Tag Archives: overcast

The Quiet Pacific

The Quiet Pacific
“The Quiet Pacific” — The Pacific Ocean on a quiet, overcast morning on the Big Sur Coast.

There is not a lot happening in this photograph. In fact, the scene was as close to static as ocean scenes can be. It can be quite dramatic and dynamic here, especially if the sun is out, a big swell is generating high surf, the wind is blowing, and wildlife is present. But on this unexpectedly foggy morning it was quite still and most of the tourists were still sipping coffee back in town.

The location is a very high overlook along the Pacific Coast Highway south of Carmel. Several things intrigued me about the scene on this morning — not just the unusual stillness. The boundary between the ocean and sky was muted by the fog bank, and the light was soft and gray. A mysterious line of foam led from the foreground rocks far out into the ocean.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Big Sur Headlands, Fog

Big Sur Headlands, Fog
“Big Sur Headlands, Fog” — Morning fog on and early fall morning along the Big Sur coast.

You never can be quite certain of the conditions you’ll encounter along California’s Big Sur Coast. Ocean and continent boundaries are transitional zones, and conditions depend on which one dominates. On this visit I expected to arrive to clearing fog and broken sunlight on the coast. But, alas, it remained cloudy the entire time I was there. Fortunately, there are advantages to such conditions, too. The press of tourist traffic diminishes, and the coast can take on a quiet and moody quality.

I stopped at a high point where I rarely photograph these days, having been there so many times over the decades. When I do stop, it is often to use the vantage point to see if whales are passing by. No whales this time, but the headlands lined up to the north, gradually receding into the mist and haze, seemed pretty interesting — interesting enough to pull out the camera and make this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Scottish Forest, Soft Light

Scottish Forest, Soft Light
“Scottish Forest, Soft Light” — Soft light under thin overcast illuminates Scottish forest on the Great Glen Way.

This sort of terrain was far from typical during our trek along Scotland’s Great Glen Way this past May. We did walk through a lot of forests, but many of them were extremely dense and dark — that sort of forest you might describe as “impenetrable.” We did see moss like this in places, which is not surprise given the Scottish weather. But this sort of green, open forest was a bit of a rarity.

In any case, this open forest was also a surprise when we encountered it. At the start of the day’s hike we had climbed up from flatlands and into open highland terrain with expansive views and a lot of wind! From there we descended back into trees and then traversed along a ridge paralleling Loch Ness. Here the thick trees blocked any open views. But shortly after our lunch stop we came upon this magical, light-filled section of open forest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Break in the Overcast

Break in the Overcast
Late afternoon sunlight breaks through overcast to illuminate eastern Sierra aspen groves.

Break in the Overcast. © Copyright 2023 G Dan Mitchell.

Late afternoon sunlight breaks through overcast to illuminate eastern Sierra aspen groves.

On this year’s early October visit to the Eastern Sierra I was surprised to find more color than expected here and at other familiar locations. The high elevation color is typically past its peak by this date, mid-elevation color is getting good, and lower trees are still mostly green. But this year felt different — it seemed like the higher trees sustained their colors while the lower trees were ahead of schedule, with the result that the color spanned a wide range of elevations.

Heading south after crossing Monitor Pass I passed by this familiar vista. I was surprised by the amount of color and the good condition of the trees, so I made a point of scheduling a return visit in the evening when the trees are usually backlit right before the sun drops behind the crest. However, clouds had entered the picture and the light was dull… until a few beautiful beams of light broke through the overcast shortly before sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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