If this photograph looks familiar, it may be because it is! A few weeks back I posted another photograph of more or less the same subject but in landscape orientation rather than portrait orientation. There are, no doubt, many examples of interesting trees growing out of surprisingly small cracks in the faces of sandstone cliffs in Zion and other similar areas, but I spotted this one in the “Big Bend” area of Zion Canyon, where I had stopped to photograph some spring cottonwood trees along the Virgin River.
I love the juxtaposition of the rich greens of the tree with the reds and browns of the sandstone cliffs. In many ways, these are two of the main colors of this part of the Southwest – with the addition of the blue of the sky. That palette of green, red, and blue is everywhere. And there is actually a bit of the blue here, too. The interesting coloration of the dark areas of the rock seems to be partly the result of reflections of the blue light from the blue sky that was above and behind my camera position.
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Happy birthday to the San Francisco Bay Area’s iconic Golden Gate Bridge!
Panorama of the Golden Gate Bridge, San Francisco, the Bay Bridge, and the San Francisco Bay in dramatic morning light.
Photographed from near the north end of the bridge, the sweep of the cables leading to the top of the north tower frames a panorama from Alcatraz Island at the far left, past beams of morning sun on the east end of the Bay Bridge, across the skyline of downtown San Francisco, with the Bay in the foreground.
Having lived and photographed in the San Francisco Bay Area for decades, the Golden Gate Bridge has been a central part of my experience of the area. I frequently photograph in San Francisco and across the bridge to the north, and even when the bridge itself is not my primary intended subject I almost always look in its direction to see what it will offer up as a new photographic opportunity. I have been fortunate to be close enough to see the bridge in an incredible range of conditions – at night, in winter storms, at sunrise, and more.
Since the 75th Anniversary of the opening of the bridge is being celebrated today, it seems like a good time to collect a few of my favorite Golden Gate Bridge photographs that feature, include, or are part of the experience of this icon. In keeping with the retrospective theme of such a birthday, I’ve chosen mostly black and white photographs. But first, a panorama…
Golden Gate Bridge Tower, Transamerica Building, San Francisco Skyline
Among the most famous views of the bridge are those looking back across the Golden Gate (which, technically, refers to the mouth of the bay) past the bridge toward the skyline of San Francisco.
Black and white night photograph of the north tower of the Golden Gate Bridge, San Francisco, California.
The bridge and the city take on a completely different appearance at night. This photograph was made from the hills near the north end of the bridge, looking back through it towards San Francisco.
Freighter departing San Francisco Bay on a foggy morning is seen through the cables of the Golden Gate Bridge with the San Francisco skyline in the background. Black and white photograph. September 18, 2007.
I am especially fond of the very early morning views of the bridge and the bay, and I often stop here on my way to photograph other locations. While one can certainly end up completely socked in by fog here, at other times the range of effects of atmosphere and light is extraordinary. Here several ships pass under the bridge on a morning when the fog is just beginning to clear east of The City.
Golden Gate and Bay Bridges, Morning Haze - Black and white photograph of Golden Gate Bridge north tower, the San Francisco-Oakland Bay Bridge, and the East Bay Hills in morning haze.
Seen from high in the Marin Headlands, the silhouette of the north tower of the bridge bisects the western span of the San Francisco-Oakland Bay Bridge on a morning when low haze blanketed the Bay Area.
Clearing Fog, North Tower of the Golden Gate Bridge - Morning fog clears from the North Tower of the Golden Gate Bridge, San Francisco, California.
Classic Golden Gate Bridge fog passes fills the entrance to the Bay and rises up over the hills of the Marin Headlands, with the skyline of The City visible on the horizon.
Golden Gate Bridge and San Francisco Bay, Morning Haze
The Oakland area and the eastern section of the San Francisco-Oakland Bay Bridge – both the old version and the new one under construction – seem over one of the towers of the Golden Gate Bridge.
Morning traffic crosses the Golden Gate Bridge approaching the south tower with haze-shrouded San Francisco hills and Sutro Tower beyond.
Looking south across the bridge toward the even taller structure of the Sutro Tower.
North Tower of the Golden Gate Bridge, San Francisco Bay, Morning
The silhouette of a large outgoing freighter passes beneath the San Francisco-Oakland Bay Bridge in the distance beyond the north tower of the Golden Gate Bridge.
San Francisco Bay morning fog over begins to break up over Alcatraz and Yerba Buena Islands and the San Francisco Oakland Bay Bridge.
Alcatraz Island and the Bay, lit by golden early morning light.
Photograph of the night skyline of San Francisco shot through the cables of the Golden Gate Bridge. Holiday lighting on downtown buildings.
I’ll include one real night photograph of the bridge, though I’ll be sneaky about it and not show the whole bridge. (There are plenty of those photographs floating around and, yes, I have those, too!) Here I shot through the cables with a very long lens on a late autumn night when the holiday lights had been put up on the downtown San Francisco buildings – Look at the far left to see the Transamerica Building and the Embarcadero Center lights.
The moon, in full lunar eclipse, passes behind the south tower of the Golden Gate Bridge.
I joined thousands of fellow Bay Area citizens to rise well before dawn and photograph this full lunar eclipse just before sunrise.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
New spring leaves appear on cottonwood trees along the Virgin River in Zion Canyon, Zion National Park.
I encountered this scene a short distance up the trail from the Temple of Sinawava area in Zion National Park, in the area below the start of “the Narrows.” Here the canyon of the Virgin River becomes quite narrow, eventually narrowing so much that the river often spans its entire width. These young trees, which were just beginning to show their spring leaves, are in along a slightly wider section where the river curves, and just be flooded during times of high water. Beyond, the river and the canyon twist right, left, and then back to the right again between the steep sandstone walls.
I’m always intrigued by trying to photograph these scenes of very dense foliage in which the frame ends up filled with a huge amount of detail. It is a challenge to try to create anything like an effective composition out of this complexity, and I think it is even more difficult to make such photographs “work” in the small presentation necessary for sharing on the web.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening clouds above sandstone towers and desert terrain, Arches National Park.
I think I can manage to coax one more photograph out of my collection of shots from my first evening in Arches National Park back in early April. To recap the story, we checked into a motel in Moab in the middle of the afternoon, and then had enough time to make a late afternoon and evening foray into Arches. We ended up in the “Windows” area just before sunset and ended our day shooting here as the sun set and then on into the evening.
I didn’t get anything of particular note that included the arches for which this spot is known – for example the North and South Windows. (I did photograph the South Window, but by this time the light wasn’t quite what I was looking for.) The wind was very strong, so I ended up behind some of the main rocky formations looking for shelter, and this provided a fairly clear view to the east just after the sun set. In this direction there was a small cluster of red sandstone formations, and as the evening sky begin to clear just a bit and the post-sunset cast a glow over the sky and the land beneath I made a few photographs in this beautiful soft light.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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