Tag Archives: north america

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Yellow Buildings, Shadows, Moving Clouds

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Yellow Buildings, Shadows, Moving Clouds
Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.

Yellow Buildings, Shadows, Moving Clouds. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright G Dan Mitchell – all rights reserved.

Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.

This seems to be the week for photographs that result from a combination of preparation and serendipity. I made an attempt to photograph these specific buildings a year or so ago. I was not successful, and I managed to get spooked and learn a little lesson in the process. Most of the time night photography at Mare Island, and at many other places, is an incredibly quiet and peaceful and slow experience. There are often very few other people about, and in the darkness you can believe that you are entirely alone. Much of the work is done very slowly – wandering around looking for compositions in the near darkness first, and then patiently (or not so patiently!) waiting for long exposures to complete, sometimes more than once. On that first try here I had set up in an abandoned parking lot next to these buildings on a very quiet evening and was standing quietly by my tripod when I heard the sound of a car moving a somewhat fast. A sixth sense told me to pay attention… and a moment later a car came speeding around the corner of a near by building and into the parking lot! I don’t think I’ve ever grabbed my gear and run so fast! (The resulting photo is sort of funny and captures my panicked escape after perhaps 2/3 of the exposure had completed – the image of the buildings is there, but superimposed on it is a wild pattern of light formed as I spun around carrying the camera without even taking time to close the shutter.)

However, since then I have wanted to try shooting these buildings again. Late in the evening of this most recent shoot I noticed that some translucent clouds were passing overhead. When such clouds are lit from below and have a chance to move during a long exposure they can form very interesting patterns. I quickly wandered over toward that same notorious parking lot… and this time found a safer spot on a raised sidewalk along the front of some buildings… which also gave me a better angle on the buildings. The clouds were moving away and to the right, so I had to work quickly to get set up and start exposures. The first one (not shown here) was a slightly wider shot. Then I thought about the zig-zagging angles and shapes of the buildings roof lines and corners and noticed that the same shapes were mirrored in the shadow cast by a nearby building. With this in mind I decided to try a tighter crop on the buildings, and I ended up with the photograph seen here.

More Night Photography

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Shack with Red and Green Interior Lights

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Shack with Red and Green Interior Lights
Shack with Red and Green Interior Lights

Shack with Red and Green Interior Lights. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright G Dan Mitchell – all rights reserved.

A small shack with interior lit by red and green lights at the Mare Island Naval Ship Yard, California.

At last weekend’s night photography shoot with The Nocturnes at Mare Island Naval Ship Yard I wandered a bit further afield than I have on some previous visits, eventually ending up in an area where I have only photographed once before when I unsuccessfully shot a couple of large barn-like buildings. (I think I have a shot of these buildings from this trip that I like, and I’ll post it later on.)

While spending nearly a half hour photographing a light post against the backdrop of a very dark brick building (which amounted to two photographs, given the long exposure times and the follow-up “dark frame exposures) I kept thinking I saw a faint red glow inside a small nearby building. At first I thought that one of my fellow night photographers might be doing some light painting, but the light seemed awfully dim. Eventually I noticed that it was also quite constant – and light painting virtually always involves moving the hand held light source around in order to get a smooth lighting effect. Once I finished shooting the light pole (unsuccessfully, it turns out) I decided I would go over and see what was creating this light.

The buildings appears to be a small “guard shack” or similar, a very old and very dilapidated one room structure. Inside, as best as I could tell, there is a small table, a few chairs, a digital clock of some sort with green letters, and some kind of very dim red light. Intrigued, I decided to see if I could photograph it. One technical problem was going to be the very large difference in lighting between the bright light on the clock and the extremely dim exterior, made worse by the dark color of the building. I figured that I could probably put enough extra light onto the building’s exterior using a very small key chain LED light than I happened to have with me, and that is the major source of light on the front of the building and on the yellow foreground curve – I simply walked around on both sides of the building and moved the small light over its surface.

In the end, I think this is another example of night photography as a source of a certain kind of “fantastic” lighting. The actual scene was very, very dim, and the the intensity of the colors here is almost entirely the result of the very long exposure and a bit of improvised lighting on the yellow curb behind the fence – a photograph of something that cannot be seen with our own eyes.

More Night Photography

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Brick Wall with Windows and Doors, Artificial Light

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Brick Wall with Windows and Doors, Artificial Light
Brick Wall with Windows and Doors, Artificial Light

Brick Wall with Windows and Doors, Artificial Light. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright G Dan Mitchell – all rights reserved.

A brick wall with windows and a door is illuminated by garish yellow artificial lighting at Mare Island Naval Ship Yard.

During the final weekend of February I was able to join my friends from The Nocturnes for an “alumni” shoot at the historic Mare Island Naval Ship Yard at Vallejo, California. I photograph at this location a few times every year – most often with The Nocturnes – and each time I go I find something new or else find a new way to photograph something familiar.

This wall is in a little side alley off or one of the main roads through the facility. Although it certainly doesn’t look like it in this photograph, this is a fairly dark area of the island where rows of large factory buildings (mostly abandoned) are lit, for the most part, by a few security lights. Standing there next to me as I made the photograph, this is not what you would have seen. At best, I could make out the shapes and arrangement of the windows and door, recognize that the wall was constructed of bricks, and notice that the light from nearby yellowish artificial lights was diffused and broken up by shining through intervening fences and other stuff.

But, for me at least, one of the goals of night photography is to see what cannot be seen with our own eyes. The whole idea of a “realism” in night photography seems almost crazy to me, at least when shooting such dark subjects as this one. “Reality” is an incredibly dark and dim and barely visible wall. What is more interesting to me is what the camera can see in the near dark. Here it reveals the intense yellow/orange color of the artificial lighting and the uneven patterns of light and shadow.

(It also occurred to me as I worked on this photograph that while I generally am somewhat conservative with color and saturation and all the rest in my photography of natural landscapes… the wild, garish, and intense color and light of this night photography may represent an opposite pole for me.)

More Night Photography

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Branch, Water on Salt Flats

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Branch, Water on Salt Flats
Branch, Water on Salt Flats

Branch, Water on Salt Flats. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A forelorn branch sits near pools of reflecting water on salt flats of Death Valley National Park.

After the brief dawn light on the Panamints ended (see the photograph I posted yesterday) and the world went gray over in that direction, I noticed this odd log or branch sitting out on the mud in the salt flats between some of the ponds that streak this section of the flats. While the two minutes of beautiful color on the Panamints had ended, the increasing light was transforming what had been a fairly solid covering of gray into a transparency that revealed interesting layers and patterns of clouds in the morning sky.

I moved a bit closer and made one final sequence of Death Valley photographs before heading back to Stovepipe Wells to take down my camp and start the long drive home. I tried a couple different compositions, including some in which I was closer to the log, but in the end I prefer this one that put some distance between it and me and, I think, suggests the huge spaces that are among of the most compelling characteristics of this landscape.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.