Tag Archives: lake

After the Rain

After the Rain
“After the Rain” — Rain-slicked rocks in a subalpiine meadow as a Sierra storm clears.

This photograph evokes memories of a whole range of sensory experiences in the Sierra. Some are specific to the time and place where the photograph was made, but others are more generalized. There’s something compelling about backcountry rain and the experience of its passage. We think of the Sierra as the “range of light,” but a storm changes everything — the light, the colors, the air, the smells, and even the sound.

This time it had rained since the previous afternoon, hard enough to keep us in our tents and away from photography. Shortly after midday it slowed to a light drizzle, and we were able to escape the tents and head out with camera gear. Nearby was an outcropping where the rocks where still shiny with rain, and in the distance post-rain fog was drifting among the peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Clearing Storm, Lake, and Fog

Clearing Storm, Lake, and Fog
“Clearing Storm, Lake, and Fog” — Evening fog drifts over moutains around a Sierra Nevada mountain lake as storm clouds clear.

I made this photograph on a rather remarkable Sierra evening. Late the previous day it had started to rain. Contrary to my expectations and experience, this turned out to not be just another afternoon shower — it absolutely poured, confining us to tents for hours and restricting our photography well into the next day. Finally the rain began to let up and we got out, though everything remained gray and wet. It wasn’t until the second evening, right around sunset, that the clouds finally broke enough to let in some light. But what light it was — perhaps a reward for our forbearance during the storm!

This photograph has been sitting in the archives for quite some time. I have looked at it in periodically and puzzled over how to handle it. The challenge was that the sky color was bright and extremely intense, so my exposure had to leave the foreground in deep shadow. This week I came back to the photo and figured out how to process it. Part of the challenge was technical, but it was also aesthetic — a question of how bright to make things and still retain the sense of oncoming twilight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Sheep Pasture, Loch Ness

Sheep Pasture, Loch Ness
“Sheep Pasture, Loch Ness” — Sheep in a pasture on the Great Glen Way above Loch Ness near Drumnadrochit, Scotland.

Near the end of this day’s walk on the Great Glen Way we passed through, around, and between a series of sheep pastures. Americans used to hiking in “wilderness” learn that hiking here is a different experience — you pass through towns, occasionally walk on narrow roads, cross logged areas, and encounter livestock. While I love our American wilderness, I have to say that there’s something quite nice about this landscape, too. (Perhaps not the least: a comfortable bed and nice meals every evening!)

This was one of the two longest days of our trek — in some ways it felt like the longest. We had arrived in Lewiston, next door to the town of Drumnadrochit, the evening before. Instead of walking to the next town (mainly because there isn’t one!) the plan was to start a distance north and hike back to our lodgings. It was quite a varied day. In the first mile or so we passed a rural cafe, a nature center, and then climbed stiffly out of the forest and into barren highlands. We may have reached the highest point of the walk here at a place with panoramic views and extremely strong winds. From here we descended back into forest for a long walk toward the shores of Loch Ness. In sight of the loch, it seemed like we were near our goal, but we still had miles to go.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline Trees, Loch Lochy

Shoreline Trees, Loch Lochy
“Shoreline Trees, Loch Lochy” Tall shoreline trees at Loch Lochy, Scotland.

To this Californian, familiar with rugged Sierra Nevada landscapes and the dry and golden terrain of Western summer, Scotland was a surprising contrast. With the exception of the high, open terrain, much of the country we visited was lush and green and downright bucolic. The closest American analog that comes to mind for me is some of the coastal sections of Washington state or even some areas of southern Alaska.

The Great Glen Way follows a historic system connecting long lakes (or “lochs’) with sections of the Caledonian Canal. This provides a water route between Inverness and Fort William. In this photograph we see Loch Lochy, the first of the three lochs along our northward walk. (The other two are the much smaller Loch Oich and the gigantic Loch Ness.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.