“Canisp and Loch Ewe — Canisp peak rises above Loch Ewe with a tree-covered island.
Some travelers like to know everything about their destinations before they depart. I can understand — one reason we travel is to learn about new places and, more practically, knowledge can help you travel efficiently. But I’m partial to not knowing everything in advance, instead leaving plenty of room for discovery. (Of course, it helps — a lot — that my wife is a planner!) The details of this photograph may be a case in point. (There has been an update to this post. Click the “more” link below to see… more.)
“Rain Over Loch Leathan” — A rainy and cloudy day at Loch Leathan on the coast of hte Isle of Skye.
On the first full day of our recent visit to the Isle of Skye we headed up the island’s east coast, eventually reaching its tip before looping back. There are a number of worthy and well-known sites along this route, among them the famous “Old Man of Storr” formations. We planned to do the hike up to the feature, but as we arrived the heavens let loose — as they often do in Scotland — with very heavy rain and strong winds. We suited up and started the hike anyway.
“Mud Patterns” — Colorful patterns formed in dry and cracked mud, Capitol Reef.
Recently I went through my archives to see just how many photographs of dried mud I have made over the years. It is a lot! There are perhaps a few dozen finished photographs of this subject that I have shared publicly. But there are scores of them sitting in my unprocessed raw file archives. This one, in fact, is one that I “discovered” during this search, and I’m now sharing it for the first time.
“Cliff Face in Morning Light” — Warm early-morning sunlight intensifies colors and textures of a sandstone cliff, Arches National Park.
We had finished dawn photography of nearby formations on this October morning at Arches National Park. As I was working that subject I kept noticing this remarkable bit of cliff, also in the direct morning sunlight. The larger formation of which it is a part did not offer me any obvious photographic subject, so I switched to a long lens and zeroed in on the colors and textures of this small portion of the scene.
