions are never the same twice. Although I’ve walked past this little bit of shoreline forest many times – the trail goes right through here – this is probably the first time I’ve photographed this spot. I’m often intrigued by backlit trees – for the long shadows, the color of light coming through leaves and branches, and the darker and mysterious quality of the trunks – and several other things also caught my attention here. There was still a bit of late-season green in the small plants down close to the ground, and I liked the obstructed view of the lake surface, the far shore, and the rocky slopes above.
This type of scene and lighting poses some challenges, the most obvious being the wide dynamic range. There are very bright specular highlights reflecting from the needles of the trees and the bright areas of the tree trunks can also be very bright. In this scene there was an additional source of “bright” where the rocks above the far shoreline were directly lit by sunlight. The trick is to not blow out all of those highlights – though a bit of “blow out” on tiny specular highlights can be OK – while still retaining some detail on the shaded side of the trees. Often I resort to exposure bracketing (making two or three different exposures to be blended in post) and, in fact, I did approach this scene that way. However, by shooting RAW and working carefully in post I was able to control the highlights and bring back some of the subtle shadow details.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A boulder sits in the still water of an unnamed sub-alpine lake in the Upper Kern River Basin as the sunset light streams over the Great Western Divide.
This photograph comes from a week-long pack trip with a group of friends into the southern Sierra Nevada, this year’s installment of our ongoing annual back-country trips. After crossing over 11,760′ Kearsarge Pass and then 13, 200′ Forester Pass we entered one of my favorite parts of the Sierra back-country, the high plateaus of the upper Kern River basin. This area is surrounded by peaks rising as high as 14,000’+ in almost all directions and the view is expansive because much of the area is a very high plateau with nearly level areas at and above 12,000′.
I have been in this general part of the Sierra many times, going all the way back to my college days when I came over Forester Pass for the first time. On this year’s trip we followed the usual John Muir Trail route down to Tyndall Creek and camped there on day 3. From here we decided to spend the next couple of days exploring a little-visited area to the west where the Kern River has its source and just below the impressive peaks of the Great Western Divide. The lake in this photograph is one of several beautiful but unnamed small lakes in the area in which we camped. Peaks of the Great Western Divide are beyond as sunset light streams between them.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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