Tag Archives: north

Eastern Sierra Ridges

Eastern Sierra Ridges
A seemingly endless series of ridges rises toward the crest of the Sierra Nevada in early evening light

Eastern Sierra Ridges. Near Mono Lake, California. October 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A seemingly endless series of ridges rises toward the crest of the Sierra Nevada in early evening light

The east side of the Sierra Nevada — the “eastern escarpment” — provides an often impressive and quite varied landscape. In places the terrain at the base of the mountains may be in the 4000′ elevation range, which in others the “lowlands” to the east may lie at 8000′ or higher. The mountains may erupt from this lower landscape in a sudden upward burst of granite and cliffs, or they may rise more gradually along mountain valleys that extend well into the range. In places the summit peaks are visible, while in some areas they are hidden behind lower peaks east of the crest. In one spot in the middle of the range the crest is actually lower than peaks to the west.

In this area along the western boundary of Yosemite the Sierra rises somewhat gradually from the high desert sagebrush country. The emptiness of this high desert gives way to a band of coniferous forest and is then replaced by the rugged granite high country. Here the sagebrush highlands rise, ridge upon ridge, toward the peaks of the crest, with the golden colors of early fall becoming muted by atmospheric haze in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mountains and Lake, Autumn Haze

Mountains and Lake, Autumn Haze
Hazy autumn light at dawn on Mono Lake and desert mountains

Mountains and Lake, Autumn Haze. Mono Lake, California. October 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Hazy autumn light at dawn on Mono Lake and desert mountains about autumn light in California.

I’ve written about the “golden” color, the muted quality, its softness, and otherwise tried to put my finger on what it is. I’ve known, for example, that something special happens to the light in the Sierra from late September onwards. But I’ve never been able to quite put my finger on the nature of the change. Is it the angle of the sun, changing weather, the colors of vegetation, or something else? It finally occurred to me — sometimes I’m slow! — after all these years that this is the wildfire season in the state and that this might be an important factor.

It surely is a factor in this early October photograph of morning light over Mono Lake. I’ve been poking around this area and making photographs for years, moving more and more towards images that are about the gigantic spaces and forms of this remarkable lake and its surroundings. On this morning I had gone to a different location, high above the lake, from which I had an overview of much of the lake and out to the east toward the rising sun as that autumn haze filled the air, muted details of the landscape, and filled the atmosphere with warm, golden light.

For decades I have recognized the obvious, that there is something different and special


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Slender Aspens

Slender Aspens
Slender aspen trees with leaves transitioning from green to yellow

Slender Aspens. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Slender aspen trees with leaves transitioning from green to yellow

I made this photograph quite a bit earlier in the season that usual — just past the middle of September. More typically I photograph these trees a couple of weeks later. However, this fall I made a reconnaissance trip to the Eastern Sierra at this early date and discovered quite a bit of good color, especially at higher elevations. (The typical pattern has the earliest color starting at higher elevations and in the smaller trees, then progression downwards and into the larger trees over the next few weeks.)

When it comes to the possible ways to photograph aspens, there are too many to count: front, side, or backlit; while there are still green leaves, when everything is golden-yellow (and orange and red), or when the trunks are bare; in sunlight or shadow; big trees and small; up close or from further back. I photographed this beautiful little grove of slender trees from some distance, using a long focal length to flatten the perspective a bit and to create a tighter composition. The leaves were at a typical early stage, with a few having turned yellow and others still quite green. But I think it was the slender and stark white trunks and the patterns they created that drew me to this grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Shadows, Sierra Crest

Evening Shadows, Sierra Crest
Mountain shadows on the Sierra Crest at sunset, Yosemite National Park

Evening Shadows, Sierra Crest. Yosemite National Park, California. July 14, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Mountain shadows on the Sierra Crest at sunset, Yosemite National Park

Earlier I had photographed in the large meadows along the Dana Fork of the Tuolumne, just below Tioga Pass, continuing to work until the sun dropped behind the long and tall ridge to the west. As I walked back toward my vehicle through the soft light of the shadows, the surrounding peaks were still in full sun. I started thinking about putting a very long lens on the camera and photographing the last light when if finally got to these peaks and ridges.

It took a while! This meadow area loses the light early, so even though I lingered there after the direct sun was gone, I still had quite a while to wait before sunset. The intense coloration of the arctic zone peaks comes from two sources. This section of the Sierra is topped by much older rocks — not granite but very reddish-brownish rocks. By the time I made this photograph the sun was very close to the horizon and the color of the light had warmed considerable, adding even more intense color to the rocks. (Inspecting the image file very closely I learned something new — there is a faint trail traversing the upper slopes of the ridge at the left!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.