Tag Archives: patterns

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Salt Flat Patterns

February 22, 2013 G Dan Mitchell Leave a comment

Detail of a section of Death Valley salt flats as seen from Dantes View

Death Valley is often not quite what it seems to be. Repeat visits and views from different perspectives – far away, very close up, from above – begin to reveal things that you might not see at first. From next to and on the salt flats in the lowest section of the Valley, you see a very desolate terrain – one of the most non-human terrains I know. Here, well below sea level, there are places that seem completely inhospitable and alien, landscapes of caked salt, worked and sharp-edged salt and dried mud, seeps of shallow water, occasional odd plants, and landscape that often seems to go on almost endlessly the same way. But just as looking more closely reveals surprises (such as living creatures in those millimeters-deep pools of salty water), the view from overhead shows patterns that cannot be readily seen up close.

This photograph was made from the summit of Dantes View. This high point along the eastern side of the valley is close to a mile above the Valley floor. The view can often be panoramic, stretching for tremendous distances in almost all directions, blocked only by the higher peaks of the Panamint Range to the west and a few other high points nearby. Although Dantes View is one of the best known “iconic” locations in the park, I have a complicated relationship with the place. First of all, I seem to attract awful weather when I go there, perhaps because I tend to do so in the season that is winter elsewhere in the state. Not too long ago I attempted to drive to the summit on a winter day and was turned back by a snow storm perhaps a half mile from the end of the road. In addition, it has been hard for me to warm up to the place as a photographic subject. In some ways, there is almost just too much in the view for me to see how to isolate a photograph out of that detailed immensity. I dealt with that here by using a very long lens and restricting my view to a small section of the valley floor, without much context of surrounding terrain, which I think produces a photograph that allows the features in this frame to be seen as abstractions.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Patterns, Dried Plant

November 9, 2012 G Dan Mitchell 2 Comments

A dried plant and sandstone patterns in a southwest desert canyon, Utah

I was in Utah twice this fall, most recently with my friends Charlie and Karl to photograph a range of desert canyons and similar terrain. I’ve written before that I’m very new to photographing Utah, having seriously shot there for the first time only this past spring. But I’m trying to make up for lost time! Overall, I have spent something like a total of more than five weeks there this year! Yes, I like shooting in Utah. :-)

On the previous visits, I went to quite a few of the well-known locations – largely the national parks – and began the process of getting to know and understand that place a bit. On the most recent visit I was fortunate to be traveling with people who have shot there for decades, and I benefited from their long experience. Getting a bit more off the beaten track, we barely touched national parks – passing through Zion and visiting some remote areas of Capitol Reef. Instead we poked into a range of little canyons and valleys and so forth that don’t have the prominence of the parks. The specific locations are perhaps not that important since the state seems to be filled with similar places. This was my first real experience with the intimate desert canyons and river/creek courses that carve deeply into the landscape, where midday light bounces and reflects into the deep landscape in ways that are utterly unlike the California locations where I most often photograph.

This photograph was made in such a place, the first narrow canyon that we visited. Parking in an inauspicious spot along a gravel desert road, we dropped into a wash and wandered upstream, soon entering a narrow canyon as the sandstone walls rose beside us. Before long the canyon was narrow enough that we had to continually cross back and forth across the creek or simply wade straight up its course. As the canyon narrowed, direct sunlight no longer made it down to the creek – instead the light reflected from the higher cliff faces and bounced down into the canyon, toning the light red from the sandstone surface. In this photograph the cliff and two large pieces of sandstone contain angled strata and reflect the light in various ways as a small and seemingly dead plant sits in a crack in the rock.

Photographs: Abstract, Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Textures

Cloud Forms #3 – September 16, 2012

September 18, 2012 G Dan Mitchell Leave a comment

Evening sky above Olmsted Point in the Yosemite Sierra.

On my return from a mid-September eastern Sierra backpack trip, I again passed through Yosemite National Park on the Tioga Pass Road. By a bit of luck combined with some planning, I managed to time of my passage so that I could be there during the last hour or so of the day, figuring I might try to grab a few last opportunistic photographs before driving back to the Bay Area after dark. With that long, dark drive ahead of me, I decided to aim for a stopping point a bit further west along the route, and I stopped about a half hour before sunset at Olmsted Point.

Although I have a number of photographs of the iconic image of the “backside” of Half Dome from this location, the lighting here can be interesting enough that I’ll stop and try “one more time” if I happen to be there. As is often the case, the lighting did not initially appear too promising. The typical autumn wildfire haze was in the air, lending a bit of a yellow/brown color to the hazy lower atmosphere, and the higher clouds seems thin. But if there is one thing that I (and just about any other landscape photographer!) have learned by now, it is that the last minutes of daylight {and the first moments after the sun sets} can be full of surprises. I began with the practical step of scoping out a composition of the iconic dome, but then I turned my attention to lots of other subjects that surround Olmsted Point: the sparse trees ascending the granite slabs across the roadway, higher ridges across Tenaya Canyon and in the opposite direction, the Sierra crest around Mount Conness, and the sky. For a brief moment after the sunlight had left Olmsted Point, the final rays passed through atmosphere near the western horizon and lit up the patterned layers of clouds and drifting wildfire smoke.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badwater Salt Flats, Evening

November 2, 2011 G Dan Mitchell 4 Comments

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

G Dan Mitchell Photography

Tag Archives: patterns

Salt Flat Patterns

Like this:

Sandstone Patterns, Dried Plant

Like this:

Cloud Forms #3 – September 16, 2012

Like this:

Badwater Salt Flats, Evening

Like this:

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

Share this page:

Like this:

Share this page:

Like this:

Share this page:

Like this:

Share this page:

Like this:

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.