A broken window in a brick wall with cinder blocks behind, High Line Elevated Park, New York.
This odd window set against a solid cinder block wall was alongside the High Line Park in the Chelsea area of Manhattan. I am always intrigued by odd brick patterns, including those where someone has painted the bricks. The image of the smashed window “opening” to a solid wall was also compelling, and in a larger print there are some very interesting patterns, colors, and textures in the broken glass and the bits of paint on the window.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Detail of stonework at the Cathedral Church of Saint John the Divine, New York City.
Early in the morning we took the subway north to the area around Columbia University where we had been told to visit a Hungarian bakery. (Worth the visit, by the way…) This “cathedral church,” which I had heard of but not seen in person, is located almost across the street. We started in the nearby sculpture garden which features a large, central sculpture (too much to say about it to try to do it here) which is surrounded by small pieces created by schoolchildren. From here it was a very short walk to the cathedral itself.
The cathedral is a powerful piece of architecture, much larger and more imposing than many of the other famous religious sites that I’ve seen in New York. I first made a series of photographs of the interesting textures and forms of the exterior of the building, including this photograph, taking advantage of the soft light created by the cloudy conditions. Eventually we made our way inside. I took no photographs inside the cathedral, partly because there was a service going on and because I was quite affected by the scale of the interior space… and by the very interesting and unusual music being performed by the organist.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The blue cube-like metal-clad “extension” section of San Francisco’s Contemporary Jewish Museum, with downtown buildings in the background.
This metal structure is the so-called “extension” section of the Jewish Contemporary Museum in downtown San Francisco, located not far from Yerba Buena Center and the Metreon. On my frequent “walking photography” trips to San Francisco I often end up wandering through this area, and this building always intrigues me. The museum is build largely around an old (over 100 years) power plant building, but this metal-clad structure “extends” the underlying building.
The structure itself seems somewhat cube-like when viewed from close by, but is actually part of a larger structure that travels across the room of the power plant building. From up close it towers and leans back over the viewer. The surrounding area is also interesting with a large open space, and old Catholic church, and very tall downtown buildings nearby.
I’ve been working on figuring out how to photograph this building for a while now. The angles are tricky, the working space is limited, the light is complicated. I’m still not convinced that I have it, so this is one of my “thinking out loud” photographs which may turn out to be practice for other photographs that I eventually make here.
An old and dilapidated tire shop with a single palm tree.
And now a break for something completely different from the Yosemite photographs I’ve posted for the better part of the past two weeks. Last weekend I had a couple hours of free time during the middle of the day – the toughest time for light, especially so close to the summer solstice. So I decided to go out for an urban walk and see if I could make some photographs that took on this bright and harsh light instead of trying to avoid it.
I have photographed this building before. It is an older garage that is now a tire shop. The building is, despite being painted and so forth, quite dilapidated – window and door frames don’t line up, the stucco is cracked and patched, and walls and roof lines intersect at odd angles. The paint job on the building couldn’t be more, well, boring. The building is roughly gray, with some blocky black lettering and the painted image of a tire. There is no vegetation and a plain sidewalk runs in front of it. The whole thing just seemed perfect for a harsh, midday light photograph.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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