Tag Archives: obscured

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Blue Mountains

Image Leave a comment
Blue Mountains

“Blue Mountains” — Desert mountain ridges, obscured by morning haze, extend into the distance.

If you have been following my 2023 photographs from Death Valley — I visited in March — you may recognize the contours of these distant mountains from a couple of monochrome images I shared earlier. I was at a high elevation location along the east side of the valley to photograph the playa at sunrise, but from time to time I turned my attention the other direction to look at these ridges extended into the distant haze.

One pleasure of viewing the world from such a location, high above the surrounding landscape, is that we sometimes see so far that eventually the features simply disappear into the distant haze. Here the haze was so thick — and back lit — that details were lost, leaving only the counters of the main features of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Croatia, Photographs: Europe, Photographs: Travel

Window, Trogir

Image Leave a comment
Window, Trogir
Plants grow behind a small obscured-glass window in Trogir, Croatia.

Window, Trogir. © Copyright 2023 G Dan Mitchell.

Plants grow behind a small obscured-glass window in Trogir, Croatia.

As another photographer once wrote, “There’s always something to see!” We all occasionally discover that we aren’t “seeing” like we used to, and perhaps we feel like there is nothing to photograph. But there is always something. It may not be the thing you were looking for, but if you keep at it, perhaps looking in places that you don’t normally pay attention to or possibly thinking about what you could do differently.

I was not planning to photograph tiny windows with plants behind obscured glass when I went out to photograph in Trogir, Croatia last August. I was in “street photography” mode, looking for people in interesting places and poses, against the backdrop of this very old city. But by opening my eyes and taking a bit more time I was able to see things like this that are easy to overlook.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Headlands, Surf, and Fog

Image Leave a comment
Headlands, Surf, and Fog
Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.

Headlands, Surf, and Fog. © Copyright 2023 G Dan Mitchell.

Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.

This is a scene that I have tried to photograph many times. When I stop to make a photograph here, it always seems like it should be easy… but it inevitably ends up being very challenging if not impossible. The subject is quite a distance away, so it requires a very long focal length. However, the long focal length magnifies issues created by air movement across the great distance, and even with though I want to evoke that soft atmosphere, it is hard to get the right balance of detail where it is needed. I tried again this past week, and decided to interpret the subject in a bit of a different manner.

A challenge is that the hazy conditions that obscure and diffuse the subject in the way I hoped for also tend to be both gray and of quite low contrast. To address that I decided on a brighter, high key rendition of the scene in which the colors are extremely subtle and the darkest tones are, objectively speaking, still at the brighter end of the scale. In a sense, the object here is to “suggest” more than to “record.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands Gully

Image Leave a comment
Badlands Gully
A deeply forrowed and eroded badlands gully, Death Valley National Park.

Badlands Gully. © Copyright 2022 G Dan Mitchell.

A deeply forrowed and eroded badlands gully, Death Valley National Park.

This scene may look familiar — I shared a vertical-orientation photograph of the same subject a few weeks ago. Often a subject strongly suggests either the vertical “portrait” orientation or the horizontal “landscape” arrangement. But sometimes a subject can work either way, albeit with different effects. Here I feel that the vertical interpretation more strongly followed the upward trajectory of the central gully, but that this version embeds it more firmly in the converging diagonal lines on the sides and emphasizes its curve.

This is not a major Death Valley feature. If you went to the location where I made the photograph you might not notice it. The gully is relatively small and high on a hillside, so I used a long focal length to frame it tightly. (I’m a big fan of long focal lengths for landscape photography.) It was early enough that the light was not yet intense and stark, and a bit of high cloudiness softened it a bit more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.