Tag Archives: light

Trogir Waterfront, Morning

Trogir Waterfront, Morning
“Trogir Waterfront, Morning” — Morning along the waterfront as clouds build, Trogir, Croatia.

I made this photograph close to the conclusion of early morning photography in Trogir, Croatia. We arrived in the old town on the island before sunrise and photographed the nearly deserted narrow, cobblestone streets, the architecture, and a few people who were out early, getting the town ready for the coming onslaught of visitors. As we finished — and before stoping for coffee nearby — we emerged on this side of the island, facing the channel between it and the part of the town across the water.

It was a really lovely morning. The warm sunlight was muted a bit as clouds appeared and a large thunderstorm appeared to develop over the city of Split, down the coast. Here we just had the over-spill from that mighty cloud — just enough to make the sky more interesting and to soften the light a bit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Light and Dark

Light and Dark, a narrow Death Valley canyon.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.

Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.

I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Alone in the Wilderness

Alone in the Wilderness, Death Valley
“Alone in the Wilderness” — Over a dozen morning photographers crowd one small section of sand dunes, Death Valley.

Yes, the photo title is obviously tongue-in-cheek. This is not really “wilderness,” nor is this a place where one is likely to be “alone.” But there is a lot to think about here. If you look closely — and you may need to click the image to get a larger view — you can count at least a dozen photographers spread out in this desert landscape that comprises a very small section of these dunes… and it is not at all the most crowded area.

You can diminish the number of people out there with you if you go in the off-season, avoid weekends, get up very early, and perhaps go there when the wind is howling. But most often you will not be anything like “alone” in this place. To be honest, one task for photographers here is figuring out to work around the crowds, assuming the crowds are not your intended subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dubrovnik Rooftops

Dubrovnik Rooftops
“Dubrovnik Rooftops” — Tile rooftops of old Dubrovnik seen from the city walls in early evening light.

Dubrovnik is a remarkable city — very old, very beautiful, and today a sophisticated center of tourism. The age of the place becomes more obvious the further you get away from the central tourist areas. Out around the furthest fringes, on very narrow walkways, you can find places that seem almost… unspoiled.

The old city is almost completely ringed by an ancient wall — the only gap is near the small harbor. On this evening I set out to walk the perimeter of the town along the wall. I made the photograph early on my walk as the light was just beginning to take on the colors of early evening as I looked across a sea of red rooftops.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)