Tag Archives: morning

Egret, Blue Hour Fog

Egret, Blue Hour Fog
An egret hunting in blue hour fog

Egret, Blue Hour Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

An egret hunting in blue hour fog

For those who don’t know the term, “blue hour” is that twilight period when the light tends to become soft and blue, most likely because the primary illumination is from the blue sky itself, with no assistance from direct sunlight. You might not notice the depth of the blue color of the light if you don’t think about it carefully or look at a photograph. Our eyes adjust to the color and see things as being “normal,” but the camera records (more or less) “what is.” Most often when people refer to blue hour they are referencing that period of early twilight — just after the red sunset tones have faded, but before it becomes extremely dark. Of course, there are two “blue hours” every day – one before sunrise and one after sunset.

I usually start my bird photography before it becomes light, and I frequently have to wait a bit before starting to photograph. On this morning it was exceptionally murky — not only was it still dark, but the tule fog was very thick. Eventually I looked for subjects that I could photograph in this challenging light. You are never far away from an egret in places like this, and it wasn’t long before I came upon one that was hunting in the nearby vegetation. In many cases I might try to compensate for the blue tones and the darkness, but here I instead decided to “go with the blue” and produce a photograph that feels more like such mornings actually feel.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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South Beach Harbor, Morning

South Beach Harbor, Morning
Morning light on South Beach Harbor and buildings of downtown San Francisco

South Beach Harbor, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on South Beach Harbor and buildings of downtown San Francisco

On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.

The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Snow, Ridgewood

Snow, Ridgewood
A snowy morning in the Ridgewood area of Queens, New York

Snow, Ridgewood. © Copyright 2017 G Dan Mitchell – all rights reserved.

A snowy morning in the Ridgewood area of Queens, New York

For years, at least since our sons started moving there, we have visited New York City. People who know the place will likely note that we must be nuts for scheduling most visit for near the end of December or, wait for it, in August. (If you have been to New York City in August, you understand how unwise it is to go there once that time of year, and how crazy it is to voluntarily repeat the original blunder. ;-) Truth be told, while August still isn’t impressing us as a wonderful time to go, we actually do like going during the winter. The cold seems like a welcome change for these San Francisco Bay Area Californians, and there is quite a lot to see there at this time of year.

However, we usually miss out on snow, the one factor that would really make it feel like the winter we don’t experience at home. We have been snowed on there during our end-of-year visits, but typically no more than a trace, if that. I’m told that real snow is likely to arrive a few weeks later. This year we got our wish, as it were. We had a full week of terribly cold conditions, and on our last day there it finally did snow — not a lot, but enough. I made this photograph as we left an elevated subway (I know, oxymoron!) in the Ridgewood area, where we were able to look out over the urban environment and see snow-topped roofs fading into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Departure

Departure
waves of Ross’s geese lift off into foggy early morning winter sky

Departure. © Copyright 2018 G Dan Mitchell – all rights reserved.

Waves of geese lift off into foggy early morning winter sky

There are many ways in which geese may depart, and almost any time I watch them I think about when and how they will leave. They might leave one or two at a time, perhaps circling around and returning, or possibly simply flying a short distance to a more interesting spot nearby. They might begin a mass departure by leaving in small groups of perhaps a half-dozen or a few more. The geese in this photograph were leaving in what might be described as waves — groups of perhaps a dozen or two lifting off at once and forming into lines as they headed to the north. There is also that most spectacular event, when many thousands of them erupt into the air simultaneously, with a shocking sound of thousands of wings along with their cries.

On this winter morning we arrived before dawn, as always, and watched as ground fog formed over the wetlands. We did not find the spectacularly large flocks that we sometimes see but there were groups still settled into ponds. As the first light arrived they began to fly away, first a few, then larger groups, until very soon all of them had left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.