Tag Archives: landscape

Wheeler Cirque, Autumn Snow

Wheeler Cirque, Autumn Snow
Evening light and autumn snow on the walls and towers above Wheeler Cirque, Great Basin National Park

Wheeler Cirque, Autumn Snow. Great Basin National Park, Nevada. September 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light and autumn snow on the walls and towers above Wheeler Cirque, Great Basin National Park

I often return to national parks and other places with which I have developed a personal relationship over a long period of time. But sometimes I do get to visit a brand new place, and I did just that during the last week or so of this year, when I spent five days making the long trip out to Great Basin National Park and back. When I go to a new area like this I intentionally avoid trying to find out too much about it ahead of time, preferring to begin a process of learning the place on my own terms. I already knew a bit about the Great Basin and the basin and range country, and I did look up the location on maps, though I did not take a detailed look at the maps of the park itself. I knew that the park is near the Nevada-Utah border, with Baker, NV being the closest “town,” that Wheeler peak is the second tallest point in Nevada, that there is a glacier nearby, that there are famous caves, and that I could camp along the main road into the park. I left the rest for discovery.

As I drove across highway 50 from California I was surprised to find recent snow on all of the major mountain ranges in Nevada, and by the time I got to Great Basin NP I knew that I would see it there, too. I made this photograph on my final day in the park. I spent the morning exploring a less-visited area accessible via a long gravel road. (Where I discovered, at the wrong time of day, where to find a lot of fall color!) After lunch I went up to the summit of the park road at 10,000’+ and hiked out to the bristlecone pine grove, traveling a good portion of the distance on snow. It was cold — up here in the upper 30s at times during the day — and the sun goes down earlier this time of year, so I set a turn-around time that would get me back to my car before nightfall. I made this photograph within five minutes of the end of my hike, as the late light was slanting across the peaks and cirque walls from low in the west, and as clouds were forming above the summit ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Meadow, Peaks, and Storm

Meadow, Peaks, and Storm
A storm gathers above an alpine meadow and beyond snow-capped peaks

Meadow, Peaks, and Storm. John Muir Wilderness, California. © Copyright 2017 G Dan Mitchell – all rights reserved.

A storm gathers above an alpine meadow and beyond snow-capped peaks

Not too long ago I posted another photograph made on this same afternoon, from roughly the same place, and featuring very similar subject. In that post I noted that I had made several photographs of this subject on this afternoon, and that I planned to share all of them eventually, perhaps with a bit of commentary concerning how each represented this subject in its own way. The general setting was a large, subalpine meadow surrounded by mountains and forest, and with expansive views across a nearby canyon to the high, rocky country on the far side. A large afternoon thunderstorm was building beyond the high ridge, but meanwhile the sun was bright at my locations. The primary elements of the scene included meadow, mountains, dark clouds, the small pond or tarn, and the nearby trees. There are many ways to “see” a subject photographically, and I tried several variations with this one.

I wanted to include the pond in the portion of the meadow in the photograph, but in this interpretation I decide not to put it in the center of the frame, but instead to have it off to the side, perhaps giving it a bit less presence in the scene. I wanted to include the small foreground trees to increase the sense of depth in the image and to ensure that there wasn’t empty space in the foreground. I framed the mountains this way so that I could place the dark peak in the middle, and envelop it in the higher peaks stretching back behind it. A remaining question was about how much sky in include. In another interpretation I included a lot of sky, placing the horizon near the center of the frame. Here I did what I more typically do, placing the horizon very high and including only a small strip of sky at the top. This draws attention to the landscape itself, and I was still able to include enough sky to make the dark thunder-storm clouds visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Evening Clouds

Clearing Evening Clouds
The moon above clearing evening clouds over the John Muir Wilderness

Clearing Evening Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The moon above clearing evening clouds over the John Muir Wilderness

We covered a lot of ground on this afternoon and evening, and this was almost the last photograph I made on this day. Earlier we had climbed above the forest surrounding the lake where we were camped, emerging into a big, open meadow with expansive views in all directions. From here we took off, individually and in small groups, to explore higher areas, walking cross-country over the glaciated granite landscape to ascend ridges and reach various lakes. I noticed that the sun was about to pass behind mountains to the west, so I descended back into the valley I had come from and worked my way back down the course of the creek that drained it.

Before long we were back in the alpine meadow areas where we had started, and I found a high spot with an open view and started making a few final photographs as sunset came to the highest peaks and the clouds thinned as they passed in front of the moon. Since the light wasn’t going to last much longer, we pushed on to the main meadow, stopped for a couple of final photographs of alpenglow on peaks across the valley, and then continued on down through forest, arriving back in camp at twilight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alpine Meadow, Mountains, Storm Clouds

Alpine Meadow, Mountains, Storm Clouds
An alpine meadow as storm clouds build over mountain peaks

Alpine Meadow, Mountains, Storm Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

An alpine meadow as storm clouds build over mountain peaks

Over the next week or two, sandwiched between photographs of other subjects, I will share a set of at least four photographs from more or less this same spot, all made the same day. The location was quite special, a broad meadow just a bit below 11,000′ with views toward an impressive range of peaks on the other side of a river valley. The meadow itself was still green, even though it was the end of August, with wildflowers everywhere. Everyone in our party returned to it frequently, morning and evening, and tried to work with its many subjects.

As I introduce the several photographs of the spot, I’ll try to say something about each one, including something about the vision of the mountains that was on my mind as I created it. There were several things at work in this version. The meadow itself is what initially brought me here, of course, and the bright light that fell on it is beautiful, but the photograph includes other elements. The primary secondary element — or is it actually primary? — is the range of jagged, alpine peaks in the distance. I placed the group of small trees in the foreground to balance the image and to lead the viewer into the scene — from the trees, across the meadow to the small pond, then past the small band of further trees and on to the peaks, and then to the sky. The sky is another important element, and emphasizing it was the reason that I used a wider lens and put the horizon relatively low in the frame. (My skies are frequently constrained to the very top of the image… if I include sky at all.) I was struck by the contrast between the sharp peaks and foreground light and how these elements contrasted with the dark and brooding quality of the sky beyond the peaks, where a large thunderstorm was brewing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.