Tag Archives: mnwr

Autumn Weeds

Autumn Weeds
Colorful autumn weeds with morning frost, Central Valley.

Autumn Weeds. © Copyright 2020 G Dan Mitchell – all rights reserved.

Colorful autumn weeds with morning frost, Central Valley.

Yes, weeds. I had spent a few hours photographing more exalted subjects — migratory birds, foggy sunrise skies, big vistas, fall colors. Eventually it was time for a break, so I pulled into a parking area, poured a cup of coffee from my thermos and grabbed a snack. It was a very cold morning, so I stood along the sunny side of my vehicle, enjoying the slight warmth of the morning sun. And at my feet, right there in the parking lot, next to a fence, I saw some colorful, frost-rimmed… weeds.

As you would expect, I put down the coffee, grabbed a camera, and set about photographing the… weeds. I’m often reminded of something that another photographer once wrote: “There’s always something to see!” Those words, which seem pretty banal when considered from a non-photographic perspective, turn out to be pretty important. No matter where you are, there is, indeed, virtually always “something to see.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cranes, Pond, Autumn Morning

Cranes, Pond, Autumn Morning
A small flock of sandhill cranes stands in a wetland pond in early morning autumn light.

Cranes, Pond, Autumn Morning. © Copyright 2020 G Dan Mitchell – all rights reserved.

A small flock of sandhill cranes stands in a wetland pond in early morning autumn light.

I am a big fan of these flat landscapes of trees and grasses and ponds and birds, especially between the last month or so of autumn and the end of winter. All up and down California (and in many other places, too) migratory and native birds are everywhere, and while it might seem that there isn’t much happening here from the human perspective, the action is almost continuous in the lives of birds. The first thing I do when I arrive in such places before dawn is open the car window or door and listen — the sound may be that of a few far-off birds or it might be the raucous chorus of thousands of them nearby and overhead, but the striking sound of the cranes is almost always somewhere in the mix.

I began photographing before dawn on this morning as I usually do. I slowly worked my way along a levee, pausing to watch for and then photograph birds in the low light. The first big group I spotted was a large flock of snow geese, but they were not in a great spot for photography, so I kept moving. Soon I came upon a huge flock of hundreds of cranes in and around a pond. At first they were mostly standing still in the shallow water, but gradually they began to become restless and then, group by group, take to the air and fly away. I don’t recall now for sure, but judging by their attentive postures, there’s a good chance that this group left shortly after I made the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Geese, Autumn Sky

Geese, Autumn Sky
Geese return to Central Valley wetlands under dramatic autumn sky.

Geese, Autumn Sky. © Copyright 2020 G Dan Mitchell – all rights reserved.

Geese return to Central Valley wetlands under dramatic autumn sky.

This has been a strange autumn in California in a host of ways. The state has been contending with the effects of warmer and drier conditions and declining precipitation for at least a decade now, and late-autumn is now part of the wildfire season, a time that used to terminate with the first late-October rains. In my part of California, where the rains usually get going in November and December is one of the three core rainy months., we have had almost no precipitation at all. You’ll pardon us if we spend a lot of time watching the sky and hoping for real weather to arrive.

A week ago I spent some time in the Great Central Valley making photographs. I had been putting off my visits because I prefer “interesting weather,” and there really wasn’t any. I finally went there because there was the tiniest chance of a little bit of fog and because, well, it looked like that would be the best we’d see for a while. The morning was nice — the true fog did not materials, but there was a beautiful softness in the atmosphere anyway. But late in the day it just became… gray… as a cloud shield from a weather front came in from the west. I almost left, and I had actually mostly packed up, when I decided that I might as well stick around a bit longer since I was there. It turned out to be the right decision. One development was something familiar to me from past evenings — as the light moved to the west the hazy atmosphere became more transparent and, like a stage scene illuminated behind a scrim, the shapes of the western clouds became clearer as geese arrived to settle into a nearby pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cranes Before Sunrise

Cranes Before Sunrise
Sandhill cranes in wetlands before sunrise.

Cranes Before Sunrise. © Copyright 2020 G Dan Mitchell – all rights reserved.

Sandhill cranes in wetlands before sunrise.

There are many special times of day out in the wetlands at this time of year, but I love these moments just before sunrise, especially on foggy mornings. The fog, even somewhat thin fog like this, shrinks your world and makes the scene more intimate. It also mutes the light and somehow adds to the quiet and tranquility of the scene.

On this November morning I decided to place my bets on this scene, stopping here and photographing as I waited for the first direct light to strike the birds after sunrise. This hour is a time of transition for the birds, who generally start to become more active as they prepare to depart in the early light. And sure enough, by the time I finished here most of them took off in small groups.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.