Tag Archives: light

Morning Light on Creosote, Dunes, and Alluvial Fan

Morning Light on Creosote, Dunes, and Alluvial Fan
Low-angle early morning light on a clump of blooming creosote, sand dunes, and a huge alluvial fan, Death Valley National Park.

Morning Light on Creosote, Dunes, and Alluvial Fan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Low-angle early morning light on a clump of blooming creosote, sand dunes, and a huge alluvial fan, Death Valley National Park.

This is the second of two photographs made close together on this morning in the dunes. I made it just moments after the first direct sunlight had arrived here, illuminating the distant fan, the creosote plant, and the curving shapes of the dunes. This light lasts only a moment, and when I saw it coming I stopped here, found this composition, and waited for the show. I like the way that the foreground light aligns with the softly-lit alluvial fan in the distance, and how the implied line of the incoming light likely traces the angle of the bits of dune at the left edge.

It is still amazing to me that such well-developed plants can find a foothold in this terrain — and beyond that manage to thrive on a high point along the dunes. This is not a friendly environment for most plants — it can be tremendously hot, it is quite dry, and when the winds get going these plants are blasted by flying sand. (I’m a bit too familiar with that last issue!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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In the Panamints, Morning

In the Panamints, Morning
Patterns or early morning light and shadow on the ridges of the Panamint Range, Death Valley National Park.

In the Panamints, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Patterns or early morning light and shadow on the ridges of the Panamint Range, Death Valley National Park.

There do not appear to be any icons whatsoever in this photograph, and you might be hard pressed to identify the scene as being in Death Valley. There are no visible sand dunes, no salt flats, no devils playing golf. But the fact is that terrain like this is characteristic of more of this immense national park, a place full of beautiful and spare desert mountain landscapes.

This scene is high in the Panamint Range, the mountains that run roughly north-south to the west of Death Valley proper and which separate it from the Panamint Valley. This is truly amazing country once you get to know it, a place characterized by plenty of evidence of its mining past, lots of country that is rarely visited today, and incredibly long views across a vast landscape stretching from Nevada to the Sierra.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dead Creosote, Dunes

Dead Creosote, Dunes
Morning sun on san dunes and skeletal dead creosote plants, Death Valley.

Dead Creosote, Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning sun on san dunes and skeletal dead creosote plants, Death Valley.

We tend to think of the landscape and, in particular, the desert landscape as being relatively static. Landscape photographers often hear comments along the lines of, “You have all the time in the world to make a photograph.” While there is some truth to this notion — yes, that mountain is likely to still be there tomorrow — things are not quite that simple, particularly at the beginning and end of the day. While the physical objects in this photograph stand still, the light most certainly does not!

This photograph was, in a sense, the result of a combination of working slowly and working quickly. Soon after arriving in this area of the dunes I saw this clump of dead creosote bushes. I thought they were interesting, but the lighting at that point wasn’t conducive to how I would photograph them. So I made a mental note about the scene and the spot and went to work on other things. A bit later the light was starting to sweep across the tops of the dunes and I turned my attention back to this subject, hoping that the angles would work out correctly to light the plants while the underlying sand remained in shadow. I waited as the light worked its way down the stems of the plants and then made the photograph during the seconds-long window just before the light struck the sand beneath them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Snag and Dunes, Late Afternoon

Snag and Dunes, Late Afternoon
The bones of a dead bush in sand dunes in late afternoon light, Death Valley National Park.

Snag and Dunes, Late Afternoon. © Copyright 2021 G Dan Mitchell – all rights reserved.

The bones of a dead bush in sand dunes in late afternoon light, Death Valley National Park.

You might be surprised to hear that, in some ways, I’m not always a gigantic fan of wandering in the sand dunes. In some ways, they seem almost too obvious of a subject for Death Valley photography and, in all honesty, traversing dunes on foot is not exactly an easy process! (My favorite walking in this landscape is in canyons and along washes, where I can pick my own path almost anywhere.) Walking in sand, especially sand blown into the shape of dunes, is not easy — progress can be slow and access to some interesting goals can be almost impossible.

Yet I keep going back. While the dune landscape changes more slowly than you might imagine, it does change from visit to visit, and there are always surprises. The interplay of dune shapes and light provides what seems like an infinity of photographic potential. And there are few experiences quite like standing alone in an isolated section of the dunes on a warm evening as the sun drops toward the western horizon as warm evening colors and shadows arrive.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.