Fall colors and mist along the Merced River, Yosemite Valley.
Returning to the land of color – after a spate of recent black and white posts – this is a photograph made on a rainy day along the Merced River in Yosemite Valley, as fall color came to the trees and bushes and fog drifted along the walls of the Valley. This photograph was made from the bridge near Curry Village as it rained lightly and the colors were reflected in the calm surface of the river. Probably because of the damp weather and the relatively early hour there was hardly any one else around, and this in a location that is often quite busy.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Mist from an autumn storm obscures trees growing on a steep ridge near the rim of Yosemite Valley.
Since I’ve written about this series of photographs of cloud- and fog-shouded subjects in Yosemite Valley several times during the past week, I’ll keep the background short on this one. I used a long lens to isolate small scenes in which the clouds of an autumn storm alternately hid and (sometimes barely) revealed trees, cliffs, and rocky spires along the rim of Yosemite Valley.
In a few of the photographs I was thinking about how close I could get to having very little or almost no detail in the photograph and still make it work. Here the only real detail is in the diagonal of trees and rocks that is mostly obscured by the clouds, with only a few bits of tree being a bit darker. What I’m thinking of is more along the lines of suggesting the presence of the bit of cliff and trees than actually trying to show it explicitly.
This is, for me at least, a tricky thing! The temptation is to boost contrast in post to get more definition from the tree shapes, but that quickly leads to something that has a very different mood than that of the actual scene – and which can easily look phony. I think I’m heading in a direction I like here, but I don’t think I’ll know for sure until I have a chance to try a print in a week or so.
(By the way, if your monitor is even a little bit “off,” you may see some colorations in this monochrome image that aren’t really there. Sorry! :-)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Clouds from an autumn storm drift among trees and spires along the rim of Yosemite Valley.
This is another in the series of photographs of mist and clouds and trees and cliffs during an autumn storm in Yosemite Valley. Here the clouds float among trees and spires along the rim of the Valley. I was looking for something very much like this as shot in the Valley, and here I spotted an interesting angle in the valley rim and then waited as the clouds floated in and out of the scene for a moment during which just enough of the detail of rocks and trees would be revealed for a moment.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Brief sunrise light produces a rainbow and virga over the Buttermilks in the eastern Sierra Nevada above Bishop, California.
I have a story to tell about this photograph and how it came about. I’ve been in the Buttermilks — the rounded hills between Bishop, California and the actual Sierra Nevada — on a number of previous occasions. I’ve photographed there in the early morning when the first light hits these hills and the peaks of the Sierra, and I have some potential images filed away in my mind, waiting for a time when the light is right. I also know the Sierra well enough – though certainly not completely nor perfectly! – that I can pick up on developing conditions that might not apparent to someone less familiar with the range.
On this early October morning I was camped up in the Bishop Creek drainage. The forecast was for rain and wind and, sure enough, during the night the wind picked up and it began to rain. I woke before dawn and at the first light it was apparent that it would be overcast. This is not necessarily a bad thing for photographing fall color, but it can mean that subjects that would otherwise work at dawn might need to wait. I was thinking about how to modify my aspen photography plans when I noticed a bit of incipient color in the still-dim clouds, and it occurred to me that a special set of conditions might occur. Although I couldn’t see to the east from this campground, I know that sometimes clouds above the Sierra end a ways to the east over or beyond the White Mountains, and when this happens there is a narrow band of clear sky right above the horizon — and if everything works out just right a strip of dawn light shines through this gap, first hitting the clouds and then working its way down from the peaks to the lower foothills before quickly disappearing and leaving very bland light.
No sure thing at all, but I decided to dash down the road (past the steady stream of aspen photographers streaming up the road!) and see if I could get to the Buttermilks in time. I left the main road and headed up a side road that I know, somewhat resenting a (very reasonable!) 25mph speed limit near some roadside residences as I began to see the clouds above the crest starting to light up. As I hit the last section of gravel road the sky began to glow and I sped up, heading for a specific spot where I had photographed this scene before. With seconds I saw the light pick out a band of virga (rain that does not reach the ground) and a rainbow began to form in front of the eastern escarpment as I arrived at the hilltop where I planned to shoot. I quickly set up my tripod and mounted the 70-200mm lens (which I already knew would be the right one for this shot) and literally ran up a nearby knoll which I knew would put the foreground hill in a decent place in the composition. I was ready just as the soft light hit the foreground and I made this photograph. Within a minute the rainbow as gone!
Sometimes you just get lucky…
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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