Tag Archives: light

Photographs: Nature, Photographs: Sierra Nevada

Carson Peak, Grant Lake

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Carson Peak, Grant Lake
Misty Carson Peak catches the light in the distance beyond the low water of Grant Lake.

Carson Peak, Grant Lake. © Copyright 2022 G Dan Mitchell.

Misty Carson Peak catches the light in the distance beyond the low water of Grant Lake.

This photograph comes from an early June visit to the east side of the Sierra Nevada a few years ago. The trip began with a quick pass through Yosemite Valley, where I photographed late dogwood blossoms and other flowers before heading over the crest on Tioga Pass Road for a few days of photography on the other side of the range. On an early trip like this I tend to hit some of the favorites first and then branch out to new locations. This spot is one of those familiar favorites.

As you have probably noticed, the low water in the foreground is a big hint that Grant Lake is there for water management, and that it is not a natural lake. A dark ridge looms beyond the upper end of the lake, framing the familiar view of Carson Peak. It was an afternoon and evening of clouds and some precipitation near the crest, and as the late light hits this peak some remnants of the moisture soften its contours.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Trees and Cliffs, Morning Fog

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Trees and Cliffs, Morning Fog
Morning fog drifts among cliff-dwelling Monterey cypress trees above the Pacific Ocean.

Trees and Cliffs, Morning Fog. © Copyright 2022 G Dan Mitchell.

Morning fog drifts among cliff-dwelling Monterey cypress trees above the Pacific Ocean.

This camera position offered an unusual perspective on the landscape and the atmosphere. When photographing on the West Coast, I often stand on the land and look west (or a bit north or south of west) and toward the ocean — in other words, “looking out to sea” when viewing the water. But in this location the land curves sharply to the west and the views point to the north, and in places like this one I can look back toward the land to my east, viewing surf against the cliffs and early morning light coming toward the camera.

This was a beautifully foggy morning. A popular misconception about California’s coast is that it is a place of endless warm sunshine. Those conditions do happen, especially in the late summer and very early autumn (hint!) — but quite often the coast is foggy and cool or even cold. While some distance inland the temperatures reached well into the ninety degree range, here I photographed drifting fog in morning light as the temperatures hovered in the mid-fifties.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Architecture, Photographs: France, Photographs: Structures and Objects, Photographs: Travel

Hallway, The Louvre

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Hallway, The Louvre
“Hallway, The Louvre” — Light filtering through windows into a hallway, the Louvre, Paris.

One of my little secrets is that when I visit museums, the collections are not the only reason I’m there. Among other reasons, I like to photograph them. They are compelling spaces in so many ways. Although not evident in this photograph, they are great places to observe people individually and in groups, and the buildings themselves are often visually interesting. That’s no surprise since they are created from a perspective that gives great importance to visual effect and to light.

I’m betting that this is far, far from the most photographed thing at The Louvre! It is just a section of hallway near, if my memory is correct, an escalator. But the light coming through these windows was lovely, so I made a photograph. Here’s a secret: I shared a much different interpretation of of this scene previously. That version is in black and white and in it I took greater liberties with the qualities of the light and shadow.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Ridges and Shadows

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Ridges and Shadows
Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Ridges and Shadows. © Copyright 2022 G Dan Mitchell.

Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Believe it or not, I’m still not quite done with this year’s Death Valley photographs. I’ve been sitting on this one for a week or two, pondering several things about it, but now I think I’m done with it. It may be the final one from this year’s very productive visits to the park. We’ll see! (Looking ahead, there’s a good chance that a year from now I’ll review the files and find at least one more.)

This is perhaps the place to again mention the typical cycle I go through when I return with photographs from a location. I open up the collection, and a few typically jump out at me immediately. These will not necessarily be “the best” of the group, but they are photographs that are fairly straightforward to process and work more or less as I expected when I exposed them. Then I go back through the files and begin to work on likely prospects that will require more thought. (Often the best work comes from this pass.) But this isn’t the end of it, and next I look again, this time trying to see the work with a different perspective. Here I often “discover” how to “see” photographs that did not initially seem like they would work. Finally (or maybe not?) I make one more serious traverse of the work to see what I might have missed. And with that — at least until I come back to the files in a year or so — it is on to new projects!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.