Tag Archives: light

Mesquite Dunes and Cottonwood Mountains, Morning

Mesquite Dunes and Cottonwood Mountains, Morning
Mesquite Dunes and Cottonwood Mountains, Morning

Mesquite Dunes and Cottonwood Mountains, Morning. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Early morning light on Mesquite Dunes and the Cottonwood Mountains, Death Valley National Park.

This is one of the images I had in mind on the most recent late-March trip to Death Valley. When I visited earlier this year in February I started thinking about photographing the dawn light on the lower slopes of the Cottonwood Mountains along the west side of upper Death Valley. I had (and still have!) in mind several locations from which to explore this interesting terrain and light, but among them were a few that placed the Mesquite Dunes (a.k.a. “Death Valley Dunes”) in the foreground. (Why didn’t I shoot this subject back in February, you ask? The weather did not cooperate! There was rarely good light in the morning and, in fact, I had to deal with rain and snow on that visit!)

Besides finding a location from which to line up the elements of the shot, the other keys are having a long enough lens and, well, being there at the right time! And, as I was reminded in February, a bit of luck with the weather doesn’t hurt either. Although it had snowed and rained right before my arrival on this visit, this time the weather ended up being clear for the most part and was even turning downright hot by the time I left later on the day that this photograph was made.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn Light, Base of the Cottonwood Mountains

Dawn Light, Base of the Cottonwood Mountains
Dawn Light, Base of the Cottonwood Mountains

Dawn Light, Base of the Cottonwood Mountains. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on the based of the Cottonwood Mountains at the edge of Death Valley.

This is (yet another) one of those photographs that is the result of some odd combination of “planning” and serendipity. When I travel somewhere to do photography I often, though not always, have some ideas about certain types of subjects I would like to photograph or about ways I’d like to photograph them. On this visit to Death Valley I had a few such ideas in mind – one of them had to do with scenes that filled the frame with the rugged and forbidding and seemingly lifeless mountains and valleys and ridges of the place. Another had to do with photographing in the early light along the west side of the Valley, something I thought about but didn’t really try on my previous visit. This photograph and a few others like grew out of those ideas.

On the other hand, I wouldn’t have been in this spot at this moment if I had not had an electrical problem with my car! The night before I had returned to the campground from a bit of late shooting, parked the car, and went about my “camp business” before crawling into the tent and setting my alarm for an appropriate pre-dawn hour so that I could arrive at a particular location before the sun came up. The alarm went off at the appointed time, and a few minutes later I emerged from my tent and got into my car. It wouldn’t start. I soon realized that the car was electrically “dead” – no interior lights, etc. Since it was still completely dark, the idea of doing auto repair outside the tents and RVs of lots of other sleeping campers was out of the question, so I went back into my tent and speculated uncomfortably about the potential costs of towing and automobile repair in Death Valley.

Later, as the sky began to lighten, I heard other campers stirring. I got up – again – and opened the engine compartment to find that one of the battery cables had come off, perhaps as I drove a rather rough road the previous day! Relieved to find that this was something that I could fix, I reattached the cable, quickly got in the car, and figured I would see what I could salvage of the morning shoot. I headed west across the Valley toward Towne Pass, thinking about photographing some snow that was high on the ridge. As I drove I saw that the first light had still not quite reached the Valley floor along the base of the Cottonwood Range. I quickly found a slight rise along the road where the view wasn’t obstructed by desert plants, pulled over, put on the long lens, and made a few photographs as this beautiful light worked its way down the face of the range and began to work its way out across the giant wash along the edge of the Valley.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Reflections in Curved Window

Reflections in Curved Window
Reflections in Curved Window

Reflections in Curved Window. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

A curved window on the Portside Building reflects a street scene near the San Francisco waterfront.

And now for something quite different from recently posted photographs…

I made this photograph while walking in San Francisco last summer. I’m intrigued by reflections and by scenes holding multiple layers or even multiple layered sub-scenes, so when I found this curved window I had to try to shoot it. For me the first thing I see is the cross-shaped pattern of the metallic bars separating the panes of glass. Looking more closely at what first seems to be just shiny and silver, I see quite a few colors and patterns, especially in the horizontal bars. On the other side of the window is a bit of the interior of the building – a white wall with its own curved shape, the end of a curved cushioned seat, and a dark area opening further into the interior on the right, within which a few shining lights are visible. Then there is the world in the reflections in the glass. (I mostly managed to exclude myself from the reflections, though you might be able to find a bit of me if you look very carefully! ) A person is framed in the lower right quarter of the frame against a background of a warped and curving street and sidewalk. The upper right section features some clearing fog over the Bay and a bit of an overhang in front of the building. The reflections at lower left are faint, though a cross walk can be seen. At upper left is a typical city scene with a traffic signal, wires, and the front of an urban building.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Zabriskie Point Gully, Morning Light

Zabriskie Point Gully, Morning Light
Zabriskie Point Gully, Morning Light

Zabriskie Point Gully, Morning Light. Death Valley National Park, California. February 20, 2011. © Copyright G Dan Mitchell – all rights reserved.

Morning sun back-lights the dense pattern of folds in a small gully at Zabriskie Point, Death Valley National Park, California.

In some ways I think this is one of the more subtle and complex of the various photographs I have made that isolate small sections of the Zabriskie Point landscape, especially the eroded patterns of the small gullies below the main viewing area. This photograph, like many in this series, was made after the normal “dawn light” time period, and at this time the sun is higher in the sky. It begins to back-light the tops of the furrows and gullies and the brighter light reflects down into the lower portions of the gully. There are a tremendous number of overlapping ridges and the color variations are quite large, though subtle at the same time. Some areas have a very blue cast, being in shadow and lit almost completely by the open blue sky. Others take on warmer tones, especially if they are illuminated by light reflected from the warm-tones earth. An area of thin clouds was floating above the scene and its shadow slightly softened and muted the light that otherwise might have been quite stark.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.