Tag Archives: Mountain

Badwater Salt Flats, Evening

Badwater Salt Flats, Evening
Badwater Salt Flats, Evening

Badwater Salt Flats, Evening. Death Valley National Park, California. March 31, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dense Aspen Grove, Bishop Creek

Dense Aspen Grove, Bishop Creek
Dense Aspen Grove, Bishop Creek

Dense Aspen Grove, Bishop Creek. Sierra Nevada, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Soft light filters through the canopy of a dense aspen grove near Bishop Creek, California.

I think that these dense aspen forest scenes ended up being something of a theme for me this fall. In this one I tried to find as dense an example of aspen forest as I could locate and then to make a photograph that may perhaps evoke the combination of diffused light coming down through the depleted canopy of yellow leaves and the very tightly packed trees. The trees in this grove are relatively small and closely packed – so close, in fact, that in places it is very hard to move among them. I used an ultra-wide lens to try to both bring as much of this detail into the frame and to let me work very close to the nearest trees. The closest tree is probably no more than about a foot from the camera.

Working in such close quarters, very small changes in camera position end up having large effects on the composition. In the end I found myself repositioning the camera and tripod by fractions of an inch from side to side. Although it isn’t easy to see in this small jpg version, the complex detail of branches and leaves eventually recedes into the distance near the far edge of the grove and the grove becomes a bit lighter along that farthest fringe.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mount Humphreys and the Sierra Crest, Dawn

Mount Humphreys and the Sierra Crest, Dawn
Mount Humphreys and the Sierra Crest, Dawn

Mount Humphreys and the Sierra Crest, Dawn. Near Bishop, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Dawn light falls on the snow-dusted summit of Mount Humphreys and the Sierra Crest above Bishop, California.

On this morning I paused along highway 168 on my way to photograph fall aspen color in the Bishop Creek Canyon area to photograph the first light on the Buttermilk Range and along the section of the Sierra crest near Mt. Humphreys and Center Peak. My main reason for stopping here was to photograph the Buttermilks, the rocky hills along the giant “fan” rising from Bishop toward the base of the escarpment of the eastern Sierra. The plan was to find a good vantage point, put a long lens on the camera, and then pick out various features of the range as the edge of the first light hit them.

With that in mind, I was set up here before dawn and standing around in the cold morning air waiting for the light to arrive. Obviously, before the dawn light can get down to the elevation of the Buttermilks it must first hit the peaks of the crest, and who can resist that kind of light? The very first light that just touched the tip of Mount Humphreys, near the right side of the frame, was almost too intense in comparison to the shadowed lower slopes, so I continued to wait until the light, still very saturated with color, illuminated the full upper faces of the crest and began to light up the lower peaks to the east.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Color, South Fork Bishop Creek

Aspen Color, South Fork Bishop Creek
Aspen Color, South Fork Bishop Creek

Aspen Color, South Fork Bishop Creek. Eastern Sierra Nevada, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Brilliant peak autumn color in aspen groves along the south fork of Bishop Creek, eastern Sierra Nevada.

One week earlier I had visited this same area only to find a mixture of trees that had lost their leaves during a series of early fall snow storms and trees that were essentially still fully green. What a difference a week made! This fall it seemed that once the color change started, it moved quickly. Not only were these middle elevation trees in full autumn color, but in many places the color extended all the way down to the edge of Owens Valley.

These trees are along the south fork of Bishop Creek, off of the road to South Lake, and not far from so-called “Mist” or “Misty” falls. (I’m skeptical about this waterfall – it gives every appearance of having been constructed by redirecting water to a place where it would not likely flow naturally. I’ll welcome accurate information about that.) Perhaps because these trees grow in a fairly open and wide valley, many of them have managed to grow rather tall and quite straight, in contrast to a number of other Sierra groves that consist of small and often twisted trees. The rows of trees angle up slopes from the creek in the valley bottom and seem to be arranged in diagonal groves that ascend the hillside.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.