Kelp bed and fog off the coast of Point Lobos State Reserve.
I haven’t posted one of my “minimalist seascapes” in a while, so here is a new one. The photograph was made on a quiet day at Point Lobos a few weeks ago – at least it started out quiet with fog and somewhat gentle surf. A certain amount of post-processing was done on this image in order to get the particular misty effect and somewhat leaden quality of light and color.
While the photograph was made at Point Lobos, something similar could have been produced at many places along the California coast on a day like this one – the image is completely devoid of the typical elements of Point Lobos photography.
A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.
On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.
After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.
By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.
Mist and spray from spring runoff fill the air in the boulder-strewn canyon of Cascade Creek, Yosemite National Park.
Making this photograph was an “interesting” experience! I visited Cascade Creek on June 18, probably near the peak flow of the spring runoff season, and the creek was a full-blown torrent. After photographing some familiar rock formations below the bridge that crosses the creek, I decided to try a photograph from the upstream side of the bridge. In this direction, the creek is more or less half waterfall and half cascade as it plunges down a very steep and narrow section of the hillside. The whole scene was in deep shade and mist and spray filled the air.
I made a guess that a 135mm lens might give me a tight enough framing of the scene, so I briefly stepped away from the creek and the spray-filled air to switch lenses. Leaving everything else behind, I took the camera, tripod, and this single prime lens and walked to the wet side of the bridge. There was enough spray that I and my gear began to get wet pretty fast, so I worked quickly. I got everything in what I figured would be about the right position before I uncovered the lens, then quickly uncovered and finalized the composition and manually focused. I knew that I couldn’t really stay in this spray all that long so I spent a couple minutes bracketing a series of exposures as the mist surrounded me, hoping that water on the lens and in the air in front of the camera would not interfere with the shot.
The main decision was about shutter speed and with other decisions regarding aperture and so forth to follow on that. The idea was to use a slow enough shutter speed to allow the water to blur a bit, but not so slow as to turn it to formless mist. I managed to get to a 1/5 second exposure by shooting at f/20, an aperture a bit smaller than I would typically want to use, as apertures smaller than about f/16 can begin to introduce a bit too much diffraction blur. But in a shot like this one where mist is obscuring a great deal of the detail anyway, that seemed like a reasonable compromise that let me lengthen the shutter speed just a bit.
A seasonal stream cascades over a granite ledge along Tioga Pass Road, Yosemite National Park.
This small cascade is one of hundreds seen along Tioga Pass Road on June 18 this year, the day the park service opened the road for the season. The opening date was later than usual due to the heavy snowpack, and there was water everywhere as the snow melt accelerated in the late spring weather. It was almost embarrassingly easy to find and photograph these subjects – this one was right next to the roadway.
This is part of a larger cascade, out of view to the right, that flows off the top of a granite area and drops quickly across granite cliffs. Here the water strikes a slanting ledge and bits of spray explode almost like Fourth of July fireworks. Obviously, the somewhat unusually long shutter speed was selected with this effect in mind. The reddish plants to the left, just beginning to come back to life after the long winter, hint at the early date in the season.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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