Tag Archives: monochrome

Dunes, Light And Shadow

Dunes, Light And Shadow
A curving interaction between light and shadow on Death Valley sand dunes

Dunes, Light And Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

A curving interaction between light and shadow on Death Valley sand dunes

The visual patterns of desert sand dunes can quickly become a sort of photographers’ playground. While we often may go out looking for individual subjects and composition (the “perfect photograph of that mountain”), once in the sand dunes there are likely to be photographs almost everywhere we look. The subjects are remarkably varied, ranging from the smallest to the largest, from nearly pure abstraction to literal depictions, including human elements or not, and changing over the course of the day and in evolving light. Topping another wave of sand or curving around into a new hollow can bring a whole new set of possible photographs.

I made this photograph on a morning when we walked out into a lonely section of dunes before sunrise. I generally tend to photograph more “literal” subjects in that softer pre-sunrise illumination. That softness quickly disappears with the sunrise most days, and I begin to look for more stark compositional contrasts. Here I was attracted but the abstract shape of the sand that was struck by the light, and the suggestively organic shapes of the curve.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Old Tree, Snow Flurries

Old Tree, Snow Flurries
Snow flurries begin around an old tree, Yosemite Valley

Old Tree, Snow Flurries. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow flurries begin around an old tree, Yosemite Valley

In the latter part of February I was very fortunate to be able to spend a full week in Yosemite National Park, mostly photographing in the Valley. (Thank you to Yosemite Renaissance for sponsoring my stay.) It was a cold week with a fair amount of snowy days — no heavy snow, but with the cold it fell all the way down to the elevation of the Valley and even lower nearby.

Late on this afternoon I had finished up some earlier projects and I was casting about for a final subject before the light faded. Since I was in this area I went to where I knew I could find this magnificent old tree, along with some other smaller trees growing along the Merced River. On this very cold afternoon the scene was quite gray, with clouds above and light snow beginning to fall, muting the details of the background forest and almost completely hiding the granite walls of the Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Meadow, Snow Storm

Trees, Meadow, Snow Storm
Snow falls on a tree-studded Yosemite Valley meadow

Trees, Meadow, Snow Storm. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow falls on a tree-studded Yosemite Valley meadow

I made this photograph as a snow squall swept through this part of Yosemite Valley, on an afternoon that featured changeable weather. It was often cloudy, sometimes the sun broke through, at other times snow fell heavily for short periods. It was during one of those latter moments when I stopped here, entranced by the silhouetted tree shapes and the moodiness of the snow-obscured landscape.

Snow and fog (and to some extent rain) can make the task of photography more difficult, but the visual value they bring mac the challenges worthwhile. A location like this one can be almost too dense with complex detail when the air is completely clear, but some fog or snow mute the distant details and simplify the scene in useful ways. Here the dark shapes of the closer trees acquire a stronger (and more abstract) presence in the scene, and the distant features that would otherwise be visible fade to obscurity and instead provide a sort of depth to the scene. I made a practical decision, too, when photographing this scene. Because of the challenging conditions of windblown snow, rather than putting my bigger camera on the tripod I shot handheld with a smaller system I was also carrying.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Forest, After Snow

Forest, After Snow
Densely intertwining forest trees after a Yosemite Valley snow storm

Forest, After Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Densely intertwining forest trees after a Yosemite Valley snow storm

My previous day in Yosemite Valley had drawn to a close as snow showers dropped a few inches of snow. A blustery and cold little weather front had arrived, bringing showers — the sort of weather than gives you a few minutes of impressive snowfall, followed moments later by the light breaking through. On my way out of the Valley — I was staying up at Wawona — I had stopped to photograph it before starting that snowy drive back to my cabin.

I suspected that the weather would clear the next morning and that bright light and new-fallen snow could turn out to be my subject. My first thought had been to head for Tunnel View, not usually my first choice for Yosemite Valley photography at this point, but potentially very beautiful in these conditions. But when I arrived there the completely clear skies produced a rather mundane sort of scene, at least by comparison to what I had hoped for. (I know… that view is never actually “mundane,” but I’m more likely to photograph it when something really special happens these days.) But further down in the Valley I passed an area of skeletal trees, mostly without leaves or needles, that still held snow and was back-lit. The location was about as non-iconic as you can find in the Valley, but I stopped and wandered off into this forest scene to photograph the patters of branches, trunks, and snow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.