Tag Archives: Mountain

Winter Fog and Oak Covered Hills

Winter Fog and Oak Covered Hills
Winter Fog and Oak Covered Hills

Winter Fog and Oak Covered Hills. Calero Hills, California. January 9, 2010. © Copyright G Dan Mitchell – all rights reserved.

Winter morning fog settles over the oak covered Calero Hills landscape of central California.

On this early-January winter morning I headed to my “photographic backyard” in the Calero Hills area, knowing that I’d get to shoot my favorite hills, oak trees, and grasslands in fog, clearing fog, and perhaps even sunlight. Things didn’t pan out exactly as I expected, but it was a good morning of photography anyway.

After starting out by photographing a tree in the “lowlands” of the park, I could tell that the tule fog was starting to clear a bit along the ridges – the brighter light from above was one hint, and the occasional faint sight of blue sky and clouds through the low fog was another. So I decided to finish up my work on that tree and follow a trail that ascends to one of the many minor ridges running through the park.

Arriving at a familiar point on the ridge along a valley that drops away to the south, the fog began to clear from my location. I soon discovered that it wasn’t going to be a day for sunlit photographs – a weak weather system was approaching and high clouds muted the sunlight. In addition the fog didn’t exactly clear – it was more a case of the fog sort of washing back and forth. One moment my position and nearby ridges would clear and I’d see the overcast sky above (as in this photograph), but a few minutes later another wave of fog would expand out of the valleys and I’d be socked in again. So I set up and waited and watched and ended up with several photographs that I like.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs”

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

Submerged Boulders, Lake, and Cliffs
Sunlight illuminates submerged boulders near the cliff face along the High Sierra Trail – Sequioa National Park.

Submerged Boulders, Lake, and Cliffs. Sequoia National Park, California. August 6, 2008. © Copyright G Dan Mitchell – all rights reserved.

I have backpacked in California’s Sierra Nevada range for quite a few decades. A number (a large number!) of years ago my wife and I went on a two-week trans-Sierra backpack trip that traversed the range from west to east between Crescent Meadow and Whitney Portal,  following a route known as the “High Sierra Trail.” On the third morning we left our camp and began the stiff ascent toward the pass we had to cross to enter the Kern River drainage. Near the top of the steepest part of the climb the trail momentarily leveled out and we found ourselves facing a high, rockbound lake with a perfectly vertical patterned rock face dropping straight into the water on the far side. The view seemed familiar – and I realized that it was a scene captured by Ansel Adams (“Frozen Lake and Cliffs“) in the early 1930s.  (I also later realized that there is a wonderful and well-known photograph of the subject by Vern Clevenger.)

My wife and I were enthusiastic about photography in those days, too, and we carried a couple of Pentax SLRs and a few lenses and many rolls of film into the back-country. But I don’t think I came back with more than a few “snapshots” of this lake on that trip.

Fast-forward a few decades to 2008 when a group of my backpacking friends decided to follow this same trans-Sierra route — and, of course, I had to join them. Once again, I found myself ascending the trail toward that small bowl, but this time I had a plan to photograph the lake and the equipment to do it right. I recalled parts of the climb from my previous trip, but I had probably forgotten more than I remembered during the intervening decades. As the trail traverses a beautiful wet section full of wildflowers (which I had forgotten) I could tell that the lake was just ahead, and soon I topped a small saddle and saw the familiar scene before me.

As planned, I set to work doing some of the photography that I had contemplated before the trip. To be honest, I mainly worked from more or less the location that Adams must have used, though the conditions were a bit different on this day – the light was changeable as broken clouds passed above, and there was very little snow, much less ice, left at the lake. After perhaps 30 or 45 minutes of work, my hiking partners were getting restless and it was time to move on. I felt that I had worked this scene about as much as possible under the circumstances – and I did get a photograph of the “classic view” that I like a great deal — so I loaded up my heavy 9-day backpack load, put away the camera, and strapped the tripod to the outside of the pack. I hoisted the load and slowly started up the switchbacks immediately above the lake.

A couple of switchbacks up the trail I happened to look back at the lake from a slightly higher vantage point, and from here the astonishing deep blue color of the lake and the apron of rocks falling into the water became visible. My first reaction was a combination of “Wow!” and “No way am I taking this pack off and setting all that stuff up again!” Continue reading A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs” →

Big Sur Coastline at the Rocky Creek Bridge

Big Sur Coastline at the Rocky Creek Bridge
Black and white photograph of winter surf and rugged cliffs and rocks along California’s Big Sur coastline at the Rocky Creek Bridge.

Big Sur Coastline at the Rocky Creek Bridge. Big Sur, California. January 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of winter surf and rugged cliffs and rocks along California’s Big Sur coastline at the Rocky Creek Bridge.

I have photographed this scene before, so it was on my list of places to check out as I drove down the Big Sur coast on the second day of the new year. When I arrived I found very different lighting from that in the linked photograph – that one was shot in the morning with back-light and heavier mist. On this afternoon the surf was big (but not huge) and some mist was being thrown up by the waves, but the late afternoon light more clearly illuminated the rocks and the bridge. I also found a slightly better spot for seeing the natural arch in the foreground rocks. The only difficulty was that a herd of cattle was grazing on the top of the bluff right in front of this scene, and I had to wait for them to move before I could shoot – they were obstructing the arch!

I first thought this would be a color photograph, but the more I worked on it the more I liked the monochrome rendition. To me it seems to take the focus away from the colors and force it more towards the abstract and overlapping forms of the rocks, surf, bridge, and hill beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Sunset Surf, Big Sur Coastline

Sunset Surf, Big Sur Coastline
Sunset Surf, Big Sur Coastline

Sunset Surf, Big Sur Coastline. Pacific Coast, California. January 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

The last sunlight of the day gently lights the winter surf and coastal bluffs along highway one on the Big Sur coast of California.

This photograph is the result of a bit of good luck and a bit of planning. On this morning I heard a weather report that included a high surf warning for the northern and central California coast. I’m always alert to this in the winter since this can create some amazing photographic opportunities. With that in mind I decided somewhat spontaneously to finish up a few other tasks and then try to get to Point Lobos for some late afternoon and early evening photography there.

As I approached Point Lobos in the mid-afternoon it became apparent that I wasn’t the only person out and about on this last weekend of the holiday season! The entrance to Point Lobos itself was closed because all the parking lots were full, and scores of cars were filling the roadside pullouts near the park. Since I can go there when it isn’t so crowded I decided to change my plans and head south down the coast, ultimately going almost to Granite Creek.

At one point where the road made a broad curve to the right I was able to look back and see this panorama. I stopped only long enough to take a quick look and spot a use trail heading down toward the edge of the bluff. I made a mental note that this might be an interesting scene to shoot in the last light of the day, and then I got back in the car and continued south.

After finishing up a final shot shortly after 4:00 I decided to head back to this location. On one hand the light didn’t look too promising, as some high clouds were thickening and moving down the coast. However, it looked to me like it might remain clearer right above the horizon – I thought there was a chance of some “surprise light” just before sunset, and it seemed like this spot might catch a bit of it. With that in mind I drove back here, loaded up my gear, and wandered out to the edge of the bluff where I found this panorama.

With or without photography, it was a spectacular spot. The large Pacific swell was coming straight in to the beach below me to the right, and bluffs and sea stacks and surf stretched back up the coastline toward the Carmel Highlands and the Point Lobos area and interesting clouds were forming above. Now all I needed was a bit of luck with that sun peeking under the clouds at last light – and for about a minute or two I got the soft, warm light I had hoped for.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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