Tag Archives: historic

Crumbling Ghost Town Ruins, Evening

Crumbling Ghost Town Ruins, Evening
Crumbling Ghost Town Ruins, Evening

Crumbling Ghost Town Ruins, Evening. Rhyolite, Nevada. March 27, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Evening light in the crumbling ruins of an old mining ghost town near Death Valley National Park, California.

Rhyolite is a Nevada ghost town not far from Death Valley National Park. (The bit of distant ridge seen through the “windows” of the structure is probably inside the park.) The story of Rhyolite is interesting, and not all that different from what happened in many other “boom and bust” towns in the desert and in other areas of the west. For a short time, thousands showed up to work in extractive industries, otherwise known as mines, and there was apparently an actual bustling city here. The old railroad station, ruins of bank buildings and a school, and the size of the area occupied by the town are evidence of this. But, as is virtually always the case, the boom couldn’t last and the departed inhabitant left some years ago, leaving the town to the elements.

This is a different sort of Rhyolite photograph than I might usually share. Most are made either at night or in the golden hour period near dawn. This one was made in the evening, when the direct sun was gone. (At this time of year the sun sets beyond a nearby ridge, so the direct light is gone well before sunset.) The soft, bluish evening light creates a different effect and, for me, makes the old buildings a bit more mysterious. Here I shot from outside one of the crumbling structures that is now filled with rocks. I don’t usually say much about what a photograph might mean (and often my photographs are simply what they are) but this one evoked for me some thoughts about the nature of time and the transitory effect of the human presence on the landscape. Not only has this building – which at one time must have had a floor, a roof, a nicely finished interior, and perhaps even comfortable furniture and perhaps art on the walls – decayed to the point where the line between its structure and the rocks of the natural landscape becomes obscure, but even the attempts to declare ones presence by means of graffiti have begun to crumble.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light
Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light. San Francisco, California. March 21, 2009 © Copyright 2009 G Dan Mitchell – all rights reserved.

San Francisco Bay morning fog over begins to break up over Alcatraz and Yerba Buena Islands and the San Francisco Oakland Bay Bridge.

I made this photograph back around the start of spring in 2009. I recall shooting from the Marin Headlands back toward the Bay as the fog began to break up, still obscuring the view but allowing beams of light to begin to come through the gloom and light up portions of the Bay. Alcatraz Island is at upper left and beyond that is the Treasure Island and Yerba Buena Island complex.

Many things intrigued me about this scene. Although it is in shadow still, Alcatraz stands out as the clearest object in the scene. The patterns on the water were amazing, created by a combination of the normal surface waves, the wakes of ships that had passed, and the mottled and mixed lighting of areas of fog and sun. Beyond the main subjects and over the East Bay shoreline around Oakland, light beams come down from the clearing fog.

This photograph is also an example of why I save and later review all of my raw files. Either because I don’t understand the image when I first make it or perhaps I move on to the next project too quickly sometimes it is not unusual when a photograph “slips through the cracks” and I end up overlooking it. This was one of those photographs… which I now find hard to understand.

G Dan Mitchell Photography
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Doorway, Battery Spencer

Doorway, Battery Spencer
Doorway, Battery Spencer

Doorway, Battery Spencer. Marin Headlands, California. © Copyright 2007 G Dan Mitchell – all rights reserved.

Morning sun on a doorway at historic Battery Spencer, Golden Gate National Recreation Area.

The Marin Headlands area of the Golden Gate National Recreation Area, just across the bay from San Francisco, is full of old military installations that once guarded the entrance to San Francisco Bay. I’ve been intrigued by these facilities for some time, but my interest was sparked again after seeing the San Francisco Opera production of Wagner’s “Ring” cycle earlier this year, in which some sets were inspired by these structures.

Battery Spencer is one of the most accessible of these sites, though in some ways it may be overlooked since many people simply walk through or past it on their way from the parking area to a very popular and spectacular viewpoint just above the north end of the Golden Gate Bridge. But in the right conditions of atmosphere and light this area can provide a lot of interesting photographic possibilities. This open doorway, lit my morning light, is along a passageway between a number of structures that are half buried in the hillside here.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Night Photography Exhibit: Mare Island Nocturnes – Artist Reception This Sunday

The artist reception for “Mare Island Nocturnes,” an exhibit of night photography done at the iconic Mare Island Naval Ship Yard and featuring the work of  San Francisco Bay Area night photographers is this Sunday, August 14 at 2:00-4:00 p.m.  on Mare Island. The exhibit is sponsored by The Nocturnes and the Mare Island Historic Park Foundation, and is part of the year-long celebration of the 20th year of The Nocturnes, the influential San Francisco Bay Area night photography group. I hope to see you there!

Yellow Buildings, Shadows, Moving Clouds
Yellow Buildings, Shadows, Moving Clouds

Yellow Buildings, Shadows, Moving Clouds. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

The Mare Island Naval Ship Yard is a remarkable historical and visual treasure. The place was the major west coast ship yard for the Navy since early in the 1800, and was decommissioned in the 1990s. While portions of the island have been and continue to be “redeveloped,” the historic core of historic ship yard buildings remains. This area has been a favorite of night photographers for some years and a lot of wonderful photographic work has emerged from this subject. I have photographed there many times during the past five years or so.

The exhibit runs through September 15 at the Mare Island Historic Park Foundation Museum, 1100 Railroad Avenue, Mare Island – see the flyer below for specific days and times of viewing.

The reception for the artists is on Sunday, August 14 from 2:00-4:00 p.m. Five of my prints are in the show, including “Yellow Buildings, Shadows, Moving Clouds,” the image shown above. I’ll be at the reception – hope to see you there!

Press release follows:

"Mare Island Nocturnes" Night Photography Exhibit Press Release
“Mare Island Nocturnes” Night Photography Exhibit Press Release

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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