Tag Archives: light

Tree and Shadow’s Edge

Tree and Shadow's Edge
A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Tree and Shadow’s Edge. © Copyright 2021 G Dan Mitchell – all rights reserved.

A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Sometimes (oh, heck, often) photographs come about in somewhat unsuspected ways, and this is such a photograph. In October we were in Southern Utah and we had previously spent a day photographing in Zion Canyon. The general plan on this day was to photograph along Mt. Carmel Highway in the morning (which we did), grab some coffee and food beyond the park, and then, well, we weren’t quite sure. The day evolved organically and we ended up on some interesting Utah backroads crossing some surprisingly snowy highland before we eventually ended up in Cedar City. We gassed up the vehicle and realized that we had time for a quick side trip into Kolob Canyon on our way back toward our eventual destination.

I’ve been in the less-visited and less-developed section of Zion National Park several times. In addition to being a jumping off point for lots of interesting trails, it presents some landscapes opportunities that are quite different from those of the more familiar Zion Canyon. I’ve usually been there earlier in the day, so it was fascinating to observe the place in late-day light. Much of this landscape is huge, even “epic” in scale, but as I scanned it I started to see smaller vignettes that seemed interesting. In particular, I noticed that this shadow was moving from left to right and gradually lighting the prominent tree in the center of the scene, casting its shadow on the brightly-lit sandstone behind it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Red Rock Outcropping

Red Rock Outcropping
A variety of plantlife growing on a red rock outcropping, Zion National Park.

Red Rock Outcropping. © Copyright 2021 G Dan Mitchell – all rights reserved.

A variety of plantlife growing on a red rock outcropping, Zion National Park.

Utah red rock country is full of little vignettes like this one, no matter where you are. the photograph comes from Zion National Park, but it could have been made in any number of other locations where the sandstone formations appear. This California photographer, used to the relatively gray tones of Sierra granite, cannot get enough of the wild colors of this state.

I made this photograph on a morning when we drove across Zion National Park highlands on the Mt. Carmel Highway. Changes along this route, which can only assume the park service regards as improvements, have made photography considerably more difficult here. Many places where I used to be able to pull over and photograph are now off limits. That problem aside, we still did find places to stop and photograph in the brilliant morning sun, a very different experience than photographing in Zion Canyon or other deep and shaded places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens and Dome, Eastern Sierra

Aspens and Dome, Eastern Sierra
A line of autumn aspen trees in front of a rocky dome, Eastern Sierra Nevada.

Aspens and Dome, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

A line of autumn aspen trees in front of a rocky dome, Eastern Sierra Nevada.

This photograph comes from a morning of Eastern Sierra exploration into an area that I would not typically go to for fall color photography — not because there is no fall color there to photograph, but because it isn’t exactly the most accessible place to find it. For sure, there are easier places to find the color nearby. We put the 4Runner in 4WD and slowly tracked up toward the base of the range, eventually gaining enough elevation that there were aspens, the sort that live in harmony with surrounding high desert foliage of rabbitbrush and sage.

It was a beautiful morning of the sort that you’ll only find here in autumn. A weak storm has been through a few days earlier, and there was a dusting of snow on the highest Sierra crest peaks and behind us, across Owens Valley, on the White Mountains. Despite the recent storm the morning warmed nicely, and the sunlight was warm as we photographed. Here a small row of aspens, midway through the color change process, stood against a small, rocky dome, and beyond that in the haze-obscured distance were higher hills rising toward the summit of the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Owens Valley Trees, Sierra Nevada, Evening

Owens Valley Trees, Sierra Nevada, Evening
The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Owens Valley Trees, Sierra Nevada, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Landscape photography often feels a bit like hunting to me. I may go to a particular location with a general sense that something worthwhile is likely to happen there — and that sense is often based on some combination of long-developed intuition and knowledge of the antecedent conditions and the current situation. But I often do not have a specific subject or composition in mind. (Sometimes I do, but that is less likely.) In other words, I believe that there is a good chance that I’ll find the sort of thing that appeals to me photographically… so I go to a place at a time because I think the odds are good I’ll find something interesting.

One result is that I have to be ready to discover, change plans, improvise, and respond quickly to whatever I discover. (It also means that there are occasional dead-ends, but I digress…) We went to this spot with something entirely different in mind, but within minutes of arriving I decided that the “something else” was not going to work… and I saw that the line of sunlight coming across Owens Valley was striking this group of trees and that I only had a moment or two to photograph before the light left them. I made an initial exposure in landscape mode, then switched to portrait mode when I noticed more light on the foreground than the background. In the end, I came away with two rather different photographs of these trees — in the landscape version they lie near the bottom of the frame with only more distance subjects above them, while here they are situated beyond the stretch of foreground plants and the distant peaks occupy less of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.