This is not the first time that I have photographed this same subject, more or less, in evening light. Corkscrew Peak stands out in this scene of rugged, furrowed desert mountains. Because the location is on the eastern side of Death Valley, late light angles across the landscape just before the sun drops behinds mountains far to the west, and this light emphasizes the textures of the eroded landscape.
Continue reading Corkscrew Peak and Desert Hills
This little geological vignette intrigued me. While exploring an area in Death Valley featuring very dark, fine gravel that almost has the appearance of shallow dunes, I came across low flat areas where water has obviously collected in the past. Now there was a surface of old mud, cracked into separate pieces as it dried, a familiar desert sight. But here this surface was pockmarked with small black stones.
Continue reading Mud And Stones
I have been sharing a lot of photographs from this year’s spectacular wildflower bloom in Death Valley National Park — and I’m not quite done yet! In dry years one may have to go off searching (sometimes in vain) for landscape-carpeting flowers like these. But this year, after a previous season of good rainfall the flowers were easy to find.
How easy? I made this photograph just a few minutes from the busy Furnace Creek area. Here the desert gold flowers spilled across a broad wash, past small hills, and on into the more distant wide valley. Beyond are the dark hills at the north end of the Black Mountains.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
When spring (or late winter, actually) arrives in Death Valley National Park after a wet season, a striking show of wildflower can appear. It seems incongruous in this arid landscape, and it can be spectacular. Uncountable colorful wildflowers cover normally-dry gravel slopes. A closer look reveals even more plants underfoot, where tiny sprouts suddenly appear in many areas in the park.
This photograph focuses on that subject, and a close look reveals more and more little things in the frame — various sorts of new plants, bits of old vegetation, and more. And all of this appears against one of the subjects most irresistible to photographers, dry cracked desert mud.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.