Tag Archives: monochrome

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Branch, Water on Salt Flats

February 28, 2011 G Dan Mitchell 10 Comments

A forelorn branch sits near pools of reflecting water on salt flats of Death Valley National Park.

After the brief dawn light on the Panamints ended (see the photograph I posted yesterday) and the world went gray over in that direction, I noticed this odd log or branch sitting out on the mud in the salt flats between some of the ponds that streak this section of the flats. While the two minutes of beautiful color on the Panamints had ended, the increasing light was transforming what had been a fairly solid covering of gray into a transparency that revealed interesting layers and patterns of clouds in the morning sky.

I moved a bit closer and made one final sequence of Death Valley photographs before heading back to Stovepipe Wells to take down my camp and start the long drive home. I tried a couple different compositions, including some in which I was closer to the log, but in the end I prefer this one that put some distance between it and me and, I think, suggests the huge spaces that are among of the most compelling characteristics of this landscape.

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Photographs: Northern California, Photographs: San Francisco

Richardson Bay and Tiburon, San Francisco Bay Morning Haze

February 21, 2011 G Dan Mitchell Leave a comment

The San Francisco Bay and the haze covered East Bay beyond the waters of Richardson Bay.

When I headed over the Golden Gate on this early February winter morning I intended to end up photographing redwoods or along the coast north of San Francisco in the morning before heading south to go back home by midday. I ended up getting distracted by very interesting shooting conditions in the Marin Headlands of the Golden Gate National Recreation Area and by the time I finished there I didn’t have enough remaining time to carry through on my original plans. But I did have a little time left, so I headed up to this spot along a ridge above Marin City where I know of a great view out over Richardson Bay, the Tiburon Peninsula, Angel Island, the Bay, past fog-shrouded Oakland, and on to the East Bay Hills.

This is a long lens landscape shot, for several reasons. First, the somewhat longer lens – though 159mm isn’t all that long – compresses distance a bit, both bringing Oakland’s downtown buildings a bit “closer” and foreshortening the very large distances a bit. It also lets me “edit” out some potentially distracting elements close to my shooting position and limit the scope of the image to just those elements that I wanted to include.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Pipes, Tank, and Cyclone Fence Shadows

February 15, 2011 G Dan Mitchell 1 Comment

Black and white night photorgraph of pipes, a tank, and cyclone fence shadows falling across a brick wall at the Mare Island Naval Ship Yard.

This past weekend I had a chance to join my friends from The Nocturnes for an introduction to night photography at the historic Mare Island Naval Ship Yard near Vallejo, California. The Nocturnes schedule events at this wonderful and rich location several times each year, and I have done night photography there many times in the past. Many of the photographers at this particular event were experimenting with “the dark side” for the first time, so I decided to go both to do a bit of my own shooting and to help Tim Baskerville answer questions from some of the first-timers.

This bit of industrial “stuff” is in a location I have shot many, many times. It is in an alley next to what is now the Mare Island Historic Museum, and it traditionally the first place that many MINSY night photographers start their evening of night photography. Since I’ve shot quite a few of the standard subjects at Mare Island, I had in mind a few slightly different subjects and different approaches in mind this time. One was to focus specifically on shadows as a compositional element and another was to look for some of the smaller details of the place in addition to shooting the very interesting larger structures that so often get my attention.

So, after shooting nearby structure with shadows angling across the alley, I thought that I’d see what I could do with this odd bit of old pipes and a tank against a brick wall, and illuminated by nearby sodium vapor lamps shining through a cyclone fence. I liked the shiny texture of the pipes and their shapes as they radiated from the central tank, along with the shapes of both the very dark and large shadows and the net of fainter shadows thrown over the whole scene by the fence.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

North Tower of the Golden Gate Bridge, San Francisco Oakland Bay Bridge

February 13, 2011 G Dan Mitchell 3 Comments

Black and white photograph of the north tower of the Golden Gate Bridge silhouetted against San Francisco Bay morning haze and the San Francisco Oakland Bay Bridge.

A week ago I posted a few other photographs from this early morning winter visit to the upper reaches of the Marin Headlands, from which I photographed the bridges of the San Francisco Bay, backlit by early sun and partially obscured by a low layer of fog and haze. Since I am not fond of adding poetic (or pseudo-poetic) titles to my photographs, preferring to let them say whatever they have to say on their own, I have resisted the temptation to call this one “The Three Towers.” ;-)

The dark shape in the foreground that dominates the frame is, of course, the north tower of the Golden Gate Bridge. Shooting it in this light is trickier than it might seem like it should be. The light coming from beyond, reflected and amplified by water and haze, is very bright – almost hard to look at directly. So the west side of the bridge is deeply shadowed. I like the dark and stark shape of the tower here – as opposed to the more familiar photographs front or side lit by late afternoon or evening light – but the trick is to keep just a bit of detail in that nearly black tower.

The scene posed another technical issue, though it probably isn’t visible in this small version. As the sun comes up and heats the atmosphere, and as wind blows (and it was windy on this morning!) there is a lot of atmospheric turbulence. Normally you wouldn’t notice this at all, but when you shoot with a long lens and enlarge the image you quickly see that sharp edges and fine lines take on an almost “painterly” quality as the atmosphere shimmers, much in the manner of a mirage.

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