Tag Archives: light

Blue Door, Le Marais

Blue Door, Le Marais
A blue entrance door on a narrow street in Le Marais, Paris

Blue Door, Le Marais. © Copyright 2022 G Dan Mitchell.

A blue entrance door on a narrow street in Le Marais, Paris

This is another of the “found it while working on something else” photographs from Paris that I’ve unearthed this past week. I’m writing something about another photograph that I made on this day, and when I went back to look at the original of that photograph and others made around the same time… I was pleasantly distracted by going through a bunch of related photographs.

Like those other photographs, this one comes from Le Marais, a beautiful (and today quite popular) older section of Paris that retains very narrow streets and a time worn character, despite being somewhat gentrified now. There’s a lot to see here, and this is even more true when you carry a camera. Among other things, the beautiful soft light on this bit of old architecture attracted me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Dunes

Evening Dunes
Soft early-evening light on san dunes as the last sun strike distant desert mountains.

Evening Dunes. © Copyright 2022 G Dan Mitchell.

Soft early-evening light on sand dunes as the last sun strikes distant desert mountains.

Photographers (and other creatives) understand that their perspective on their own work will always differ from those of others. It cannot be any other way. Only the photographer — that’s me! — knows the circumstances and experiences of making the image. No one else can ever see the photograph the way I do or know all of the associations it evokes. Perhaps this is a reason that we tell stories about photographs. We hope to fill in some of what the photograph alone cannot tell.


So, some backstory: This was the first time I visited at this semi-remote desert location. I planned to photograph in the evening, camp nearby that night, and photograph again in the morning. My camp was a bit more than a half hour walk from the location, and this was the very last photograph I made that evening. Astute observers (and fellow photographers) may wonder: “Why did you stop when that light was still on the mountains?” Well… I was there to photograph the dunes. It was extremely windy and the low light was becoming more of a problem. The light on the mountains was beautiful, but there wasn’t a photograph there. And I had a long walk back to my camp, alone and across terrain that I had not visited before.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Sun, Panamint Mountains

Morning Sun, Panamint Mountains
Morning sun on the eastern face of the Panamint Mountains.

Morning Sun, Panamint Mountains. © Copyright 2022 G Dan Mitchell.

Morning sun on the eastern face of the Panamint Mountains.

The light on this morning was interesting, a bit softer than expected due to thin clouds to the east that muted the colors and contrast a bit, plus a bit of the ubiquitous Death Valley haze. I made the photograph back in late January, so it isn’t a big surprise to see a dusting of snow on the higher peaks along the ridge of the Panamint Mountains.

The Panamint Mountains stand along the western side of Death Valley and are a remarkable range in many ways — their scale, the human history they contain, and their relative inaccessibility. While humans have, no doubt, appeared from time to time in this slice of landscape, it is a forbidding place and not one traversed easily. From Valley floor to the highest peaks is over 11,000′ feet, and the terrain between the two is immense and rugged.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wisteria Leaves

Wisteria Leaves
Spring wisteria leaves, San Francisco Bay Area.

Special Note: Patty and I are presenting a Silicon Valley Open Studios event on May 21 and 22. Look us up (Dan | Patty) or contact us for information. Visit us and see our prints!

Wisteria Leaves. © Copyright 2022 G Dan Mitchell.

Spring wisteria leaves, San Francisco Bay Area.

The process leading me to this photograph was a bit oblique. This is another image from our spring visits to a garden full of seasonal flowers. I had been photographing tulips when I was distracted by wisteria plants that were almost completely covered with dense flowers. I went to photograph the flowers, but up close they didn’t see quite as fascinating as the bush seen as a whole. But as I worked on photographing the flowers the leaves kept getting in my way… until I realized that perhaps they might make the photograph.

Moving from focusing on the flowers to incorporating the leaves, I first simply included a few leaves in a flower photograph to provide a bit of contrast. As I worked I continued to given the leaves a larger and larger portion of the images. Soon I was primarily focused on the leaves, including the flowers only as background. I placed the flowers behind the leaves and narrowed the focus zone to emphasize the leaves. Eventually, as in this photograph, I removed any obvious presence of the flowers at all.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.