Tag Archives: mono

Photographs: Nature, Photographs: Sierra Nevada

Clearing Storm, Sierra Crest

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Clearing Storm, Sierra Crest
A late-spring storm clears along the Sierra Nevada crest near Bloody Canyon.

Clearing Storm, Sierra Crest. © Copyright 2022 G Dan Mitchell.

A late-spring storm clears along the Sierra Nevada crest near Bloody Canyon.

This photograph comes from an early-season trip across the Sierra crest a few years ago. It must have been quite a day. The first photographs from the set were in springtime Yosemite Valley. By the end of the day I had crossed Tioga Pass and headed out to the east of the range and into high desert near Mono Lake, the location from which I made this photograph late in the afternoon.

If only I kept a diary of these things! My hunch is that this was my “first trip of the season” across recently-cleared passes, on which I often take stock of the conditions at the beginning of a new summer season. From the looks of the clouds hugging the crest along the eastern Yosemite boundary, winter had not yet quite let go. There was still a decent amount of snow, clouds draped the crest, and it looks like there is some active precipitation.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Mono Lake Basin, Photographs: Nature, Photographs: Night

Mono Moonrise

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Mono Moonrise
Autumn full moon rises over Mono Lake, California.

Mono Moonrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn full moon rises over Mono Lake, California.

The scene is an autumn moonrise over Mono Lake, a scene that I often encounter on my fall photographic visits to the Eastern Sierra. I’m there often enough that it seems like I have this opportunity almost every year. I had been photographing more typical autumn subjects earlier in the day — largely the fall colors of aspen trees — but I decided to finish that activity early enough to get myself to a likely location to see and photograph the moonrise over the lake. These days, with the help of various digital tools, we can come very close to putting ourselves in precisely the right spot at precisely the right time. On this evening the moon rose in early twilight, but I continued photographing until it became quite dark.

On a technical note, there are some challenges to including the full moon in a photograph made after dark. The biggest issue is that the moon is a lot brighter than the landscape — the landscape is in darkness but it is essentially noon on the moon! There are ways to deal with this, one of which is to photograph before the landscape becomes completely dark, and I did that here. But I was pushing that boundary a bit, and I was initially unable to get the balance between the moon and the dark landscape that I was looking for. However, as sometimes happens, the sophistication of post-processing software advanced, most notably with the introduction of some powerful new selection tools in Lightroom and Adobe Camera RAW. (Despite the popularity of Lightroom, I’m still a Bridge/ACR/Photoshop user.) These tools enabled me to make some important adjustments to the dark portions of this image while retaining detail in the moon. (NOTE: This is a re-working of a photograph that I had previously shared back in 2019.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Mono Lake Basin, Photographs: Nature

Mono Basin, Morning

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Mono Basin, Morning
A view of Mono Lake, Mono Basin, and surrounding peaks from the base of the Sierra Nevada.

Mono Basin, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A view of Mono Lake, Mono Basin, and surrounding peaks from the base of the Sierra Nevada.

This photograph is another long view of Mono Basin and Mono Lake, with Paoha Island centered in the frame. Paoha Island is, like its companion Negit Island, the product of volcanic activity where a long string of volcanic sites intersects the lake. You can find lots of other volcanic cones on this like both north and south of Mono, including the much taller and older Mono Craters just to the south.

When I first came to Mono Lake and photographed it many years ago, I typically tried to get very close to the edge of the lake, for example photographing tufa formations along its edge. But over the years I’ve become more fascinated by the longer views that take in the vast space in and above the Mono Basin. To really see this it helps to find an elevated location, and there are plenty of them to see if you poke around a bit in and around the Basin. This photograph was made near the base of the eastern escarpment of the Sierra Nevada, and it looks across the lake and beyond to eastern mountains that belong to Nevada’s basin and range terrain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake Basin, Photographs: Nature

Mono Lake Islands, Morning

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Mono Lake Islands, Morning
Morning light and haze on Negit and Paoho Islands, Mono Lake and Mono Basin.

Mono Lake Islands, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light and haze on Negit and Paoho Islands, Mono Lake and Mono Basin.

There are many ways to look at Mono Lake, and a seemingly infinite number of viewpoints to use to take those looks. Many of the most common spots are along the western shoreline, not far from US 395. Not far behind are some of the better known tufa formations. But this is a huge lake and its visual presence is part of the experience throughout the Mono Basin and nearby portions of the Eastern Sierra. Wander about this greater landscape a bit and you’ll inevitably find new and often surprising ways to see the lake and its two volcanic islands.

Since there are so many vista points, the specific identity of any one of them seems somewhat beside the point. In this case I was in a high, quiet, and pleasantly lonely area along the eastern front of the Sierra very early in the morning, which gave me a higher perspective and let me clearly see the major mountains beyond the lake to the east. As the photograph was made in autumn, the typical haze in the atmosphere muted the details of the distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.