Tag Archives: overlapping

Photographs: Nature

Overlapping Leaves

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Overlapping Leaves
Bright spring leaves overlap in the spring gardens of the Filoli Center.

Overlapping Leaves. © Copyright 2023 G Dan Mitchell.

Bright spring leaves overlap in the spring gardens of the Filoli Center.

Whether I find myself on a redwood trail or at a formal garden, I can never resist photographing the leaves of plants. They are among the subjects that supply a virtual infinity of shapes and colors and arrangements to work with — which still somehow surprises me. Are they thick or thin? Long or short? Dark or light? Smooth or veined? Back-lit or top-lit? Direct light or filtered? The expected green or any of a rainbow of other possibilities?

I found this plant (or, more correctly, these plants) tucked away in a corner at a large San Francisco Peninsula garden that we visited in late May. The growth was thick and the shadowed light was soft, which revealed a lot of texture and shape — of individual leaves and of the composite forms created by their overlapping arrangement.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand Dunes, Soft Light

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Sand Dunes, Soft Light
Soft morning light on overlapping sand dunes, Death Valley National Park.

Sand Dunes, Soft Light. © Copyright 2022 G Dan Mitchell.

Soft morning light on overlapping sand dunes, Death Valley National Park.

We often hear that photography is all about light, and nowhere is this more true than when photographing sand dunes. In the middle of the day the dunes can be challenging to photograph, with harsh light and little definition of their forms. But all sorts of magic can happen when the angle of the light is lower and the dunes act as a canvas to capture and reflect the light and its color, intensity, softness, and more. The colors can vary through almost every shade from blue through red, and the light may be soft and gentle or stark enough to turn shadows almost black. And at times the light passes through all of these stages and more in moments.

I’ve long felt that dune photography gives the photographer more creative and interpretive freedom than many other subjects. Because the subject is so basic, it is possible to take liberties with the light — its intensity and color — and render photographs of dunes in a variety of subjectively true ways. The light was extremely soft when I made this exposure, so I used to tools of the post-production stage to bring out the colors and forms of the subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Strata

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Red Strata
Overlapping ridges of red strata in the Utah backcountry.

Red Strata. © Copyright 2021 G Dan Mitchell – all rights reserved.

Overlapping ridges of red strata in the Utah backcountry.

Our plans for this day in Southwest Utah were a bit vague. Initially I had in mind perhaps three or four possible destinations, but recent rainfall (which leads to mud, with its pluses and minuses) convinced me that perhaps a drive on a long, isolated backroad might make more sense than a foray into a deep and narrow canyon. Besides, I knew of at least one canyon along the route that was less likely to be muddy, being a bit wider and shallower. So off we went.

One thing about a couple of photographers driving through a fascinating, beautiful place is that… there are a lot of stops. By the time we got to a decent turn-around point on this drive we realized that it was late enough in the day that we probably wouldn’t have a lot of time to explore on foot on the way back. I made a guess that a particular section of narrow canyon might be easily accessible from our route, though I couldn’t be sure since I had not previously visited that canyon. We stopped, walked a bit, and quickly realized that the entry was a bit more complex than we had in mind. We tried another canyon entrance with similar results — given more time we could have gone in, but time was the one thing we didn’t have. But along the route on the way in I had noticed this impressive are of impressively red and impressively eroded strata, and we had time to stop and photograph it before heading on.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Morning

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Morning, Zabriskie Point
Layers of overlapping badlands formations in morning light, Death Valley National Park

Badlands, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Layers of overlapping badlands formations in morning light, Death Valley National Park.

This location provides a spectacular bit of Death Valley scenery, but it isn’t photographed as often as some nearby areas that are regarded as being more iconic. It also tends to be a bit more visually attractive, at least in my view, at a time of the day that is later than the usual “golden hour” morning time when most photographers tend to be in the area. Over the years I have had a sort of informal project to photograph this spot during these times.

This is also an older photograph — not from this year’s two visits to Death Valley but rather from a trip about eight years ago. Every so often I “discover” a photograph that I had overlooked when I originally made it. Missing them has puzzled me a bit, but I think it is some combination of moving on to the “next thing” a bit too quickly, not being ready to understand how to “see” the image as a final photograph right away, and being distracted by other contemporaneous work. Back then I did work up another view of this scene — it included more of the contrasting colors near the top of the frame, and by comparison this one may have seemed too subtle… which, of course, is now part of what I like about it!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.