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“Light of Ireland” Tour

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My friend Tim Baskerville – long time San Francisco area photographer and night photograph guru of The Nocturnes – is leading photographic tours to Ireland. Tim, whose family roots go back to West Ireland, is a long time visitor to Ireland who has photographed there frequently. If this sounds interesting to you, I urge you to get in touch with Tim – and tell him I sent you!

“The Light of Ireland”

Join accomplished Photographer/Educator Tim Baskerville and Irish Guide, Olcan Masterson in Western Ireland. Olcan, a walking authority on the history of western Ireland, has spent many years exploring the hills and back roads of the area. An accomplished musician as well, he has spread traditional Irish music all over Europe and the U.S. with his flute and tin whistle. Mostly though, he is a living embodiment of Irish charm and hospitality. He will show you the spirit and soul of Ireland, as few visitors will ever experience it. You will get a view of the land and the culture that comes with living it, not merely visiting it.

Western Ireland affords us a unique opportunity in that there are so many wonderful hidden places to explore. Even if you have traveled to this area in the past, your guides will seek out new places to visit and photograph. There are spectacular monastic and megalithic ruins to seek out in your daily adventures.

The land cost includes:
• Group transportation for tour events in the tour van.
• Accommodations based on two people sharing a room, singles are assigned on a first come, first served basis.
• Services of driver, English-speaking cultural guide (if applicable) and photographic leader, during the tour.
• All breakfasts, most dinners are included.
• Park entrance fees, day tours and excursions as shown in the itinerary.
• Extensive pre-departure information and services.

The land cost does not include:
Domestic or International air fare.

Date: July 15-25, 2013
Websites:
http://phototc.com/tours/details/the-light-of-ireland
http://www.thenocturnes.com

Location: County Mayo, County Galway in the West of Ireland

Commentary, Locations

Yosemite High Country – A Brief Late July Report

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Carefully timing my visit to miss the weekend crowds, I spent the better part of the last week of July (2011) in the Yosemite National Park high country along and around Tioga Pass Road. I posted the first photograph from this visit earlier today, and more will appear here soon. But while the visit is still fresh in my mind, I thought I’d share a few observations and comments that might be useful to others heading there or to other parts of the high Sierra soon.

In a typical late July, all of the snow is melted out at “campground elevations” (generally 8000′ – 9000′ or so – Tuolumne Meadows is at 8600′), essentially all of the usual high country areas are accessible by trail or cross-country travel, wildflowers are at or near their peak, mosquito populations have reached their peak, and visitors are starting to arrive en masse for day use, camping, and backpacking. With the exception of the influx of visitors, this is not quite a typical season, however.

Snow – As I drove up Tioga Pass Road on July 26, the first surprise was finding that there were still large snow patches in some forested areas as low as 8000′ or so. I don’t recall seeing this much snow so low so late in the season in the past. (My memory may not include the lower elevations at this time of year in 1996, the last year with such impressive snow fall.) I stayed at the Porcupine Flat campground, and at least one site there still had enough snow as to make it pretty unusable. Continue reading Yosemite High Country – A Brief Late July Report →

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Young Trees and Meadow, Tioga Pass

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Young Trees and Meadow, Tioga Pass
Young Trees and Meadow, Tioga Pass

Young Trees and Meadow, Tioga Pass. Yosemite National Park, California. July 22, 2010. © Copyright G Dan Mitchell – all rights reserved.

Young trees grow along the edge of subalpine meadows at Tioga Pass, Yosemite National Park.

This meadow, right below Tioga Pass – which is among the trees in the saddle in the upper part of the photograph – is something of a magical spot in the Sierra. It is, of course, the highest point that you can drive to in the park, and it sits right on top of the crest of the Sierra Nevada. At just slightly less than 10,000′ of elevation it is verging on the true alpine zone. Because of elevation and location, it is only open for a few months each year between roughly the end of spring and generally some time in November. (For those of us who think of this as it looks in summer, it is sobering to remember that during the majority of the year it is a cold and snow-covered place.) Once you pass over Tioga you begin to descend into the very different world of the high deserts east of the crest. Yes, it still feels like the high country for a while, but within miles you are in hot dry places that are not at all like this alpine terrain.

Oddly, while a thin band of trees crosses the saddle at the pass, much of the area on either side is meadow. This section is on the “Yosemite side,” and is an extension of the many meadows along the Dana Fork of the Tuolumne River which drains this area around Mount Dana. As if to reinforce the idea that this is not as gentle a place as it may appear in the summer, parts of the meadow are filled with the bleached remains of trees struck down by avalanches from the ridge that is out of this photograph to the left. The trail to the summit Mt. Dana, of the second-highest peak of Yosemite (being a few feet shorter than Mt. Lyell), begins by crossing this meadow.

Although I drive over this pass with some frequency, I virtually always stop and get out of the car and look around for at least a moment. On this late-July visit I stayed more than a moment, spending a good portion of an afternoon wandering about the meadow and photographing these young trees, small streams and ponds, fallen trees, some of the more distant mountains, and much else.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Alpenglow, Mammoth Peak

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Alpenglow, Mammoth Peak
Alpenglow, Mammoth Peak

Alpenglow, Mammoth Peak. Yosemite National Park, California. July 22, 2010. © Copyright G Dan Mitchell – all rights reserved.

Alpenglow lights the face of Mammoth Peak beyond a small tarn near the summit of Tioga Pass, Yosemite National Park.

This was very close to the last exposure I made on this productive late-July day last year. After photographing for a few hours in the vicinity of Tioga Pass, I ended up right at the pass as the day came to an end. Braving hordes of mosquitos – comes with the territory! – I worked the area around the pass itself, building compositions out of juxtapositions of the water in the small meltwater ponds, shoreline meadow and boulders, grasses growing along the edge of the water, the surrounding pine forests, and the more distant peaks of Kuna Crest. In this photograph, what is very nearly the very last direct light of the day is bathing the slopes of Mammoth Peak, which still had a fair amount of snow on its flanks even in late July.

This scene posed a few technical challenges. First, there is obviously a great distance between the foreground granite boulder and the very distance mountain. I wanted the foreground to be in optimal sharpness, so I used a relatively small aperture to maintain sufficient sharpness on the far ridge. There was also a fairly large dynamic range in the scene, ranging from soft but direct light on the snow fields of the peak to the dark areas within the forest on the other side of the pond. I wasn’t certain that I’d be able to handle the full dynamic range in one exposure, so I made three – one longer exposure to get a bit more light from the shadows and another shorter one on the dark side to avoid blowing out the brighter areas of the sky. In post, I discovered that there was enough detail in the shadows that I could get everything I needed from a single exposure, though I had to do some work with curves to get create an image the conforms more closely to the way I saw the scene at the time.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.