Tag Archives: light

Surf, Sand, and Fog

Surf, Sand, and Fog
A wave breaks on a Big Sur coast beach on a foggy morning.

Surf, Sand, and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

A wave breaks on a Big Sur coast beach on a foggy morning.

This may be one of the “quieter” photographs I’ve posted in a while, but maybe that’s a good thing. It comes from another recent visit to the Big Sur Coast below Monterey, California. While it has been historically hot and dry in virtually all of California this year, the coastal areas have provided a welcome exception. Even on some of the days when heat (and dryness) records were toppling further inland, along much of the coast it was typical summer weather, cool and foggy. (Some folks are now referring the the current month as “Fogust.”)

We live in a San Francisco Bay Area location that, while not on or ever all that close to the water, is near enough to pick up the ocean influence, which here typically means high fog in the mornings and a breeze in the evening. On the day of this visit to the coast there was fog (and some wildfire smoke and haze) almost everywhere, but it was the thin sort that simply mutes and softens the features of the landscape rather than rendering them invisible. I stopped here to photograph something else, and after finishing that task I looked at the beach and saw this very quiet and peaceful scene of a bit of beach, a single breaking wave, and the ocean extending toward the foggy horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Point Sur, December Sky

Point Sur, December Sky
High clouds, brilliant reflecting light on the water, and fog at Point Sur.

Point Sur, December Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

High clouds, brilliant reflecting light on the water, and fog at Point Sur.

There is a lot of “accepted wisdom” about photography that turns out to be not quite true when you stop and consider your actual picture-making experience..Yesterday I was having a conversation with a photographer friend (Hi, Charlie!) about various things, including the way that some photographs don’t quite make sense to us until we return to them long after making the original exposure. If one ideal is to pre-visualize the photograph perfectly (and I do believe in the value of pre-visualizing), then it would seem that being surprised months or years later to find that a forgotten image works is hard to explain. But it happens — quite a lot, actually. One of my ideas about this is that at first we are too invested in what we believe the photograph to be that we are unable to look beyond that and see what it actually is.

All of this is a long way of getting to a point about this photograph. When I first viewed it right after the day I visited the Big Sur coast, I had a hard time with certain aspects of the light and the color and, to a lesser extent, the way it was framed. Originally I settled on a black and white interpretation. (Yes, a neat way of copping out about the color issues!) Recently I went back and looked at it again, and this is the result. I ended up with a slightly different crop, some work to lighten portions of the scene, and some new thinking about color of clouds and sky and about how to handle the bright yet low contrast reflections on the water out near the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Eastern Sierra Lake, Evening

Eastern Sierra Lake, Evening
Early evening light on a high country Sierra Nevada lake in the Hoover Wilderness.

Eastern Sierra Lake, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early evening light on a high country Sierra Nevada lake in the Hoover Wilderness.

A few weeks ago I decided to head to the eastern Sierra for a few days to get up into the high country. The main idea was to do a sort of pre-flight check for some potential backpacking, but I was also interested in photography, of course. I ended up camping at the end of an east side road that departs US 395 north of Yosemite. Despite the number of wildfires in California, I was lucky and the winds blew the right way to give me mostly clear skies. On this afternoon I decided to just hike up into the drainage above the road end to see what I would find.


Because I was looking for late-day light I didn’t start up the trail until mid-afternoon — my plan was to arrive at the high point when the light was getting good, make photographs, and then return by nightfall. After many years of hiking such terrain, this route felt familiar even though it was my first time on this trail. I passed a lake, following a trail through trees along its shoreline, and then climbed again, crossing a rocky ridge before another lake came into view. Eventually I came to my favorite sort of Sierra landscape — flat, meadowy areas with glaciated granite and small trees, with water flowing and peaks above. I stopped hiking and just sat for a while, enjoying the solitude and quiet… and noting that it was starting to get a bit cold. Eventually I made a few photographs and started back down the way I came, pausing to photograph a small peninsula at this lake as the angle of the light lowered.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Headlands and Fog

Headlands and Fog
Thin fog and brilliant autumn sun along the Big Sur coast.

Headlands and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog and brilliant autumn sun along the Big Sur coast.

Today’s photograph takes me even deeper into the high key and minimalist landscape frames of reference. For a long time I have been intrigued by the question of just how little detail could be present in a photograph, and the conditions on this morning gave me an opportunity to extend the experiment to the subject of the Big Sur coast.

The light, weather, and geography here often collaborate to produce some remarkable conditions. The potential for various sorts of fog is a given along the edge of the Pacific Ocean. In many sections of this coast the headland ridges descend toward the water repeatedly over huge distances. And because the coast curves a bit toward the east as you travel south, by late morning the sun may be almost directly ahead of you as you compose photographs that include the ocean. I think of this as “the light that is too intense to look at.” Imagine the sun in front of you, the haze glowing brightly, and the details of the scene becoming almost invisible, leaving only the light, atmosphere, and outlines of forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.