Tag Archives: light

Bandlands, Morning Light

Bandlands, Morning Light
Soft early-morning light on rugged and colorful badlands formations

Bandlands, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft early-morning light on rugged and colorful badlands formations.

On the final full day of our early-April 2019 photography visit to Death Valley we decided to head for a familiar location where I enjoy photographing in the morning. After being closed earlier in the season this area had finally reopened — flooding of washes in the area had interfered with access, and repairs had be recently completed.

The photographic opportunities in this area — and, to be honest, in many places — depend a lot on the specific qualities of the light during a visit. I’ve been here where clouds turned everything gray and when intense light made some portions of this landscape a bit too stark for my preferences. This morning was close to ideal. When we arrived, before dawn, there was a high overcast and the light was not all that spectacular. However, the clouds were thin, and as the sun rose the light made it thought the dissipating clouds — and this sort of high, thin clouds provide some of the most subtle and beautiful light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Badlands, Morning

Morning, Zabriskie Point
Layers of overlapping badlands formations in morning light, Death Valley National Park

Badlands, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Layers of overlapping badlands formations in morning light, Death Valley National Park.

This location provides a spectacular bit of Death Valley scenery, but it isn’t photographed as often as some nearby areas that are regarded as being more iconic. It also tends to be a bit more visually attractive, at least in my view, at a time of the day that is later than the usual “golden hour” morning time when most photographers tend to be in the area. Over the years I have had a sort of informal project to photograph this spot during these times.

This is also an older photograph — not from this year’s two visits to Death Valley but rather from a trip about eight years ago. Every so often I “discover” a photograph that I had overlooked when I originally made it. Missing them has puzzled me a bit, but I think it is some combination of moving on to the “next thing” a bit too quickly, not being ready to understand how to “see” the image as a final photograph right away, and being distracted by other contemporaneous work. Back then I did work up another view of this scene — it included more of the contrasting colors near the top of the frame, and by comparison this one may have seemed too subtle… which, of course, is now part of what I like about it!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Sand Storm

Dunes, Sand Storm
A sand storm sweeps across layered dunes

Dunes, Sand Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

A sand storm sweeps across layered dunes.

Here I decided to offer a somewhat more subjective view of a sand dunes scene, photographed late in the day during a period of high winds and a sand storm. If you see this as a calm scene… imaging gale winds blowing across from left to right, carrying large volumes of airborne sand, and the distant views obscured by these clouds filling the atmosphere. It was a wild scene, and I was only able to photograph it for a short period of time.

I have long been intrigued by the question of what is “real” in photographs. Not only is the presentation of an objectively accurate rendering of the subject rarely the highest goal of a photograph, but it is virtually impossible for a photograph to do so. (I like to say, “All photographs lie.”) Some look to classic photography to support their belief that photographs must aspire to “realism”. However, if any mode of photography is amenable to subjective license, it is black and white photography! The ability to produce an expressively subjective image in black and white may be unsurpassed. In this photograph I “went there,” with an interpretation that aspires not to reproduce objective reality but one that hopes to evoke subjective truth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote Bushes, Dunes

Creosote Bushes, Dunes
Creosote plants and soft, blue-tinted pre-sunrise light on Death Valley sand dunes.

Creosote Bushes, Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Creosote plants and soft, blue-tinted pre-sunrise light on Death Valley sand dunes.

No, I’m still not done with the Death Valley photographs! This shouldn’t be a surprise — I was there twice so far this year. Both trips were made primarily for the purpose of photography, and I had a total of about eight days to do this work. I made this photograph on the second visit, during the first week of April when the seasonal change takes off, the weather begins to noticeably warm, and when the plants tend to come back to life.

We were out in the dunes reasonably early on this morning, and I made this photograph before the sun had yet risen, in that quiet and still time before dawn when the light is soft and still has a bluish cast. Shortly after we entered this area of the dunes I climbed to a ridge of sand overlooking a large area and set up. Most of the photographs I made here on this morning came from essentially this one spot — I probably didn’t move more than 25 feet from the initial spot as I looked to refine compositions. I loved the foreground line of creosote plants. Most of them seemed to be dead or dormant, though the plant at the left was turning green and sending out new flowers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.