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Geese and Evening Sky

Geese and Evening Sky
Geese and Evening Sky

Geese and Evening Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A motion blurred photograph of Ross’s geese against the evening sky above California’s San Joaquin Valley

Bird photographers might appreciate the thought I had that it might be appropriate to refer to these “BIF” photographs “blurred in flight” shots. (Among bird photographers, “BIF” is short for “birds in flight.”) I guess I could say that I’m photographing “blinds,” or “blurreds,” – or something. In any case, the experimentation with motion-blur abstractions of flying birds continues.

I photographed these Ross’s geese on New Year’s Day 2013, when I met a great group of friends out in the foggy Central Valley to “chase wild geese” and other migratory birds. I made plenty of the usual sharp photographs of birds, but I’ve felt for some time that those do not always succeed in creating some analog of the ephemeral and transitory character of these critters. Plus, I just sort of like the abstraction of they blurred shapes! Some might say that making blurry photographs is a sign of less the competent photography, but I have to say that this isn’t quite as easy as it might seem. There are a lot of things to consider as I make these images. There is a sort of exposure time sweet spot that blurs the birds sufficiently but which still holds enough of their shape to clearly show their nature. I want abstract shapes, but not so abstract that they no longer clearly suggest birds in flight. Secondly there is the matter of background. Ideally, I think I like to locate the flying birds against fairly plain sky with interesting color. This means tracking the birds as they take flight, close to the ground and with “stuff” behind them, waiting for the moment when they break clear of ground and brush and trees and appear against the right sort of sky, but only for a moment before they move too far away. Finally, as I shoot I watch the constantly evolving relationships of position and shape among the birds of the moving flock, and try to capture moments when they briefly align in interesting ways. This group had stretched into a sort of horizontal cloud of birds when I triggered the shutter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Surf, Weston Beach

Surf, Weston Beach
Surf, Weston Beach

Surf, Weston Beach. Point Lobos State Reserve, California. January 13, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Long exposure photograph of surf and boulders, Weston Beach, Point Lobos State Reserve

This part of a small series of photographs I made at Weston Beach, Point Lobos on a mid-January day. The location is very familiar to me, to the point that I recognize many specific rocks and formations here. I have photographed quite a few times, but I continue to find new things to see here. Part of that is from visiting in different seasons and conditions of weather and light, part from looking more closely, and part from thinking of different ways to photograph the familiar subject. More than once I’ve had a feeling that I was “done” with the location, only to go back and find a new way of seeing it to investigate.

I was playing with several ideas when I made this series of photographs. Obviously, I was working with long exposures that allowed the motion of the waves to blur in various ways, smoothing out the surface of the otherwise-rough water and turning shoreline waves into transparent mist. I was also working with a different sort of light than that which I would usually seek out here. More often I look for soft light, produced by some overcast, an early/late hour, or even fog. But it was very clear on this mid-morning visit and the light falling on the rocks was somewhat stark and harsh, especially when I shot almost into the sunlight. It seemed to me that the edginess of the brightly lit rock might be a counterpoint to the softness of the long-exposure blurring of the water. Obviously, I also went with black and white here. Also, a bit unusual for me, I worked with an ultra-wide angle focal length, getting quite close to the foreground but letting the distant subjects be small and accentuating that by placing the horizon very close to the top of the frame.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocks and Surf, Weston Beach

Rocks and Surf, Weston Beach
Rocks and Surf, Weston Beach

Rocks and Surf, Weston Beach. Point Lobos State Reserve, California. January 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A long exposure photograph of shoreline rocks and surf at Weston Beach, Point Lobos State Reserve

I had been a while since I had photographed along the California coast south of Monterey, but I finally made it back down there on this mid-January morning, ending up at the Point Lobos State Reserve. This is a location I shoot frequently since it is barely more than an hour from my home, and I’ve gone there since I was a kid. Today was perhaps not the ideal day to photograph there – it was (literally) freezing cold in the morning and then the skies were almost completely clear. Clear skies are not my favorite for photography. I much prefer some fog or clouds. In this photograph I dealt with that by pointing the camera down and placing the horizon very close to the top of the frame.

Arriving at the reserve, I first headed down to the familiar location of Weston Beach. (I still cannot quite figure out which this place is called a “beach” – rocky slabs slope down to the water and the closest thing to sand is a bit of rocky gravel. But I digress…) When I arrived, the early morning sun was almost back-lighting the islands and sea stacks to the south of here, so I walked back up the road a bit to find higher ground to shoot in that direction. While shooting from there I saw that it could be interesting to shoot below this trail and much closer to the water, using a very wide-angle lens and perhaps a 9-stop neutral density filter to extend the exposure. Rather than hoping the fence to get to the likely spot 20 feet away, I was a “good soldier” and I walked back a hundred yards or so, took the “official” trail down to the “beach,” and then worked my way back to the rocky spot that I had spotted from above. I lined up some shoreline rocks and a crack that allowed a bit of surf to come in closer, positioned the horizon very close to the upper edge of the frame, added that 9-stop neutral density filter, and made several long exposures that would allow the surf to become flat and almost misty. Usually I might not want the very harsh light on the rocks, but here I like the way it contrasts with the smooth and filmy quality of the water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese in Motion

Geese in Motion
Geese in Motion

Geese in Motion. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A flock of geese takes flight in front of a winter evening sky, San Joaquin Valley, California

This is another bird photograph that intentionally flirts with the limits long shutter speed in order to allow motion blur to affect the image. This is perhaps a bit less “abstract” than the previous one I shared in that you can still see reasonably well-defined shapes of some birds in this photograph.

On a winter evening in California’s Central Valley I intentionally lowered the shutter speed to a setting much slower than normally used for handheld shots with a long lens. I tracked the birds as they lifted off during the evening “fly out” event, attempting to shoot during moments when the flock assembled itself into some sort of interesting configuration and, if possible was seen against something interesting in the sky beyond – dusk colors, other birds, etc. The faint blurs in the lower portion of the image are more distant flock. Although it almost doesn’t matter in a photograph like this one, the birds are Ross’s geese. One thing that appeals to me in this photograph is that while the birds are little more than vaporous smudges in some places, in other you can almost make out actual details for their shapes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.