Tag Archives: horizon

Photographs: Nature, Photographs: Ocean & Coast

Pacific Sky

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Pacific Sky
“Pacific Sky” — High clouds above the Pacific Ocean are harbingers of an approaching weather system.

Trips into the field to photograph have been difficult during the past few months. Aside from a fair amount of local photography — literally in the neighborhood — visits to more far-flung locations have been rare. I managed to get to the Sierra a couple of times. I recently went looking for migratory birds. And a week ago I did a down-and-back drive to the upper Big Sur coast, going just a bit further south than Lucia. I did not make a lot of photographs, but I stopped for a few… and it was just good to get out and photograph almost as if the world was normal again. (It most emphatically is not normal yet, but there are some reasons for optimism.)

I had “interesting” weather on this visit — which, of course, is the best kind of weather along the coast. Perfect blue sky days are, to be honest, a bit boring. On this morning I raced the lead clouds of an approaching Pacific weather system as I drove south, trying to stay just ahead of the more dismal light behind the actual cloud shield. I stopped here for this beautiful layer of offshore clouds, put on a wide-angle lens, and just took it all in.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Ocean & Coast

Sur Point Lighthouse, Winter

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Winter surf below Sur Point and the Sur Point Lighthouse.

Sur Point Lighthouse, Winter. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter surf below Sur Point and the Sur Point Lighthouse.

As happens from time to time, I made a series of photographs of this subject on this winter day. One advantage of digital photography is that it is possible — and useful! — to make quite a few exposures of transient subject like water and clouds whose precise appearance is difficult to predict and for which precise timing is almost impossible. While I’ve seen photographers make hundreds of exposures of really active subjects such as moving water, this one wasn’t quite so difficult — just a series of waves moving up onto the beach and the varying qualities of the drifting spray. My first inclination was to share a different photograph from the set, which I did perhaps a few weeks ago. But now, in looking at the files more closely, I’ve changed my mind and I think I prefer this one.

At any time of year the light along this section of the California coast can be quite interesting. Because the coast doesn’t run on a perfect north-south line, instead angling to the east as you head south, for much of the day offshore features are backlit to a greater or lesser extent. (The sun also reflects off the ocean’s surface in wonderful ways, even at midday when the sun is directly south.) This meant that the rocky shape of Sur Point was deeply backlit, and exposing for the shadow details would risk losing details in the rest of the scene — so I decided to treat it as more of a silhouette. (Some details are visible, though hard to see in a web version.) In the end, that nearly black form may help enhance the visibility of the mist and spray being blown from the big winter surf.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Ocean & Coast

Point Sur, Winter Light

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Point Sur, Winter Light
Winter surf and light beneath the lighthouse at Point Sur.

Point Sur, Winter Light. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter surf and light beneath the lighthouse at Point Sur.

This photograph is at the historic Point Sur, a rocky hill that would be a monumental sea stack if it were not still tenuously connected to the mainland by a low, sandy peninsula. (I’ve always wondered how often that peninsula has been overtopped by huge storm surf or perhaps an occasional tsunami.) The lighthouse at the upper left is part of a more extensive set of structures erected decades ago to support the isolated lighthouse keepers. Long ago it was considered to be so remote that it was resupplied by ships that arrived every few months, and the keepers and their families had to be essentially self-sufficient.

Point Sur has a tremendous physical presence along this section of the rugged coast. Before and after it the steep hills and cliffs are momentarily interrupted by low headlands, so it stands out against this flatter landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Edge of the Light

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Edge of the Light
Light at the edge of a Pacific Coast fog bank on a summer evening.

Edge of the Light. © Copyright 2012 G Dan Mitchell – all rights reserved.

Light at the edge of a Pacific Coast fog bank on a summer evening.

By this point I am quite familiar with this coastline below California’s Monterey Peninsula — I’ve been visiting almost continuously since I was a child and my parents took the family down there for day trips and rare overnights in Monterey. We went to Point Lobos all the time, where I spent days investigating tide pools and hiking trails along the shoreline.

All of this may partially be my way of explaining why I might make a photograph like this —not a typical “tourist shot” of the rugged Big Sur coast, but something much quieter. The fog is a near-constant presence here, often coming onshore and muting colors and light and condensing the visual world. When it isn’t over the land it is often just off shore — perhaps far enough out that you have to look for it or, as here, right along the shoreline. The edge of the fog bank can be a place of amazing light — dark in distance beneath the clouds and surprisingly bright along the edges and where beams of light reflect off the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.