Early morning light striking minor dunes on Mesquite Flat with Cottonwood Mountains wash and the Last Chance Range in the distance, Death Valley National Park.
These dunes are not too far from the main Mesquite Dunes near Stovepipe Wells – they are a bit further east from the better known tallest section of the dunes. The areas of lower dunes provide some very interesting shapes and textures on a smaller scale in some ways that those of the larger dunes. I photographed these with a long lens, shooting from a rise, at a point in time very shortly after the first morning light had struck the sand. The background hills, part of a very large alluvial fan at the base of the Cottonwood Mountains, were in the shadow of a cloud.
The last light of a winter day lights the plants at the edge of a wash in Death Valley National Park, California.
On this afternoon I drove a bit up the east side of the Valley past the turnoff to Beatty looking for subjects to shoot along the hills that parallel the valley. I did not initially have a specific shot in mind, since this isn’t an area that I know very well – I’ve mostly driven past it on my way to some other place. I was generally thinking of a couple of possibilities. One was an early evening photograph looking up into one of the very large canyons, probably include the massive washes that spill out of them and aiming for a very rugged looking image. I looked for a few such places and played around a bit with the idea of shooting one or two, but it wasn’t quite working for me.
I have included some low hills along this area called, I believe, the Kit Fox Hills, in some photographs that I have made of this area from way over near Mesquite Dunes. These hills which sit just above the road toward Scotty’s Castle have intrigued me, so I had also looked at them. As I passed them earlier in the afternoon I made a mental note to come back and check out one particular spot in better light, and when the canyon idea didn’t seem to work out I decided to head back there. I was probably a bit late in settling on this subject, but I arrived while the sun was still (just barely) above the tops of the ridges on the opposite side of the Valley. I grabbed equipment and went to a spot where I thought I could use a particular mesquite plant as foreground to a shot of these low hills, but then this backlit expanse of the floor of the Valley filled with these small, rugged plants caught my attention. I decide to photograph them before turning my attention back to the mesquite and hills. As I shot a few frames the sun began to drop behind the far hills much sooner than I expected, and this was close to the last photograph I made before I was in shadow.
All seriousness aside, someone just suggested that an alternate title for this photograph might be “Sea of Tribbles!” ;-)
Sunset light illuminates trees on a rocky peninsula, reflected in the surface of alpine Upper Young Lake, Yosemite National Park, California.
This is one more and perhaps the last in the sequence of photographs made on a mid-September evening at Upper Young Lake. I mentioned in a previous post that I had walked up here from my campsite to photograph in the beautiful evening light, and after wandering about and making a few other photographs I finally decided to focus my efforts on this scene featuring tree-covered rocks at the end of a small, curving peninsula. I began shooting just as the “golden hour” time began, and continued until the light was quite dim… and I had to start heading back down what passes for a trail to my camp at a lower lake. This photograph was made at a point at which the light had really begun to warm up as the sun dropped toward the horizon, but before the very last (and very red) light.
A comment on why I have posted several photographs (four by now?) of more or less this same scene rather than selecting “the best” one… I’ve previously written about my reasons for posting daily photographs at the blog, which include practice and encouraging me to regularly take photographs all the way through at least an initial post-processing workflow. The latter gives me a better opportunity to get to know the different images, both as I work on them and I I consider them after posting. So, frankly, I don’t necessarily have a clear favorite at this point.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The last sunset light strikes trees growing on a boulders at the end of a peninsula at Upper Young Lake, Yosemite National Park, California.
After arriving at Upper Young Lake with the intention of photographing a small, lone shoreline tree… I promptly wandered off and photographed a number of other subjects instead. (I mentioned elsewhere that I ran into John Sexton and Anne Larsen also photographing here, and John pointed out correctly that the tree would end up shaded at the time of best light. Need to go back in August for that one…) First I did a bit of reconnoitering around the west side of the lake, wandering down to and beyond the outlet stream, and thinking about how to photograph this rocky prominence at the end of a small curving peninsula. Then I photographed a bit near the drop-off from the upper lake towards the middle lake. After that I walked back toward the outlet stream again, noted the predicted shadow on the tree, and decided to focus my attention on this peninsula/rocky/tree subject, which I stuck with until the light faded.
When I began photographing this subject the low angle evening sun was casting its warm light on the rocks, trees, water, and even parts of the distance rocky slopes. As the sun dropped various areas began to fall into shadow and the light became warmer and warmer. I made this photograph just before the very last direct light left these trees.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
