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Autumn Aspens In Canyon Light

Autumn Aspens In Canyon Light
Colorful autumn aspen trees in an Eastern Sierra Nevada canyon

Autumn Aspens In Canyon Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees in an Eastern Sierra Nevada canyon.

The quality of the light, as we all know, is incredibly important in photography — where it comes from relative to the subject, its color, whether it is harsh or filtered, how it differs in various areas of the frame, and much more. In some cases great light can make a not-so-exciting subject “work” as a photograph, while poor light can make it difficult or impossible to make an effective photograph of a great subject. In landscape photography we don’t generally have much ability to control the light. But we can learn to anticipate what it may do, and we can try to time our photographs for when the light may be at its best.

The window of opportunity for this light on this subject is very small. The idea here was to photograph this grove during the very short period when shadows, created as the sun dropped behind high ridges in the upper canyon, moved across the frame. At this point the backlight would intensify the colors of the trees, yet it would be slightly muted. Additionally, the haze in the far upper canyon would glow in the backlight. When we arrived at this spot the light was far from ideal, and I think that the people who accompanied me may have wondered what I saw. But a few moments later we all experienced the brief transition of wonderful light that I came here to see.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Eastern Sierra Stream, Autumn

Eastern Sierra Stream, Autumn
“Eastern Sierra Stream, Autumn” — Autumn colors line the banks of a small Eastern Sierra Nevada stream

This photograph is of one of those little places — you could easily pass right by it and miss it. I have, and I’ve even stopped nearby and not seen a photograph. This time I was heading up a canyon in cloudy conditions and light rain, and perhaps the unusual conditions helped me to see differently. In any case, as I drove past the area I noticed the red plants growing close to the ground, even though there were largely obscured by intervening trees.

I quickly turned around and came back, parked, and then spent some time poking around and looking. I finally ended up down along the bank of the stream, the closest I could get to the red plants, and I found a composition looking upstream toward more colorful plants and the white trunks of an aspen grove.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Leaning Aspen Trees, Reflections, Autumn

Leaning Aspen Trees, Reflections, Autumn
Leaning aspen trees with autumn colors, reflected in an Eastern Sierra Nevada pond

Leaning Aspen Trees, Reflections, Autumn. Eastern Sierra Nevada, California. October 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Leaning aspen trees with autumn colors, reflected in an Eastern Sierra Nevada pond

On the first day of this short trip to the Sierra Nevada, with photographs of fall color our objective, we followed a long driving route to the east side so that we could take a look at a wide range of locations. We began by crossing the range quite far to the north at Carson Pass, then headed south over Monitor Pass to US 395, and from there we continued toward our eventual destination in Bishop. Along the way we made quite a few stops and a few side-trips to look at and photograph fall color. By the middle of the day it became clear that we were going to be dealing with wind. (In fact, by the time we arrived in Bishop after dark it was so windy that driving was starting to be an “interesting” experience.) Wind is not generally regarded as being helpful when photographing aspen trees — though there are some ways to deal with it — so eventually we sought out locations where it was moderated a bit.

One way to get out of the worst of the worst winds is to leave the wide-open country east of the range and head up into the narrower canyons. While this typically doesn’t eliminate wind completely, it often does block the worst of it. That’s just what we finally did, turning up into a familiar canyon and driving almost to the end of the road. Here we arrived at a location with quiet ponds surrounded by all kinds of trees, including some with fall foliage. Along the edge of one pond and its boggy surroundings we found large aspen trees leaning away from the water. My assumption is that the soggy ground was no longer solid enough to hold the trees and something, probably even stronger wind than we were dealing with, pushed them toward the nearby grove. Many of the trees were still alive, though you have to wonder whether their current lean angle is the end of the story!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pond and Autumn Aspens, Evening

Pond and Autumn Aspens, Evening
Pond and Autumn Aspens, Evening

Pond and Autumn Aspens, Evening. Eastern Sierra Nevada, California. October 12, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A grove of autumn color aspens reflected in an eastern Sierra Nevada pond

I saved my visit to this place for the final evening of the final day of this year’s aspen hunt. Although I had passed by the mouth of this canyon four days earlier, while heading to another location near the start of my trip, I had only glanced in from the main highway — but I could tell, both from experience and from looking, that there would almost certainly be some good color here later on. Although the color change seemed to start on a rather early schedule this year, later on the pattern seemed to become closer to the norm. Color started high, and by the time I made this photograph a lot of the highest elevation color was going or gone. (Not all of it though — even amidst lots of bare trees up high, I still came across scattered high elevation groves full of color.)

As the color transition continues, it moves to successively lower elevations, and some of the most protected east-side canyons can hold color even longer. In the past this has often been a decent late season location for color, but I’ve also been there when the color came and went early, for reasons I could not decipher. So on this day when I actually entered the canyon for the first time this fall, I wondered if the colors that I could see along the stream where it emptied into larger valley below might be all there was… or if the color would continue up higher. It turned out that the colors did continue, and in outstanding form! The majority of the trees had fully or nearly fully changed color, with a few other trees at either end of the transition — some still all or mostly all green, and a few that had gone to bare trunks and branches. Far up the canyon there are flooded meadows, and I made this photograph at the highest of these ponds.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.