Tag Archives: leaves

Winter Oaks, Morning Mist

Winter Oaks, Morning Mist
Winter Oaks, Morning Mist

Winter Oaks, Morning Mist. Yosemite Valley, California. February 23, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning mist swirls around Glacier Point beyond the silhouetted branches of winter oak trees, Yosemite Valley.

This morning proved – yet again – that there is “always something to see” if I’m just out there looking. We had stayed overnight in The Valley the night before, following the opening reception for Yosemite Renaissance 28, the annual juried exhibit of work created by artists inspired by and working in and around Yosemite National Park. (It is a wonderful show and you should stop by the Museum Gallery in the Valley if you are in the Valley during the next few months.) After heading out for a late dinner with a group of other participants after the reception, we got to bed quite late and the idea of waking up well before dawn to photograph was not sounding as appealing as it sometimes can. It didn’t help that the weather forecast was for clouds and a chance of rain or snow.

I woke up at 5:30 and reset my alarm for the relatively late hour of 6:30, thinking that whatever photography there might be would be almost outside my door and realizing that sunrise would not be until after 7:00 a.m. I got up, quickly dressed and grabbed camera gear, headed out the door and started walking. In the pre-dawn light I could see that the clear areas of the sky were quickly diminishing and that clouds were ringing the Valley. I ended up in nearly deserted Cooks Meadow, where I made a few photographs of trees and cliffs and so forth. Then it started to rain lightly. I kept shooting a bit longer, but soon realized that I couldn’t really stay out there since I had not thought to bring anything waterproof for me or my gear. I retreated to a nearby shuttle bus stop and found shelter under its roof. Now of all the places to look for aesthetic inspiration in the Sierra, a Yosemite Valley shuttle stop might be very close to the least likely. However, finding myself in one and with nothing else to do, I began to look around to see what I could see from this small sheltered area. First I noticed a large granite face to my east that was becoming reflective in the light rain, and I shot a few photographs in that direction. Then I looked up through the branches of dormant oak trees toward Glacier Point and saw clouds swirling about it and nearby pinnacles and trees, occasionally broken enough to allow some of the sunrise light to create a glow behind the mist. And there you have it – the first photograph I have made from under the roof of a shuttle stop… ;-)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Maple Leaves, Cliff

Maple Leaves, Cliff
Maple Leaves, Cliff

Maple Leaves, Cliff. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Yellow autumn maple leaves against a sandstone cliff face, Zion National Park.

When I think of Zion National Park, a few sorts of scenes come immediately to mind – red cliffs, curving and rounded patterns of colored sandstone… and trees against the sandstone walls. During my 2012 visits to the park I had ample opportunities to photograph the latter subject – new spring cottonwood growth against the rock in early April, maples in the park’s high country in early October, and then more maples in both the high and low areas near the end of the period.

I photographed these brilliant yellow leaves in the high country along the Mount Carmel highway, on one of my walks away from the road down into the bottom of the canyon where the rocks close in and these trees grow, tucked along the edge of waterways or into small areas up against the rocks. The colors of the trees in these often-quiet places range across almost the entire spectrum of fall color – from unchanged green leaves and some lime green leaves just beginning the transition, through red and orange to this this golden-yellow, and finally to the dull browns of fallen leaves.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Leaves, Sand

Autumn Leaves, Sand
“Autumn Leaves, Sand” — Autumn oak and box elder leaves lie on the pink sand in the bottom of a wash, Zion National Park

The thing that most often first catches my attention in the bottom of slot canyons, such as this small one in the Zion National Park high country, is the way that they twist between closely spaced vertical walls. There is virtually nothing quite like this in our experience. But the thing I notice first is not necessarily the thing I remember most. I often wonder how others might regard my photographs, since I know that they cannot share the full context of the images that I know from being in these places. (I’ve often said that we, as the photographers, are perhaps the least able to see our own work objectively, since we cannot easily put aside these non-photographic things that are no longer present in the purely visual medium within which we work.) When I think of these canyons I think of the sound, often deadened by the sand and perhaps by vegetation, and of the feeling of the air, which always different from the feeling of the air outside the canyon – most often cooler when the “outside” air is warm but also warmer when the canyon provides shelter from cool-season winds. And it those canyons with water flowing through them, there is the constant, though often gentle sound of water flowing and trickling.

I also usually end up slowing down and looking at many small things that might not first be seen – the leftover pattern of water than may have flowed through weeks or months earlier, place where the sand has been marked by the passage of a small animal or by grass moving across its surface in the breeze, the mixture of rocks that must have come from distant places, plants growing in odd cracks in the rock, patterns in the rock walls, the passage from one rock layer to another, and more. On this fall day it had been windy and lots of autumn “stuff” was littering the canyon floor, which here was pink sandstone sand, further colored by the glowing light reflected from the red rock canyon walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Single-Leaf Ash, Green and Yellow Leaves

Single-Leaf Ash, Green and Yellow Leaves - A single-leaf ash in a narrow sandstone-walled canyon begins its autumn transition from green to yellow, Grand Staircase-Escalante National Monument
A single-leaf ash in a narrow sandstone-walled canyon begins its autumn transition from green to yellow, Grand Staircase-Escalante National Monument

Single-Leaf Ash, Green and Yellow Leaves. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A single-leaf ash in a narrow sandstone-walled canyon begins its autumn transition from green to yellow, Grand Staircase-Escalante National Monument

Now, coming back to this photograph quite a while after I made it, I distinctly remember that the gradient from yellow to green of these leaves caught my attention when I saw this small plant growing out of a crack in the water carved sandstone of this canyon wall. I’m often attracted by dark trunks and branches like those on this specimen, especially when they are seen against a background such as this pink sandstone with the patches of darker, lichen-covered rock.

The photograph was made in the same canyon in this national monument where I made a number of other photographs on this same very productive day – productive despite the difficult weather conditions, which were cold, windy, and a bit cloudy. Deep in the canyon and against this canyon wall, the best light is often that from completely clear daytime sky, since that sort of light reflects the best off of the canyon walls and carries with it the warm colors of the rock. Given that this was a tremendously windy day, the lack of leaf blur in this photograph indicates that it was made in a slightly sheltered area of the canyon and, no doubt, by waiting to shoot between the gusts.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.