Tag Archives: photo

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Marsh Grasses and Fog, Dawn

November 26, 2013 G Dan Mitchell Leave a comment

I went to this place to photograph birds – at least that was my excuse. In the past few years I have become passionate about photographing migratory birds in the Great Central Valley of California between late fall and early spring – geese, cranes, herons, ibises, and more. Once you hear the cries of these birds as thousands of them flock together on the ground or in water or, better yet, as they fly overhead, you can become obsessed. In the fall I anticipate their return and watch for early signs. A few weeks ago we managed to find cranes further up the valley, and I knew that the geese wouldn’t be far behind – so this trip was, literally, a “wild goose chase.”

But the truth is a bit more involved. As much as I love the birds, I think that I’m at least as attracted to landscapes where they are found, and to the weather conditions of this season. You might think that a bird photographer would want clear skies and bright light, but I look forward more to fog, clouds, and mist and other kinds of interesting atmosphere. It occurs to me that the birds may partially be my excuse for visiting this landscape. I was expected that it might be clear on this morning, so I was happy (strange photographer!) when I drove into thick fog a few miles from my destination. I arrived just before dawn as the sky was somewhere in that color range between blue and purple and pink, but just barely visible though the murk. I made a few true sunrise photographs that included a barely visible sun behind fog and clouds, then moved on along a gravel road to try to locate the cranes that I could hear. As I came to a right angle turn, the fog stretched beyond the nearby grasses and straight toward the low sun in front of me, thick enough that all details in the distance disappeared (with the exception of a few barely visible birds) into a luminous glow that was almost painfully intense

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Cottonwood Trees, Reflection

November 25, 2013 G Dan Mitchell Leave a comment

Cottonwood trees with fall foliage reflected in the Merced River

Believe it or not, this is the mighty Merced River, draining a vast section of the Yosemite High Sierra that extends all the way to the highest peaks of this section of the Sierra crest. On this late October afternoon, on a dry day during a dry month at the end of the second of two drought years in the Sierra, the river felt in many ways more like a creek. The water moved slowly, gently rippling over rocks in the shallow sections and pooling in the deeper areas where the movement of the water was almost invisible. The contrast between this scene and what the river can do is apparent when your realize that these trees could be standing in very deep water during the peak runoff floods of a wet year.

I had wandered out to this relatively accessible location in the afternoon, drawn by the golden cottonwood trees that were approaching their peak autumn color, the brilliant fall backlight from the low afternoon sun down the Valley to the west, the shadowed granite face beyond, and the possibility of using the river as an element in photographs. I was apparently not the only person with this idea, and when I arrived I found perhaps a half-dozen painters occupying strategic spots on gravel bars, the beach, and along the banks. I made some photographs that included these artists, but I also contrived to exclude them from some of the compositions, including this one that brought together all of those elements that I came here to find.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Forest and Cliffs, Autumn

November 24, 2013 G Dan Mitchell Leave a comment

Soft autumn light on Yosemite Valley forests and granite cliffs.

A typical day of shooting in normal weather in a place like Yosemite Valley starts early – though perhaps not as early as in some other locations, since the first light is somewhat muted by the tall cliffs and taller peaks to the east. I select subjects largely based on what the light is like and where I think it will be interesting, often focusing on places where I can get nice backlight, soft light in shadows, or perhaps atmospheric conditions such as fog. I may move around the Valley, shooting in one spot for a while and then moving on to another place where I suspect that conditions might be interesting. Depending upon the conditions and the season, this can go on for hours in the morning until eventually the light becomes “midday blah” and I’m exhausted and hungry! Time for a (very late) breakfast break and a pause in the photography on most days. After coffee and food I’ll usually take care of some business, for example breaking camp if it my final day there, and I’ll often wander around to visit familiar places – perhaps a gallery or a museum – and then it is probably time for a short nap. (Keep in mind that I’ve been up since well before dawn, and will likely shoot until dark and then possibly drive for four hours or more!)

At some point in the mid to early afternoon it feels like time to photograph some more – the angle of the light becomes less and backlight opportunities increase, afternoon haze may be increasing the sense of depth in the landscape, and I need to begin figuring where I’ll want to be at various times during the evolution of the light that will continue until after sunset. On this afternoon I went back into photography mode at about 2:30 or so, and this photograph was made at the “early” hour of around 3:00. But because it was fall, the sun angle was already low enough to backlight and highlight the cottonwood trees at the edge of the meadow and the textures and shapes of the granite cliffs rising above the Valley.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Hiker, Black Oaks, and Meadow

November 23, 2013 G Dan Mitchell Leave a comment

A hiker crosses a Yosemite Valley meadow beyond black oak trees with autumn foliage

Yes, yet another photograph of autumn oak trees and Yosemite Valley meadows! It is (or was) the season in late October and I’m still sorting through the photographs. When I first arrived here my plan was to photograph the black oaks as a “natural” landscape without people. So I found a composition that I thought would work and settled in to wait for the folks who were (as is inevitable in the Valley) wandering around in the meadow to finish and move out of the frame. It seemed that every time the view was about to be clear yet another person would arrive and walk into the frame. I finally decided that I might have to make two or more photographs and blend the “person-less” sections to create one image without hikers, so I made a few exposures as two or three people walked across. (I also timed some of the shots so that the people would be hidden behind the oak trees.)

As luck would have it, after I decided on this approach there was a point at which no human figures appeared in the scene, so I do have my natural landscape version of this scene. However, after thinking about it a bit more, I actually like the version with a person in it better! While most of my landscapes are “people-free,” every so often I do one that includes the figures in the frame. I’ve learned a few things about this. First, having a person in the frame isn’t always a bad thing. (Yes, file that in the “duh!” file.) The presence of a human figure can both crystallize the composition and it causes us to relate to the scene very differently – perhaps imaging ourselves being there or perhaps considering what the person in the photograph might be thinking and experiencing. Second, the figure can often be quite small and still change the effect of the image in ways that are much bigger than the small figure might suggest. As an exercise, try to just barely cover the person with your finger. Notice how the greatly the effect of this scene changes?

G Dan Mitchell Photography

Tag Archives: photo

Marsh Grasses and Fog, Dawn

Cottonwood Trees, Reflection

Forest and Cliffs, Autumn

Hiker, Black Oaks, and Meadow

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.