Tag Archives: mist

Trumpeter Swans, Field

Trumpeter Swans, Field - A small group of trumpeter swans on a misty day in a Skagit Valley field, Washington
A small group of trumpeter swans on a misty day in a Skagit Valley field, Washington

Trumpeter Swans, Field. Skagit Valley, Washington. December 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small group of trumpeter swans on a misty day in a Skagit Valley field, Washington

Finding myself in a wonderful place to photograph birds, but without the (rather long!) lens I would usually rely on, I had to think differently about how to photograph the migratory birds of Skagit Valley, Washington earlier this week. I was in Washington for something else entirely, but had brought along a minimal kit “just in case…” but wasn’t really thinking that bird photography might be on the agenda until plans changed and I found myself with nearly a full day free. So despite having nothing longer than 200mm, I decided to drive up there from Seattle and see what I could find.

Among the locals, I hear that the area is especially renowned for eagles – which I saw and (barely) photographed a year ago. But I’m also, and perhaps predominantly, fascinated by the snow geese and the trumpeter swans. The geese remind me of the very similar Ross’s geese that I photograph in California, but the trumpeter swans are birds that I don’t really get to see at home. While the geese collect in huge flocks of many thousands of birds, creating an audio uproar that must be heard to be believed, the swans don’t seem to be such social creatures nor nearly as noisy. When I’ve seen them, they collect in small groups, sometimes very small or perhaps including a few dozen individuals. They seem to assemble quietly – apart from the occasional “trumpeting” – and don’t do anything like the swirling, flocking behavior of the geese. Instead, even so often a couple of them will lift off – taking a long, shallow trajectory like an overloaded airliner lifting off – and then fly at low levels across fields.

Having only my “short” 200mm telephoto, it proved nearly impossible to photograph them in the usual bird photography style – trying to come as close as possible to filling the frame with a bird or two. Instead, I started by thinking about how I could incorporate the birds into the landscape. Here, near the end of an empty road, I turned onto an even emptier road and slowly drove up to where I was reasonably close to this group. I remained in the car, using it as my “blind” so as not to disturb the birds, and I sat quietly making a few photographs as they fed in the field. I decided to go with an interpretation of the subject that did not attempt for anything like objective realism, instead trying to evoke the subjective aspects of these birds, caught in a momentary beam of sunlight against a misty and rainy sky and hills.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Clearing Storm, Morning Light

Fog clearing from a Zion Canyon cliff face.
“Clearing Storm, Morning Light” — Clearing storm clouds and morning light on sandstone towers, Zion National Park

We arrived in Zion the previous day, driving through rain across lower Utah and upper Arizona, stopping to photograph here and there, including rain-soaked upper elevation areas of Zion. We arose early to catch one of the first shuttles into the canyon. The morning began with sun coming through breaks in the clearing clouds from the previous day’s rain. In my view, clouds in Zion canyon are not usually all that conducive to photography, since I tend to rely on the diffused midday light coming from open sky to light my subjects, which are often found in the shade. Clouds produce too much shade and move the color balance away from the warm tones of daylight and toward the dark, blue tones.

On the other hand, I love sunlight broken and muted by clouds, especially those that move and are a bit transparent. I love shooting in Yosemite Valley when winter storms or fog are swirling around the walls and spires, alternately revealing and hiding bits of the landscape. As we rode the shuttle into Zion Canyon, with a vague plan of heading toward the middle or upper part of the canyon, I looked up to see that same sort of effect high on the cliffs along the west side of lower Zion Canyon – early morning sun was shining through breaks in clouds that swirled around the upper cliffs, alternately revealing and concealing their form. Plans change, and we hopped off the shuttle. I put the long lens on the camera and spent a few minutes exploring this subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Beach Walker, Mendocino Coast

Beach Walker, Mendocino Coast
“Beach Walker, Mendocino Coast” — A person walks across a beach on the rugged Mendocino coast at sunset.

This photograph is from last fall, during a late-October trip to the Mendocino area of the northern California coast. The Mendocino coast is an area I have known about for some time, but which I have not visited that much at all. (It is among a few areas of California that I’ll sometime admit that I have not yet gotten to know. Oddly, there are large swaths of far northern California that are more or less blanks on my map. I need to fix this!) We had about three days in the area, and since it was brand new to use we did a fair amount of more or less aimless exploring.

One one afternoon we decided to head north to and beyond Fort Bragg, which is located just a few miles above Mendocino itself, where we were staying. We continued north a ways until the road turned inland and away from the coastline. After stopping there to make some photographs of a forested area we began to head back towards Mendocino. As we drove the light became more and more interesting. The generally gentler light of late October began to be enhanced to the soft quality of coastal light and by the late hour, and as we descended to this small beach I looked to my right and saw this beautiful bit of light and shadow. We quickly stopped and I pulled out camera and tripod and worked essentially from the back of the car where we had stopped. I had only a few quick moments to photograph this scene before the sun dipped to the horizon and the light was gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Tree and Pinnacle, Pacific Sunset

Tree and Pinnacle, Pacific Sunset - The last evening light falls on a tree and a rocky pinnacle high above the Pacific Ocean north of San Francisco, California.
The last evening light falls on a tree and a rocky pinnacle high above the Pacific Ocean north of San Francisco, California.

Tree and Pinnacle, Pacific Sunset. Marin Headlands, California. August 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The last evening light falls on a tree and a rocky pinnacle high above the Pacific Ocean north of San Francisco, California.

On the return drive from our late-August sojourn to the Mendocino Coast, we returned to the Bay Area by the less efficient but more spectacular route and drove the coast on Highway 1, the “coast highway.” For the most part the road hugs the coastline, alternately dipping down to the shoreline and climbing to the tops of very tall coastal bluffs, and occasionally running inland for a short distance. We stopped in Point Reyes Station for dinner (and we can now heartily recommend Osteria Stellina!) and then continued on – and as we did I began to get a sense of where we might be for the golden hour light. It seemed like we would likely pass Stinson Beach – which seemed fine, since I didn’t have an interest in photographing there – and be somewhere south of there in the Marin Headlands.

As we ascended the high and steep road perched along the cliffs south of Stinson Beach, a lot of stuff started happening all at once. I knew that we were getting very close to “that” light, when we spotted a lone coyote along a ridge above the road… right below a large ridgeline rock and above which the nearly full moon had just appeared. Really! So we obviously had to stop and see what we could do with that subject – which turned out to be more difficult that I had thought. At about this time other likely “targets” started to appear, and I photographed back towards Stinson Beach, directly into the sun-lit haze from northern California forest fires. Then I looked closer to my location and saw this windswept tree catching the last bit of light, with a single rugged pinnacle behind it, and beyond that the surface of the Pacific Ocean, fading into the mist and picking up the pink tones of the setting sun.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.