Tag Archives: hill

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Eroded Terrain Near Natural Bridge Canyon

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Eroded Terrain Near Natural Bridge Canyon
Eroded Terrain Near Natural Bridge Canyon


Eroded Terrain Near Natural Bridge Canyon. Death Valley National Park, California. March 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

Rugged and eroded terrain near the entrance to Natural Bridge Canyon in morning light at Death Valley National Park, California.

Natural Bridge Canyon is located at the foot of the Amargosa Range Black Hills just a short distance north of the popular Badwater area. As is typical of many of the canyon entrances in Death Valley, the approach is by leaving the main road paralleling the edge of the Valley and driving up a large alluvial fan on a gravel road towards the hills. The road ends and the canyon quickly narrows.

This photograph was made along this gravel approach road and shows a bit of the fan in the foreground, the cliffs alongside the was in the middle distance, and beyond that the convoluted and colorful strata of the lower section of the mountain range, here with low-angle back light from the morning sun coming from the other side of the mountains. This photograph also shows something that I found remarkable on this visit, namely the incredible profusion of plant life that was coming to live in the wake of some unusually heavy rain fall earlier in the season. During normal years and during most of the year even in wet years you’ll see almost no green at all on terrain like this aside from a few small and isolated bushes. But on this late-March visit there was plant life springing up everywhere. When I looked closely I could find a fringe of green almost everywhere. Here, not only is there obvious growth in the gravel of the wash at the bottom of the frame, but there is a fringe of green along the edges of the cliff and even in the far distance on the higher slopes.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 73mm
ISO 200, f/13, 1/40 second

keywords: death valley, national, park, california, usa, north america, scenic, travel, nature, desert, rugged, erosion, eroded, mountains, hill, cliff, gully, wash, pink, strata, layer, green, plant, growth, spring, rock, morning, light, natural, bridge, canyon, landscape, nature, stock, plants, rock, gravel, red, black, amargosa

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

The Grandstand, Racetrack Playa

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The Grandstand, Racetrack Playa
The Grandstand, Racetrack Playa

The Grandstand, Racetrack Playa. Death Valley National Park, California. March 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of “the “Grandstand” formation standing in the middle of the Racetrack Playa, Death Valley National Park, California.

The Grandstand is a striking formation located a distance out onto the flat expanse of the Racetrack Playa, the location of the famous “moving rocks” in Death Valley National Park. The formation is located not far from where the road first reaches the playa and it is only a short walk. As I recall, it is just the tip of a large “hill” that is mostly buried beneath the very deep silt that was washed down from the surrounding mountains to form the playa. It has a shape this is vaguely “castle-like,” with several “turrets” that tower above the flat surrounding terrain and invite quite a few visitors to climb to the top. (The Grandstand is located at nearly the opposite end of the playa from the location of the largest concentration of moving rocks.)

I think that the Grandstand makes an interesting photographic subject, even though the thing most people come to see and photograph is the phenomenon of the moving rocks. I often plan to stop there and photograph in mid to late afternoon – when light on the rocks is interesting and photogenic, but before the “good light” begins further south on the playa and it is time to photograph the rocks and their tracks. It can also be a compositional element in photographs of the rocks at the south end of the playa, especially when you shoot with a long lens.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 55mm
ISO 200, f/11, 1/320 second

keywords: death valley, national, park, california, usa, north america, nature, scenic, travel, landscape, the, grandstand, hill, rock, boulder, formation, race, track, racetrack, playa, sky, clouds, black and white, monochrome, geology, stock, light

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand Patterns, Death Valley Dunes

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Sand Patterns, Death Valley Dunes
Sand Patterns, Death Valley Dunes

Sand Patterns, Death Valley Dunes. Death Valley National Park, California. March 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Linear and curved patterns in morning light at Death Valley Dunes, Death Valley National Park, California.

Early in the morning on the third day of my late March trip to Death Valley I wandered out to Death Valley Dunes near Stovepipe Wells, taking the easier route around the west end of the dunes and then walking toward the higher dunes and shooting more or less towards the rising sun. There are plenty of interesting subjects when approaching the dunes from this direction: the patterned mud (or so they seem) formations beneath the edge of the dunes, the many small plants coming up after recent rains, flowers everywhere, the taller dunes to the east catching the first light, and beyond them the darker peaks of the Amargosa Range.

After climbing to the top of a moderate size dune to get a better and more open view to the east I happened to look down and see this steep, sandy slope with its linear pattern apparently created as sand blew over the edge and down the side. Beyond are the more typical gentle and curving slopes – here with some footprints from the many people who had earlier wandered through this section of the dunes.

(I think that we are seeing more people walking out to the dunes now that the NPS has created a actual “official” parking lot with marked spaces, rest rooms, and interpretive signs – an update from the old practice of simply pulling off the side of the road.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 200mm
ISO 200, f/16, 1/50 second

keywords: death valley, national, park, california, usa, north america, nature, scenic, travel, landscape, dunes, lines, wind, ripple, wave, pattern, curve, shadow, light, texture, pattern, abstract, shape, morning, light, stovepipe, wells, tan, golden, stripe, foot, prints, stock, sand, hill

Photographs: Northern California, Photographs: People, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Man in Suit Between Two Cars

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Man in Suit Between Two Cars
Man in Suit Between Two Cars

Man in Suit Between Two Cars. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

A man in a dark suit holding a bag and standing between two cars in front of old buildings in downtown San Francisco, California.

A quick street photo while walking into the fringes of the Tenderloin in San Francisco on the first weekend of March. I’m not sure how much sense this photograph may make to others, but there is a lot in it that appeals to me. For one thing I like the muted color scheme – most everything is some shade of black or near-gray or muted tan, with just a few spots of color. Even the man between the two cars is wearing only black and white clothing. Then there is the very busy but blocky pattern of the front of the buildings behind the man and the cars. However, to my eye at least, several types of order emerge from the complexity of these shapes. For example several elements create forms that rise diagonally from left to right: the two cars, the two balconies, the line through the left window, the dark doorway, and the lighter window in the center right section. And then there are the window reflections – which are becoming a bit of an urban photography theme for me. I also look at the man and wonder what he is doing – why is he wearing that particular set of clothes? What is in the small bag he holds? What is he looking for?

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/60 second

keywords: man, between, two, cars, sedan, street, curb, park, suit, hill, slant, incline, door, frame, gate, window, balcony, latter, awning, sidewalk, urban, city, downtown, bag, wrought, iron, worn, grafitti, reflection, brick, wall, urban, san francisco, california, usa, north america, travel, person, tenderloin, stock, dark, black suit