Tag Archives: lone

Lone Tree, Morning

Lone Tree, Morning
“Lone Tree, Morning” — A solitary tree silhouetted against dawn sky on a foggy morning.

I traveled to California’s Central Valley back in late December, when I saw a weather report calling for thick fog. Now normal people would specifically NOT choose to go there on one of its infamous fog days, when the tule fog can make driving nearly impossible. But I wanted to photograph in those conditions, so I headed over a few hours before sunrise. The fog was extremely thick along the way, and I was looking forward to even “worse” conditions at my destination. But a mile before I got there the fog thinned, dawn light shone through, and high clouds were visible in the soft light.

At first I was disappointed. I had gone to a lot of trouble to be there for fog, and now the fog was dissipating! But it didn’t take long to notice the compensatory visual appeal of the thinner haze and how it glowed in the early light. I found a slightly higher view point, located a lonely tree on the horizon, and made a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote and Blowing Sand

Creosote and Blowing Sand
High winds blow streamers of sand across dunes and past a lone clump of creosote in evening light.

Creosote and Blowing Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

High winds blow streamers of sand across dunes and past a lone clump of creosote in evening light.

There are certain things we do not mention when in the field, things that we hope stay away and do not show up to interfere with photography. Since I’m not in the field at the moment — instead, sitting at my computer in my studio — I can go ahead and name one of them: wind. Some years back I was photographing canyons in Utah with some friends, and I was informed that I should never mention the name of this phenomenon while in the field, and if it was necessary to refer to it, the thing could only be called “W.”

“W” is often an issue in Death Valley and similar landscapes. It both creates challenges to photography (dust, camera stability, and more) and opportunities (flying dust can look spectacular!). We learn to deal with it. Sometimes this means heading off to a spot that is sheltered from the worst of it. It might mean photographing the effects of the wind (for example, a dust storm) from just outside its boundaries. Sometimes it means cautiously wading right into the maelstrom if the conditions appear to be spectacular enough, even at risk to equipment and health. Truth be told, the wind whipping up the flying sand in this photograph wasn’t that bad, especially since I could keep it mostly at my back.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cliff, Boulders, and Tree

Cliff, Boulders, and Tree
A solitary tree growing among fallen boulders is dwarfed by a sandstone cliff, Capitol Reef National Park.

Cliff, Boulders, and Tree. © Copyright 2012 G Dan Mitchell – all rights reserved.

A solitary tree growing among fallen boulders is dwarfed by a sandstone cliff, Capitol Reef National Park.

Earlier on this late afternoon the had worked our way into an wide accessible sandstone canyon with tall walls, lots of boulders, and trees placed in interesting places. As the afternoon wore on these tall red rock cliffs that had been so interesting in better light began to bring an early twilight, and we decided we were done for the day. We hiked back to our vehicle, loaded up, and began our trip back out of the canyon.

We headed a short distance north and then the road jogged west and opened to the fading light as the sun set. (It sets a bit early here on the west side of Capitol Reef as the terrain slopes up noticeably to the west.) We immediately stopped, unloaded, and went to work photographing. The light was somewhat unusual, and it somehow desaturated the red of the sandstone. In this narrow section the wall on the north side is quite abrupt and steep, and its base is littered with boulders that have fallen as it has eroded over millennia. Among the giant boulders a single tree grew.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote Bush, Sand, Mountains

Creosote Bush, Sand, Mountains
Creosote Bush, Sand, Mountains

Creosote Bush, Sand, Mountains. Death Valley National Park, California. April 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A lone creosote bush among sand dunes and desert mountains in evening light

A photograph of one small  thing in the landscape may evoke clearer and more powerful memories of the experience of the place than a photograph that shows the whole scene. For me, this is one of those photographs. Unless you know the area quite well, you would be hard pressed to identify exactly where the photograph was made or precisely what we are seeing here beyond “creosote bush,” “sand dunes,” and “hazy, distant mountains.” And you could find a similar little scene in innumerable other locations. Perhaps this might let you, as its lets me, use this little scene as the starting point for  recalling other things that comprise the experience of being in such a place.

During much of the year this desert is — no surprise! — an oppressively hot place, in many ways not at all friendly to human life. I often photograph very early and very late in the day, spending the hot and bright midday times traveling or in a place where I can escape that heat and intense light. In the afternoon I start to think about the time when the light will soften and the air will be less hot, and late in the day I head out to make photographs, often arriving at a location while it is still uncomfortably hot. I wander out into the terrain — though often with at least some vague plan — and before long comes that beautiful time of day: the wind slows and the temperature drops into the eighties, the sun’s light is muted by the atmosphere as it nears the horizon, and soon it drops behind desert mountains. The light becomes soft and there is little sound, yet I look with increasing urgency, knowing that this combination of air and light and color will only last briefly.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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